In December’s edition of our Manc of the Month series, we’re paying tribute to a Coronation Street icon who tirelessly gives back to Manchester communities.
Julie Hesmondhalgh is best known as the award-winning actor who portrayed Corrie’s Hayley Cropper for 15 years.
But it’s her work off the screen that makes her such a notable figure in the north west, and a worthy addition to our Manc of the Month series.
Julie Hesmondhalgh as Hayley Cropper in her famous red anorak, with on-screen husband David Neilson. Credit: ITV
Julie, 51, was born just across the Lancashire border in Accrington and has dedicated her life to acting, studying at the London Academy of Music and Dramatic Art when she was 18 before carving out a lengthy career on the small screen.
She is, of course, a familiar face to most of us thanks to her time spent as Hayley Cropper, a ground-breaking role as the first transgender character on a British soap.
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Hayley’s storylines on the legendary cobbles saw her rejected and ostracised before she was, eventually, embraced, and Julie says it’s a huge testament to soap operas that they’re able to ‘break prejudice down’.
Back in 2019, she told Nihal Arthanayake on Radio 5’s Live Drive: “I think EastEnders, Brookside, Hollyoaks, Corrie, and Emmerdale have done so much in introducing issues through characters that you love. That’s how you break prejudice down.
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“It’s to pre-judge, and once you know somebody, you can’t judge them by the same criteria anymore.
“When people are snobby about soap operas, I’m always like, that’s the beginning of everything – it’s a way of having conversations with people who are perhaps cut off from other communities.
Julie Hesmondhalgh with Take Back Theatre. Credit: Elspeth Moore, via Take Back Theatre
“I know for myself when I went into that programme as Hayley, a trans character, there was so little understanding about what that meant.
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“It was a joke – even the storyline was brought in as a bit of a joke at the time, and what you have to do is be in people’s living rooms and get people rooting for you to understand the issues around the character and to fall in love with them before that understanding kicks in.”
Julie is now a patron of the charity Trans Media Watch, which is dedicated to improving media coverage of trans and intersex issues.
Her charitable work doesn’t stop there – far from it.
Julie Hesmondhalgh volunteering in Tameside last week. Credit: Twitter @JulieHes
She’s also a patron of Maundy Relief, Marple Drama, WAST, Manchester People’s Assembly, Reuben’s Retreat, The Alex Williams Believe and Achieve Trust, and The Sophie Lancaster Foundation.
On top of that, Julie supports food banks, hospices and arts charities, and once told the Guardian: “You have to admit it, I am a really good person.”
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The actress and Labour party member has spent decades campaigning for various causes, some of which are particularly close to Manchester’s cultural heart.
She was a key player in the Together in One Voice event, a doorstep concert during the first lockdown that also starred Liam Gallagher and Mark Owen.
When the People’s History Museum was facing its greatest uncertainty to date last year and its future was seriously threatened, Julie was quick to pledge her support.
She described it as being her favourite museum in the world.
The red anorak worn by Julie when she played Hayley Cropper has even been included in an exhibition at the museum, alongside other LGBTQ+ artefacts.
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One of her most significant charity projects saw her launch the 500 Acts of Kindness group, where 500 people donate a pound a week, and £500 is given to a nominated person, family or organisation.
She also set up the Take Back Theatre Collective, alongside writer Becx Harrison and visual artist Grant Archer, which tackles the politics of austerity in an artistic way.
A staunch supporter and protecter of the NHS, Julie said in a video for The People’s Assembly Against Austerity: “Sometimes we don’t know how lucky we are to have something until it’s threatened to be taken away from us.
“Now more than ever we need to be fighting for our National Health Service.”
She made the video, wearing a ‘Born in the NHS’ t-shirt, to encourage people to join an organised rally.
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“What we want is to send out a message, loud and clear, to the Government that we are not going to allow our NHS to be eroded and taken away from us.”
Just last week, she was spotted giving up her time to volunteer at a local vaccine centre, praising the NHS workers who are ‘out working in all weathers, all the time’.
Julie has said, on multiple occasions, how much she loves the city of Manchester, for its culture and its people and its activism.
We can say with confidence that Manchester loves her right back.
About Manc of the Month
We all know that Manchester is home to some special people, some born here and others drawn here, and after a bumpy two years that effectively amounted to one big lockdown, it’s these special people that have inspired and led us through the tough times – so we decided to start a series that shines a light on those who should be celebrated.
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Following on from our ‘The Mancs of the Year’ feature towards the end of 2020, Manc of the Month officially kicked off in July 2021, with Marcus Rashford MBE, Manchester’s mural king Akse P-19, the local chef feeding the region’s vulnerable families Mary-Ellen McTague, and Manchester’s groundbreaking new Council leader Bev Craig among previous honourees.
Featured image: Publicity picture / Granada Television
TV & Showbiz
Castlefield is being transformed into Gotham amidst more Hollywood filming in Greater Manchester
Danny Jones
Castlefield, with its iconic viaduct and cobbled streets, is once again being used for big-budget filming as the latest Batman/DC Universe title, Clayface, looks to be setting up in the eye-catching Manc corner.
Whether it’s football kit reveals and brand shoots, BBC dramas or the next upcoming Netflix series, production crews can’t get enough of Castlefield, it would seem.
For those who hadn’t heard, work on the new Clayface movie revolving around the cult favourite Batman villain is well underway, and the North West has been used as the backdrop on multiple ocassions this month already.
You can see early glimpses of the set being put together down below.
Come on, how cool is it that we get to stumble on stuff like this right on our doorstep so often?
Speaking to The Manc, a source detailed that the set is being assembled today (Tuesday, 16 September) ahead of a single day of principal photography on what we can only assume is more Clayface filming sometime tomorrow.
While she could not confirm with us directly, she said, “If you’re a comic book nerd and look at the posters, you’ll be able to figure it out.” We’ve certainly been studying all the easter eggs already.
It might not quite be as dark and gritty as Gotham City, but this particular part of Manchester has been used in TV and film – especially period dramas – many times for good reason.
The Victorian-era steel structure, dark red brick and overall industrial aesthetic work so well when it comes to creating a believable and cinematic world.
Besides perhaps the most famous instance of Peaky Blinders shooting in these parts, you can add multiple music videos, several Manchester United and Man City shirt launches, and so many more that we’re starting to lose track.
As for Clayface, this isn’t even the first time the upcoming DC ‘body-horror’ flick has popped up in Greater Manchester.
Last week saw the equally striking Art Deco facade of the old The Plaza Super Cinema in Stockport turned into a fictional movie premiere to stunning effect:
Speaking of, another childhood favourite is filming here in Manchester right now, too.
Besides perhaps the most famous instance of Peaky Blinders shooting in these parts, the new Narnia adaptation by Greta Gerwig may just be one of the biggest projects that has ever landed underneath the familiar ‘birdcage’.
ln fact, it just so happens that there are actually multiple noteworthy small and silver screen works fighting over the Castlefield shooting schedule at the moment…
Warrington-born Adolescence star Owen Cooper becomes youngest ever male Emmy winner
Emily Sergeant
Owen Cooper has made history.
The Warrington-born actor who burst onto the scene as a newcomer in the Netflix smash-hit drama series Adolescence, starring alongside other big names like Stephen Graham, Erin Doherty, and Ashley Walters, has become the youngest winner ever in any male acting category at last nights Emmy Awards 2025.
He took home the award for Best Supporting Actor in a Limited or Anthology Series.
Youngest Emmy winner ever in any male acting category.
At just 15 years old, Cooper beat out his fellow co-star Ashley Walters for the award, as well as other renowned actors like Javier Bardem, Peter Sarsgaard, and Rob Delaney.
Adolescence, if you haven’t had a chance to watch it yet, is a four-part limited series about a 13-year-old boy who is accused of murdering one of his classmates – with each episode remarkably being filmed in one unflinching and continuous shot.
The truly gripping story unfolds in real time as the main characters search for answers in the wake of a shocking tragedy.
Who is actually responsible? Why did it happen? And could it have been prevented?
Adolescence gained universal critical acclaim when it debuted on Netflix earlier this year / Credit: Netflix
Cooper was a complete screen newcomer starring as the young boy Eddie Miller, accused of murder, and the show tells the story of how a family’s world is turned upside because of it.
Taking to the stage to accept his award last night, Cooper – who began taking weekly acting lessons with The Drama Mob here in Manchester – said: “[The win] is just so surreal. Honestly, when I started these drama classes a couple years back, I didn’t expect to be even in the United States, never mind [at The Emmys].
“So I think tonight proves that if you listen and you focus and you step out your comfort zone, you can achieve anything in life.”
Elsewhere on the night, Adolescence cleaned up as a whole.
Co-creator and star of the show, Stephen Graham, took home the Best Lead Actor in a Limited or Anthology Series award, as well as a Writing award alongside co-writer Jack Thorne, while Erin Doherty claimed the Best Supporting Actress accolade in the same category, and director Philip Barantini won the Best Director award.