Will Smith has finally done his first interview since the infamous Oscars moment that saw him slap Chris Rock across the face on stage.
The actor – who went on to win an Academy Award for King Richard that same night – chose to speak to Trevor Noah on The Daily Show last night.
Will has kept quite a low profile since The Slap, but will return to our screens soon in new AppleTV film Emancipation.
In his interview, he said he had a lot of ‘bottled rage’ which exploded in a very public setting after comedian Rock made a joke about Jada Pinkett-Smith’s shaved head.
Will got visibly emotional when discussing his nephew’s reaction.
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He said: “My nephew is nine. He is the sweetest little boy.
“We came home. He had stayed up late to see his uncle Will and we are sitting in my kitchen and he is on my lap and he is holding the Oscar and he is just like, ‘Why did you hit that man, Uncle Will?’”
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He then took out his tissues and said: “Damn it. Why are you trying to Oprah me?”
“I was gone. That was a rage that had been bottled for a really long time,” Smith said.
Will then explained: “{It was a lot of things, it was the little boy that watched his father beat up his mother. All of that just bubbled up in that moment. That’s not who I want to be…”
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He also said: “There’s many nuances and complexities to it. But at the end of the day, I just – I lost it, you know.
“I guess what I would say is that you just never know what somebody’s going through. I was going through something that night, you know? Not that that justifies my behaviour at all.”
Flash back to March and the week of the Oscars, and the award ceremony host Chris Rock made a joke about Jada Pinkett-Smith’s alopecia, comparing her shaved head to GI Jane.
Will Smith and Lupita N’yongo at the Oscars this year.:
The joke didn’t go down well with the couple, needless to say, with Smith hopping up on stage to deliver a firm slap across Rock’s face.
He was later heard shouting: “Keep my wife’s name out your f***ing mouth” while Hollywood’s elite looked on in shock.
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His full statement at the time said: “Violence in all of its forms is poisonous and destructive. My behavior at last night’s Academy Awards was unacceptable and inexcusable. Jokes at my expense are a part of the job, but a joke about Jada’s medical condition was too much for me to bear and I reacted emotionally.
“I would like to publicly apologize to you, Chris. I was out of line and I was wrong. I am embarrassed and my actions were not indicative of the man I want to be. There is no place for violence in a world of love and kindness.
“I would also like to apologize to the Academy, the producers of the show, all the attendees and everyone watching around the world. I would like to apologize to the Williams Family and my King Richard Family. I deeply regret that my behavior has stained what has been an otherwise gorgeous journey for all of us.
“I am a work in progress.
“Sincerely, Will.”
Featured image: Comedy Central
TV & Showbiz
One Born Every Minute is returning to TV – and this time, it’s filmed in Manchester
Daisy Jackson
The BAFTA-award winning documentary series One Born Every Minute is returning to our screens this week – and this time, it’s been filmed in Manchester.
The hit series ran for 11 seasons between 2010 and 2018, before taking a break.
But Channel 4’s acclaimed series will return from 25 October, following a whole new set of parents as they welcome new arrivals in one of the UK’s busiest maternity wards – Manchester’s St Mary’s Hospital.
Viewers will be taken back onto the wards for a new series of the observational documentary series, following the intimate, emotional journey of childbirth in 12 new episodes.
They’re promising that this latest season of One Born Every Minute will capture modern Britain, highlighting evolving family dynamics, advances in maternity care, and the real-life challenges faced by NHS staff in 2026.
Vivienne Molokwu, Senior Commissioning Editor, Reality & Entertainment and Commissioning Lead for E4 said: “Nearly 10 years on, we feel very privileged to once again follow the journey that parents embark on as they welcome their babies to the world.
“We know the roller coaster of emotions that this period brings is something that will really resonate with the E4 audience, and we cannot wait for our viewers to see how the digital age has reshaped how families navigate this stage of life.”
Will Rowson, Co-Creative Director at Dragonfly TV added: “There’s such affection for One Born Every Minute, and we’re thrilled to return to it. In the years it’s been away so much around pregnancy and maternity care has changed, making this an exciting moment to reimagine the show for an E4 audience.”
One Born Every Minute will return to E4 on Sunday 25 October at 9pm.
Featured image: Rachel Joseph / Channel Rachel Joseph / Channel 4
TV & Showbiz
Mercury Prize 2026 review: RAYE takes home the crown as Newcastle celebrates the very best in music
Clementine Hall
One of the biggest nights in music kicked off last night as the Mercury Prize 2026 was awarded.
If there was ever a night to fall head over heels in love with British and Irish music, the 2026 Mercury Prize made a very convincing case.
Bringing together some of the country’s most exciting artists under one roof in Newcastle, this year’s ceremony was a reminder of just how much talent is packed into the current music scene.
From established legends to the names shaping what comes next, it was an absolute belter.
Images: Audio North
Held at the Newcastle Utilita Arena for the second year running, I think everybody in that room felt very lucky to be there to see firsthand who took home the coveted prize.
The shortlist brought together an impressive mix of artists, with Florence + The Machine, Olivia Dean, JADE, Suede, Pulp, Dave and Sir Paul McCartney among the big names making the lineup very star studded indeed.
Suede kicked things off with ‘Dancing With The Europeans’, bringing their unmistakable energy to the ceremony, while Pulp delivered ‘Begging For Change’ as part of the HELP(2) charity compilation.
It was a line-up that demonstrated the sheer range of music being made across the UK and Ireland, from contemporary pop to established rock and even jungle thanks to Bradford’s own Nia Archives.
And of course, there was one woman who had every reason to leave with a smile on her face.
RAYE took home the coveted Mercury Prize for THIS MUSIC MAY CONTAIN HOPE., an ambitious, genre-hopping album that blends jazz, soul, R&B and classical influences into something so fabulously unique.
Image: Audio North
Newcastle’s own Knats performance was definitely a highlight of the evening, combining slick jazz with spoken-word poetry against a projection of The Tyne Bridge.
A fitting image, and one that underlines the importance of holding such huge events in the north and highlighting the obvious talent that thrives here.
The 2026 Mercury Prize was a brilliant showcase of the country’s music at its best.
And with RAYE taking home the trophy, it’s clear there is plenty of ‘hope’ left in British music.
Daisy Jackson -
29th November 2022 
