Jill Scott will be back behind the counter at a cafe in Wythenshawe despite being crowned queen of the I’m A Celebrity… Get Me Out Of Here jungle.
The Lioness legend stormed to victory in the hugely popular ITV show, beating disgraced politician Matt Hancock and soap heartthrob Owen Warner to the top prize in the final.
Shortly after England lifted the Women’s Euro 2022 trophy in the summer, Jill was spotted right back behind the counter greeting customers in the Wythenshawe coffee shop.
And she’s set to do the same again now with her new reality TV crown on her head.
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Credit: The Manc GroupCredit: ITVJill Scott in Boxx2Boxx cafe and winning I’m A Celebrity
Speaking to OK! Magazine shortly after leaving the I’m A Celebrity jungle, she said: “I’ll definitely be going back in Boxx 2 Boxx.
“As soon as the Euros was over I went in because I like to thank them for the support, Shelly has been saying they’ve done hoodies and they’ve been buying them and we’ve given money to charity and they have wanted hot banana water.
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“We have customers that have been so loyal to us and have kept the shop going running, especially through Covid so 100 per cent.
“Just like the Euros, I’m not going to change who I am. So it will be about getting round there and thanking everyone really.”
Honestly, can you imagine anyone more deserving of the I’m A Celebrity crown? What a good egg.
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Jill’s cafe even got a shout-out during the show, during the ‘Partners in Grime’ trial.
As campmates were quizzed on details of others in the group, Jill was up first. Showered in a swarm of bugs that dropped onto her head, Ant and Dec then asked her how many haircuts Hollyoaks actor Owen Warner had a week.
Up next, Jill was asked to place her headphones over her ears whilst Owen was asked the name of her coffee shop, to which he correctly replied “Boxx2Boxx”.
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TV & Showbiz
Rare picture of David Bowie’s legendary one-off gig in Stockport unearthed
Danny Jones
A rare picture taken from the night of the late, great David Bowie’s legendary one-off gig in Stockport has been unearthed by a local whilst digging through his loft.
Imagine having that kind of history just squirrelled away in an attic…
As revealed by Stockport Music Story, after being supplied with the image by David Maynard, the snap was shared more than half a century on from the much-mythologised moment in Greater Manchester music history.
In fact, it was put on display and posted on social media quite literally 56 years to the day since Bowie played his only Stopfordian set on 27 April, 1970.
Maynard himself is featured in the newly discovered photograph (second from the left) and was one of the select and lucky few who were in the room for that very special show.
Organised by a group of teens on behalf of the Stockport Schools’ Students’ Union, the performance took place at the long-gone Poco a Poco music venue and club over in Heaton Chapel.
The storied space hosted many big names over the years – Gerry Marsden, Freddie Starr, Hank Marvin and more – but sadly closed in May of 1987 following a fire.
It went on to become the popular Hinds Head pub, which still serves punters to this day, but once had the honour of hosting a true artistic great and British icon.
For anyone wondering, this is indeed the same night on which David Robert Jones (yes, that’s Bowie‘s full birth name) missed his train home and had to sleep on the railway platform.
Here’s a BBC segment covering the tale back on its 55th anniversary in April 2025.
It may be a small and somewhat curious claim to fame, but native love the legend of it all nonetheless.
As for the other individuals pictured alongside him, Stockport Music Story (SMS) said: “The names of the people we know are David Maynard (2nd left), Roz Wood (3rd left), David Bowie, Bill Frost (2nd right), Stewart Rigby (right).”
They go on to add: “It would be amazing to find out who the other people in the photograph are and what they remember from that night.” We sincerely hope they do.
You can now see the plaque up close and personal at Stockport Station for yourselves and as for SMS’s growing archive of the region’s creative culture, you can find out tonnes more about other pieces of SK heritage right HERE.
Featured Images — David Maynard via Stockport Music Story/Stockport Council
TV & Showbiz
Five Greater Manchester-based music artists you should listen to | April 2026
Danny Jones
Ay up, you lot – we’re back with another box office batch of music from in and around Greater Manchester for you to get your teeth stuck into.
We’d like to think you know the deal by now, but if not, here’s a quick rundown for you…
Every month, we look back on the local bands and artists, either hailing from or now based in the area, that are spending regular time in our rotation.
It doesn’t matter if they’re still just young prospects or they’ve been at it for decades: if it’s good and it’s been in our ears, it goes on the list. Ready? Let’s go, then.
Five Manc bands and artists we’ve been listening to recently
1. Harry Lyon
First up is April’s cover star: the wonderfully talented Harry Lyon, who is another born and bred and now quietly plying his trade here in Greater Manchester and already showcasing a great level of versatility early in his career.
He moved to the city from Sheffield not too long ago, and his creative output has only ramped up since he got here. Toying with everything from alt-pop/indie to straight singer-songwriter stuff that wouldn’t sound out of place on the radio, his often R’n’B-esque vocals mean he can turn to multiple styles.
We actually lucky enough to bump into him in person earlier this month over in Stretford, and you’ll be glad to hear he’s also as sound a person as we hoped he’d be; he even teased a new single on the way, but for now, we’ll recommend ‘Violet’, ‘Backwards’ and the piano version of ‘While We’re Still Young’.
In fact, he does acoustic versions for most of his songs, and a fair few of them genuinely rival the originals in their own way.
From an up-and-comer to some Manc veterans that often get overlooked in the shadow of their even longer-standing and more well-known predecessors, but we’re going to go out on a limb and say something controversial here… We think we might prefer Black Grape to Happy Mondays.
Before you bite our heads off, let us explain: while the Mondays are obviously way more iconic and had a huge influence on the overall Madchester scene, we would argue that their progenic spin-off are almost a more honed evolution of at least some of what the Ryders and co. first created a buzz around.
Not only do the likes of ‘Kelly’s Heroes’, ‘Nine Lives’, ‘String Theory’ and more have so much more guitar in them (which will always score extra points for me), but more importantly, there is so much more successful experimentation with different instruments, cultural sounds and blends of energy.
It can be hard to know where to start, but those three examples aren’t bad options, and ‘In The Name of The Father’ is also such a vibe – we’re hoping we see it on the setlist for Outwards Fest next month.
BLACK GRAPE play Outwards Festival on Saturday 2nd May 😎
For fans of Sports Team, Spangled, Deadletter, and pretty much any current post-punk pioneers, these former students who originally hail from Cambridgeshire but have come up in and around the local rock scene have been making a splash for a little while, and now it feels like things are hitting a fever pitch.
Sometimes the idiosyncratic lyrics put you in mind of rising Oldham star, Seb Lowe; there’s even one intro that could be the start of a more upbeat and melody-forward King Krule, and you even get notes of Slaves/Soft Play at times. Whatever you hear, personally, you won’t find a bad song – we haven’t yet.
As the lyrics on ‘Are You The Best Yet?’ state, some of this stuff literally makes our knees go weak. We can’t remember the last time a band came around that has you eagerly awaiting the inevitable guitar break, let alone when you fully lock into one and pull a face (we’ve all got our own).
They’re so, SO good, and they help prolong some songs that, while brilliant, could feel more like fast-paced flashes in the pan without them. It all amounts to something extra and ups an already healthy dose of swagger: that’s definitely what you get on the recent ‘Cambridge Is On Fire’ and most of their tracks.
In at number four is another one to watch within the genre. Some industry figures have equated them to the likes of the Amyl and the Sniffers, Lambrini Girls, Viagra Boys, and so on, but we think there’s a much cooler sense of darkness going on with their approach – however familiar the repetitive guitar playing and aggressive, shouty vocals may be.
Luckily, their discography – not unlike that of their aforementioned punky peers – isn’t that extensive just yet, so you can easily work your way through all their releases soon enough, and they’ve also got a big gig at White Hotel coming up just after they drop their debut LP, Hodge Podge. Watch this space…
Our present picks would be ‘American Boy II’, ‘Marina’ for the foreboding sense of build and that central riff alone, and you simply have to listen to their latest single, ‘Creeping Offences’, which, understandably, is the best track in terms of production they’ve dropped yet.
We want to see them live before passing any decisive judgement, but we like what we’re seeing so far.
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5. A Certain Ratio
Now, we’ve touched on electronic-influenced alternative group in Black Grape, but what about another truly influential act from within that fluid space? Probably one of your bands/favourite DJ’s favourite artists, whether you know it or not, A Certain Ratio were tastemakers long before even they knew.
If the previous two are post-punk, then these lot are the funkier forerunners, known for their trademark muted strumming patterns, heavily distorted, codified and multi-layered mixes, ACR have been going nearly half a century now, and they were doing all this stuff long before virtually anyone else.
You’ll inevitably fall down a bit of a rabbit hole listening to their stuff, but ‘All Comes Down To This’ is a good starting point, and ‘1982’ has always made us think of what a Doctor Who-themed rave might sound like.
Oh, and purely because it still sticks with us as an eye-opening first listen, it really doesn’t get much better than this one:
And once again, that’s all she wrote.
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We hope you dive into at least some of these names over the long bank holiday weekend, as three uninterrupted days of listening couldn’t have timed any better.
Daisy Jackson -
29th November 2022 
