Rose Gold is an incredibly charming short film that beautifully encapsulates the essence of Manchester’s vibrant music scene, intertwined with themes of resilience, camaraderie and the human spirit.
Directed by Simon Powell (Girl Shaped Love Drug) and produced by Antony Crank (Coronation Street), it delivers a poignant narrative centred around Rose (Chloe Lea), a young girl grappling with the weight of responsibilities far beyond her years in the early 1990s Manchester.
At its core, the film is a testament to the power of music as a universal language that transcends barriers and brings people together. Rose’s journey sees her navigating the challenges of balancing school, a job and caring for her mother, who battles multiple sclerosis.
However, amidst the struggles, she finds solace and hope in the pulsating beats of 90’s house music.
The character of Rose is portrayed with remarkable depth and authenticity, thanks to a compelling performance by lead actress Lea, who also stars in the upcoming Dune: Sisterhood TV series and won a BAFTA at the impressive age of 13.
ADVERTISEMENT
Rose’s journey starts from a place of despair to one of empowerment and belonging, which is both heart-wrenching and inspiring at the same time.
The relationship with her grandmother, simply referred to as Nan (Julie Glover), adds another layer of emotional depth, that’ll have you welling up to belly laughing in an instant – highlighting the complexities of familial bonds in the face of adversity.
ADVERTISEMENT
Central to Rose’s transformation is her connection with Ian (Jordan Akkaya), a charismatic club DJ, and his eclectic circle of kindred spirits. Rose finds herself immersed in a world of freedom and self-expression, far removed from the confines of her daily struggles.
The togetherness depicted among the characters is palpable, serving as a poignant reminder of the community and solidarity the Manchester music scene created.
One of the film’s standout features is its electrifying soundtrack, which serves as the heartbeat of Manchester’s music scene.
ADVERTISEMENT
Seamlessly woven into the narrative, the pulsating rhythms of 90’s house music elevate the viewing experience, transporting audiences back in time to the euphoric dance floors of iconic clubs like the Hacienda.
Overall, Rose Gold is a triumph of storytelling seamlessly blending themes of resilience, music, and companionship into a captivating cinematic experience — a true testament to the enduring power of the human spirit to find light amidst darkness, and a love letter to the infectious spirit of Manchester.
While this is merely the short film rendition, Powell and Crank (who also plays Bernard) put across such a wave of relatable emotions even in the half-hour run-time, we’re beyond buzzing for what unfolds with this incredible story and characters that the cast and crew brought to life.
Bring on the feature film and keep your eyes peeled for when it drops. Oh, and yes sir, I can boogie!
Featured Images — 53 Degrees North – Film(supplied)
TV & Showbiz
ITV is reviving an iconic music trivia gameshow Name That Tune from the 70s
Emily Sergeant
ITV is set to revive one of the most iconic music-themed gameshows of all time for a new generation.
That’s right – Name That Tune is making a comeback.
Based on the successful US format of the same name, and airing in the UK on its original run from 1976 through to 1987, before being rebooted for the first time by Channel 5 from 1997-98, Name That Tune is being revived for the third time and is set to hit screens on ITV early next year.
If you’re unfamiliar with the premise of the show, Name That Tune sees contestants pitted against each other as their music knowledge is put to the test in a series of fast-paced rounds that featuring tracks from some of the world’s best-loved music artists and bands across every genre, all building towards a nail-biting finale.
Competitors will be tasked with correctly deciphering iconic riffs, melodies and lyrics from some of the biggest songs on the planet.
Set to be presented by Alison Hammond, and with a studio audience singing along, the show’s reboot will invite viewers at home to play from their living rooms, making it the ultimate soundtrack for all generations.
Every round is designed to challenge music enthusiasts by asking them just one simple question – can you name that tune?
“As a massive music lover, my biggest challenge as a host will be trying not to grab the mic and start singing along when one of my all-time favourite tunes comes on,” commented Alison Hammond as she was announced as the host for the reboot.
“And trust me… that will take serious self control.
“I grew up absolutely loving the original show so being part of this now feels like a real full-circle moment. I cannot wait to get into the studio, put the contestants through their paces, and see who really knows their music.”
ITV has told viewers to expect the show to be ‘bigger, louder, and more feel-good than ever’ once it returns in January.
Featured Image – ITV
TV & Showbiz
BBC cancel three hit shows, including legendary stand-up series, Live at the Apollo
Danny Jones
The BBC have reportedly cancelled three of their hit TV shows, including the long-standing Live at the Apollo.
With the company facing even more cuts and the television industry facing the ever-changing obstacles set about by increasingly dominant digital platforms, the hit live stand-up series, which has run for over two decades, is the latest big IP on the chopping block.
But that’s not all: joining them in cancellation after long stints on the box are Celebrity Mastermind and the most recently rebooted version of British favourite, Blankety Blank, brought back with Bradley Walsh as host back in 2020.
With roughly 65 full-length seasons between them, and literally hundreds of episodes under their belt, the unfortunate trio have fallen foul for varying reasons.
At first I read that as Celebrity Masterchef, but that show is immortal.
Really surprised to see Live at the Apollo go. It can't cost much and has been instrumental in giving many comedians their big TV breaks. https://t.co/BrT8k2hoYd
While Walsh announced that he was quitting the programme after three series (the fourth was set to begin recording later this year) largely due to scheduling conflicts, the driving force behind the decision is the aforementioned cutbacks.
In case you hadn’t heard, the BBC has seen an approximately £500 million reduction in annual spending, which has meant that one or more productions were always going to be hit hard as a result.
They are aiming to save upwards of £100m annually, which is set to come in the form of 100-150 hours less originally telly by the end of 2028.
Issuing an official statement, they say: “We are incredibly proud of all three of these much-loved shows and would like to thank everyone involved, both in front of and behind the camera, for bringing them to screen and making them such a success over many years.
“Unfortunately, we have to make some really tough choices in light of our funding challenges, and these savings have been identified from the entertainment genre.”
With Live at the Apollo, in particular, having served as an important proving ground and spotlighting stage for rising comics, the UK mainstay originally hosted by Jack Dee is sadly going the way of Mock the Week by being pulled after 22 years on the air.
As you can see, it’s already been heavily mourned by performers around the comedy circuit and fans alike. It goes without saying that those within the industry know all too well how important it’s been.
Unfortunately, more announcements and cuts are expected throughout the remainder of the year as the BBC‘s entertainment arm tries to regain profitability.
This means that these three likely won’t be the last to be axed; who knows? Given that even the biggest of IPs don’t seem to be safe, maybe even mainline Mastermind could be in trouble…
It’s also worth noting that this news comes not long after the media giants launched their big campaign to reassert their domestic significance and beyond, with more and more people straying away from the TV licence in favour of modern streaming.
You can read the full ‘savings’ update right HERE.
The Manc -
9th February 2024 
