Rose Gold is an incredibly charming short film that beautifully encapsulates the essence of Manchester’s vibrant music scene, intertwined with themes of resilience, camaraderie and the human spirit.
Directed by Simon Powell (Girl Shaped Love Drug) and produced by Antony Crank (Coronation Street), it delivers a poignant narrative centred around Rose (Chloe Lea), a young girl grappling with the weight of responsibilities far beyond her years in the early 1990s Manchester.
At its core, the film is a testament to the power of music as a universal language that transcends barriers and brings people together. Rose’s journey sees her navigating the challenges of balancing school, a job and caring for her mother, who battles multiple sclerosis.
However, amidst the struggles, she finds solace and hope in the pulsating beats of 90’s house music.
The character of Rose is portrayed with remarkable depth and authenticity, thanks to a compelling performance by lead actress Lea, who also stars in the upcoming Dune: Sisterhood TV series and won a BAFTA at the impressive age of 13.
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Rose’s journey starts from a place of despair to one of empowerment and belonging, which is both heart-wrenching and inspiring at the same time.
The relationship with her grandmother, simply referred to as Nan (Julie Glover), adds another layer of emotional depth, that’ll have you welling up to belly laughing in an instant – highlighting the complexities of familial bonds in the face of adversity.
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Central to Rose’s transformation is her connection with Ian (Jordan Akkaya), a charismatic club DJ, and his eclectic circle of kindred spirits. Rose finds herself immersed in a world of freedom and self-expression, far removed from the confines of her daily struggles.
The togetherness depicted among the characters is palpable, serving as a poignant reminder of the community and solidarity the Manchester music scene created.
One of the film’s standout features is its electrifying soundtrack, which serves as the heartbeat of Manchester’s music scene.
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Seamlessly woven into the narrative, the pulsating rhythms of 90’s house music elevate the viewing experience, transporting audiences back in time to the euphoric dance floors of iconic clubs like the Hacienda.
Overall, Rose Gold is a triumph of storytelling seamlessly blending themes of resilience, music, and companionship into a captivating cinematic experience — a true testament to the enduring power of the human spirit to find light amidst darkness, and a love letter to the infectious spirit of Manchester.
While this is merely the short film rendition, Powell and Crank (who also plays Bernard) put across such a wave of relatable emotions even in the half-hour run-time, we’re beyond buzzing for what unfolds with this incredible story and characters that the cast and crew brought to life.
Bring on the feature film and keep your eyes peeled for when it drops. Oh, and yes sir, I can boogie!
Featured Images — 53 Degrees North – Film(supplied)
TV & Showbiz
Fawlty Towers – The Play is coming to Manchester Opera House next year
Danny Jones
John Cleese’s much-loved Fawlty Towers – The Play is landing at the Manchester Opera House next year and we cannot wait.
The critically acclaimed theatre adaptation of the iconic sitcom, still revered as one of the greatest UK comedies of all time, first came to fruition back in 2016 and is now set to land here in Manchester city centre for the first time ever.
We’ve been treated to Fawlty Towers The Dining Experience at The Lowry Theatre in Salford before, but this is the first time the smash-hit West End stage production has headed North and judging by the reviews, audiences are about to be belly-laughing all the way to Torquay.
Coming to Manc crowds this time next winter, you can expect this one to be a sell-out.
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Still busy playing a fully booked-up run at London’s Apollo Theatre Shaftesbury Avenue, the twice-extended West End show is packing up its stage for a massive tour across the UK and Ireland.
Announcing dozens of dates next year and well into the summer of 2026, including shows in Leeds, Liverpool, York, Stoke, Sunderland and many more, the show has earned four and five-star reviews from countless publications.
The Arts Desk have hailed it as a “comedy masterpiece [that] makes a seamless transition to the stage”, with actor Adam Jackson-Smith playing the lead role of Basil Fawlty and the entire cast said to leave viewers cackling with some of the best bits from iconic TV series recreated in the flesh.
Speaking on the stage adaptation, John Cleese said: “When we came up with the idea of bringing Fawlty Towers to the stage, I never thought it would get the reception that it has.
“On 23 December it will be 50 years to the day since we recorded the pilot at BBC Television Centre and I’m delighted the audiences we’ve had in the West End still think it’s as funny as ever. The announcement of the tour means many more people will now have the chance to laugh themselves helpless.”
John Cleese, now 85.
Set to hit the road 50 years on from the broadcast of the first episode on BBC Two back in September 1975, before going on to win countless awards including two BAFTAS and even being voted the best British programme of all time as part of a British Film Institute poll, it all feels very full circle.
Brought to life on stage by a creative team consisting of Cleese and fellow writer Connie Booth and directed by Caroline Jay Ranger – best known for her work on Blood Means Nothing (2019), My Week with Maisy (2024), Early Doors: Live (2021) and the Monty Python live show, there’s non-stop talent both on and off the stage.
One of the best part parts about a series that was stretched across just 12 half-hour episodes of TV is that you can just about manage to squeeze in the majority of the most memorable highlights into the approximately 1h50m run-time.
You can see the cast’s recent interview on This MorningHERE and for a short trailer for a better look at what to expect down below:
Fawlty Towers – The Play comes to the Manchester Opera House on Tuesday, 4 November 2025 and will be there until Saturday, 8 November.
General admission is live as we speak, with ticket options starting from £20 and going all the way up to £147.50 for the best premium seats and experience in the house.
Gregg Wallace apologises after Downing Streets labels ‘middle-class women’ comments ‘misogynistic’
Danny Jones
Gregg Wallace has issued an official apology as he looks to be in increasing trouble not only over recent reports of his misconduct on set but his subsequent reaction to the allegations and now viral “middle-class women” comments.
The 60-year-old MasterChef presenter and well-known foodie face stepped down from the BBC cooking show last week after a total of 13 people came forward to complain about his ‘sexual’ behaviour over the course of a 17-year period.
Despite having denied an initial accusation from a former female colleague regarding an incident back in 2018, in which insists no comments or actions of a sexual nature were made, a dozen more individuals have now submitted historical complaints to the corporation and a full investigation is underway.
However, in an Instagram story shared on Sunday, Wallace was quick to dismiss the claims made by what he called “a handful of middle-class women of a certain age” – a response which was quickly met with a severe backlash online.
Equally problematic was his suggestion that because he had worked with an estimated 2,000 people during his time on the show the words of “only 13” women were somehow less valid and/or believable.
Having also shared a video thanking all of those supporting him, as well as numerous other stories featuring personal messages from people both on and off the show defending him, he has continued to rebuke those who have put his conduct over the past two decades under a microscope.
That being said, it looks as though the now former TV personality and household name is doubling back after even Downing Street came out to condemn his comments, with a spokesperson for Prime Minister Keir Starmer labelling the response video “completely inappropriate and misogynistic.”
Having since deleted a number of his IG stories and now shared a follow-up video to his initial reply, telling his followers: “I want to apologise for any offence that I caused with my post yesterday and any upset I may have caused to a lot of people.”
He said that he was not in a “good head space” when he posted the response and has been dealing with a lot of stress since the story broke, adding, “I felt very alone.” You can see the clip down below.
As you see, the ex-green grocer and restaurant owner said he intends to step away from the story for now and let the in-house investigation move forward without interruption.
Both the BBC and production company, Banijay UK – who make MasterChef and the various spin-off series on which Gregg Wallace has served as a co-host – are currently conducting an internal review of those complaints made by former contestants and staff, including a BBC news anchor.
While none of the allegations are yet to be proved, one former male contestant reportedly told Sky News that the current allegations are just the “tip of the iceberg“, claiming he witnessed a “toxic environment” and was so “horrified” he considered quitting the show on his first day.