In December’s edition of our Manc of the Month series, we’re paying tribute to a Coronation Street icon who tirelessly gives back to Manchester communities.
Julie Hesmondhalgh is best known as the award-winning actor who portrayed Corrie’s Hayley Cropper for 15 years.
But it’s her work off the screen that makes her such a notable figure in the north west, and a worthy addition to our Manc of the Month series.
Julie Hesmondhalgh as Hayley Cropper in her famous red anorak, with on-screen husband David Neilson. Credit: ITV
Julie, 51, was born just across the Lancashire border in Accrington and has dedicated her life to acting, studying at the London Academy of Music and Dramatic Art when she was 18 before carving out a lengthy career on the small screen.
She is, of course, a familiar face to most of us thanks to her time spent as Hayley Cropper, a ground-breaking role as the first transgender character on a British soap.
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Hayley’s storylines on the legendary cobbles saw her rejected and ostracised before she was, eventually, embraced, and Julie says it’s a huge testament to soap operas that they’re able to ‘break prejudice down’.
Back in 2019, she told Nihal Arthanayake on Radio 5’s Live Drive: “I think EastEnders, Brookside, Hollyoaks, Corrie, and Emmerdale have done so much in introducing issues through characters that you love. That’s how you break prejudice down.
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“It’s to pre-judge, and once you know somebody, you can’t judge them by the same criteria anymore.
“When people are snobby about soap operas, I’m always like, that’s the beginning of everything – it’s a way of having conversations with people who are perhaps cut off from other communities.
Julie Hesmondhalgh with Take Back Theatre. Credit: Elspeth Moore, via Take Back Theatre
“I know for myself when I went into that programme as Hayley, a trans character, there was so little understanding about what that meant.
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“It was a joke – even the storyline was brought in as a bit of a joke at the time, and what you have to do is be in people’s living rooms and get people rooting for you to understand the issues around the character and to fall in love with them before that understanding kicks in.”
Julie is now a patron of the charity Trans Media Watch, which is dedicated to improving media coverage of trans and intersex issues.
Her charitable work doesn’t stop there – far from it.
Julie Hesmondhalgh volunteering in Tameside last week. Credit: Twitter @JulieHes
She’s also a patron of Maundy Relief, Marple Drama, WAST, Manchester People’s Assembly, Reuben’s Retreat, The Alex Williams Believe and Achieve Trust, and The Sophie Lancaster Foundation.
On top of that, Julie supports food banks, hospices and arts charities, and once told the Guardian: “You have to admit it, I am a really good person.”
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The actress and Labour party member has spent decades campaigning for various causes, some of which are particularly close to Manchester’s cultural heart.
She was a key player in the Together in One Voice event, a doorstep concert during the first lockdown that also starred Liam Gallagher and Mark Owen.
When the People’s History Museum was facing its greatest uncertainty to date last year and its future was seriously threatened, Julie was quick to pledge her support.
She described it as being her favourite museum in the world.
The red anorak worn by Julie when she played Hayley Cropper has even been included in an exhibition at the museum, alongside other LGBTQ+ artefacts.
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One of her most significant charity projects saw her launch the 500 Acts of Kindness group, where 500 people donate a pound a week, and £500 is given to a nominated person, family or organisation.
She also set up the Take Back Theatre Collective, alongside writer Becx Harrison and visual artist Grant Archer, which tackles the politics of austerity in an artistic way.
A staunch supporter and protecter of the NHS, Julie said in a video for The People’s Assembly Against Austerity: “Sometimes we don’t know how lucky we are to have something until it’s threatened to be taken away from us.
“Now more than ever we need to be fighting for our National Health Service.”
She made the video, wearing a ‘Born in the NHS’ t-shirt, to encourage people to join an organised rally.
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“What we want is to send out a message, loud and clear, to the Government that we are not going to allow our NHS to be eroded and taken away from us.”
Just last week, she was spotted giving up her time to volunteer at a local vaccine centre, praising the NHS workers who are ‘out working in all weathers, all the time’.
Julie has said, on multiple occasions, how much she loves the city of Manchester, for its culture and its people and its activism.
We can say with confidence that Manchester loves her right back.
About Manc of the Month
We all know that Manchester is home to some special people, some born here and others drawn here, and after a bumpy two years that effectively amounted to one big lockdown, it’s these special people that have inspired and led us through the tough times – so we decided to start a series that shines a light on those who should be celebrated.
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Following on from our ‘The Mancs of the Year’ feature towards the end of 2020, Manc of the Month officially kicked off in July 2021, with Marcus Rashford MBE, Manchester’s mural king Akse P-19, the local chef feeding the region’s vulnerable families Mary-Ellen McTague, and Manchester’s groundbreaking new Council leader Bev Craig among previous honourees.
Featured image: Publicity picture / Granada Television
TV & Showbiz
Audio North’s favourite albums of 2025
Danny Jones
It’s that time of the year again: time to round up the best, or at least our favourite albums of 2026 here at Audio North.
We’re ready for your spiky opinions and intense judgement.
For those of you who haven’t been following over the past year or so, members of The Manc, The SheffandThe Hoot have banded together in our love of music to create the one-stop shop for all the best Northern tunage there is, going to as many gigs and chatting with as many artists as possible.
However, we’d never dare limit an audiophile’s listening to one region, so you can expect plenty of globe-trotting, genre-hopping and head-bopping excellence on this list. Without further ado, here is Audio North‘s round-up of the best records of the year for 2025.
Lux by Rosalía – Emily
5/5
I am not a trusted voice in music criticism, nor do I claim to be, so take what this verging-on-30-year-old white girl who only speaks English and has no relationship to religion whatsoever, says with a pinch of salt… but I think this might be one of the best albums of the decade, never mind this year.
When was the last time a genre-bending concept album about feminine spirituality and female saints sung in 14 DIFFERENT languages managed to wiggle its way into the cultural zeitgeist and onto the global charts? Yeah, never.
But that’s exactly what’s happened with Spanish singer Rosalía’s fourth studio album, Lux. It sees the hugely influential musician return to her roots by showcasing her classical training, with touches of flamenco mixed in with contemporary pop and orchestral sound – and to me, it’s exactly where she belongs.
Go on, give it a listen if you haven’t already.
We’re Never Getting Out by Deaf Havana – Danny
4.5/5
Since early adolescence onwards, Deaf Havana have been with me through every major milestone, significant moment and formative part of my life, good, bad, and everything in between, so it only feels fitting that I’d enter my third decade on this planet with one of their records to start me off right.
In fact, not only did they release this in my birthday month, but they also happened to play Manchester not long before the big day. I couldn’t have asked for a better 30th gift, but getting to hear this long-awaited batch of new tunes live and seeing frontman James Veck-Gilodi back at his best felt special.
They’ve been through many iterations over the years and I’ve loved them all in their own way; their previous two albums definitely felt like a return to form after perhaps somewhat of a blip (for various background reasons), but it still staggers me how Matty and James’ stuff never fails to connect with me more than any other artist, no matter the age, stage or style.
To be completely truthful, I’ll always lean towards their heavier guitar-driven stuff – and they’ll never abandon it – but I guess there’s a comfort in knowing just how challenging a period of life James has gone through, yet he still continues to be the most raw, introspective and eternally honest lyricist.
For my money, the best and most underrated songwriter of a generation. Help hail him if you want it, or don’t; even if not, it feels like he gets to stay mine, or at least for those of us initiated, OURS.
Thanks for everything up until now, and you know what? Sod it, I’ll take the liberty of speaking on behalf of all Deaf fans when I say we’re SO bloody happy you’re back with us, even if ‘The Present Is still feels like* a Foreign Land’.
Would I have called myself a Lily Allen fan six months ago? No. But I have always called myself a fan of a diss track and a good gossip, so when I learned of her divorce album, I consumed it HARD.
West End Girl is a solid pop album, but also a masterclass in knowing your worth, speaking your truth, and serving revenge ice-cold. And bringing the receipts, too.
It’s also a masterclass in music marketing – not only did it drop right before the release of her ex-husband’s biggest project of his career, but her tour posters were then placed directly opposite Stranger Things posters, so her face reflected back over his.
He effectively vanished from his own press tour, and possibly the face of the planet? Has David Harbour gone into witness protection in ‘The Upside Down’? I would.
Love and light, Lily, and thank you for delivering the best.
Before you ask, yes, I have endured a breakup this year and, coincidentally, around the same time as Ms Dean released this absolute masterclass of a sophomore album.
The Art of Loving is a perfect analysis of love in all forms. Her heartfelt yet humoured lyricism explores its constant ups and downs, from delightfully romantic songs like ‘So Easy (To Fall In Love)’to more gut-wrenching, raw confessions like ‘Let Alone The One You Love’.
But perhaps the most prominent theme of love throughout is self-love; Olivia portrays herself as not a victim but a student, and we, as listeners, are reassured that we’re all in the same boat and that if we trust the process, the right sort of love will find us eventually.
It’s no surprise that Olivia Dean is one of the most exciting artists in the world right now, oozing class, charm and impeccable talent – we can’t wait to see her live again and to see what she does next.
A Complicated Woman by Self Esteem – Kris
5/5
Self Esteem has kicked the door off its hinges this year with her third studio album, A Complicated Woman, with standout critical acclaim. The album explores identity, womanhood and burnout against a backdrop of delicious pop-bops and powerfully honest lyrics with a theatricality that few other musicians can muster.
I only properly “discovered” Self Esteem this year, and she has absolutely knocked my musical socks off. I had the joy of watching her sensational performance at Glastonbury, shedding a number of tears at the likes of ‘I Do And I Don’t Care’, ‘In Plain Sight’ and ‘Focus Is Power’.
Her lyrics and her music have a way of mining the depths of your emotions and dragging feelings out of you that you didn’t even know existed. ‘The Deep Blue Okay’ is the perfect closer, reminding us that self-preservation is acceptable and OK.
In a world where there is constant pressure, internally and externally, to be perfect, this whole album reminds us that sometimes being imperfect and trying is what matters. Every day we get to have is big.
Whilst Sheffield-born Self Esteem might be a complicated woman, there is nothing complicated about this album being an absolute knock-out.
I’m usually a pop-punk, obsessed with Oli Sykes kinda girl, but Addison Rae… You are my Queen.
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The soundtrack to my summer, Addison Rae brought us all classics like ‘Summer Forever’, ‘Diet Pepsi’, ‘Headphones on’, and the absolute fan favourite ‘Fame Is A Gun’ on the self-titled album, Addison.
She followed me to all my holidays, and the album itself takes you on a journey of what it’s like to be a woman; it’s empowering, showcasing what it’s like to be young, being in love, not wasting time and maybe a little bit of money – it’s a joyful masterpiece.
I fell short of seeing her live in Manchester earlier this year, but it didn’t stop me from scrolling through TikTok the next morning.
Addison, thank you for being the noise of one of my favourite summers – now put your ‘headphones on’ and enjoy.
People Watching by Sam Fender – Lonnie
4/5
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People Watching… WHAT an album. Where do I even start? Sam Fender really has knocked it out of the park on this one – Wythenshawe Park, specifically.
It’s raw, emotional, yet still full of energy. I was lucky enough to see Fender for that wonderful day fest in Wythy back in August, where he did this album the utmost justice.
The title track ‘People Watching’ is a full-on banger: high energy and massive sound. It also carries a message that will hit people from all walks of life. Knowing it’s about a late mentor and friend of Sam’s made it land even harder.
‘Rein Me In’ is another standout, touching on self-sabotage in love, which most of us can acknowledge we have done at one time or another. It’s honest, extremely relatable, and hits home without trying too hard; having Clem’s favourite Olivia Dean then hop on it was just the stuff of dreams.
Overall, the album feels incredibly human. Reflective without being boring, emotional without being over the top. It’s the sort of record you stick on and let play, and it’ll hit different ways depending on where your head is. A brilliant album and one of Sam Fender‘s strongest to date.
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Hopefully! by Loyle Carner – EmJ
4/5
Hopefully! has been one album I’ve listened to time and time again this year. Loyle Carner (real name Benjamin Coyle Larner) continues to prove why his music connects so deeply with so many people.
From the moment I pressed play on the record, I was met with an immediate sense of comfort. The opening track, ‘feel at home’, begins with a child-like sound of wind chimes before switching into a jungle/breakbeat rhythm – a more experimental direction for Loyle, but one that feels completely natural.
Sonically, the album is interesting. There are moments that lean into a murky, slightly off-kilter sound that will remind many listeners of King Krule and Mac DeMarco – more in mood and atmosphere than direct influence. It shows Ben pushing himself creatively without losing what makes his music feel so personal.
Throughout the album, you can hear the weight in Loyle Carner’s voice. Often sounding like there’s a lump in his throat, his thoughts feel raw, unpolished and imperfect, and that’s exactly what makes the record resonate with me.
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Vulnerability has always been at the heart of Loyle’s music, but it feels especially front and centre here. The album flows effortlessly, and it’s one of those records you end up listening to front-to-back without even realising.
Tyler, The Creator’s latest album, DON’T TAP THE GLASS, is another reminder of why his evolution has been so compelling to watch. I’ve been listening to his music since the Odd Future days, and what’s impressive is how he’s managed to grow without losing that edge.
The album is inspired by people’s fear of dancing in public due to social media; it’s an album about letting loose and expressing yourself. Production is layered and interesting, but never distracting, giving Tyler room to say exactly what he wants to say.
‘Sugar On My Tongue’ stands out immediately. It’s the kind of track that grows with every listen and sticks around long after the album ends.
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This isn’t Tyler trying to prove anything. It’s an artist fully comfortable in his sound, still pushing himself forward while staying true to where he started.
Hearts Sold Separately by Mariah the Scientist – Thomas
4.5/5
With this project featuring my top song, album and artist of the year, ‘Is It a Crime’ if I didn’t choose this to be my album of the year? Yes. Mariah has resorted to every artist’s favourite era of inspiration, calling back to the 80s for some echoey drums, chimes and synths which dominate this record’s soundscape.
This album’s magnum opus, ‘Burning Blue’, sees her letting down her guard as she finds true love with ‘Eternal Flame’ and ‘Like You Never’ continuing this theme. Fittingly, Ms Scientist uses this album to discuss her expertise in one specific chemical reaction, love.
Roll on January, when I’ll be belting out Hearts Sold Separately for its entire duration when she plays Manchester Academy.
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Getting Killed by Geese – Lilly
5/5
As an avid rock fan, I’ve been hungry for an album that flips the genre on its head and finally provides us with a fresh new perspective. Thankfully, Geese DELIVERED this year, and brought out their third wild and weirdly wonderful LP, Getting Killed, which has since gone platinum in my house.
Each song on the album feels like its own religious experience; it’s a perfectly crafted amalgamation of art-rock and post-punk with references to prime funk and soul, conveyed through groovy basslines and sonic shifts.
Cameron Winter’s uniquely brilliant vocal range shines through once again, accompanied by his absurdist lyricism and the band’s overall 70s flair; Getting Killed isn’t just a good rock album in my eyes, it’s a modern-day classic.
With a name like ‘Geese’… It’s hard to forget a band like these lot – and once you hear this album, they’ll be cemented in your brain forever.
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Go on, then – how did we do?…
Let us know your favourite albums of 2025 down below, and here’s to what we’re sure will be another brilliant year of music in ’26.
Featured Images — Audio North/Publicity pictures (various)
TV & Showbiz
Netflix drops the first trailer for upcoming Peaky Blinders film
Danny Jones
It looks like Christmas has come early for TV drama fans and cinephiles, because Netflix has officially dropped the first trailer for the upcoming Peaky Blinders movie.
Popcorn at the ready – even the teaser alone has got us fired up.
ln just 70 seconds, they’ve managed to pull us right back in, and we cannot wait to see Cillian Murphy back in full-on Tommy Shelby mode.
Not exaggerating when we say we have LITERAL chills.
As you can see, they certainly haven’t scrimped on the budget with the first-ever feature-length Peaky Blinders film, neither in terms of production value nor the cast.
Then again, having already hosted the likes of Sam Neill, Tom Hardy, Adrien Brody, Anya Taylor-Joy and others in the series itself, as well as going on to become one of the most successful BBC shows of all time, they were never going to.
We’re sure you spotted plenty of them for yourselves, but the debut trailer for The Immortal Man gives us not only our first glimpses of now Oscar-winning Murphy, 49, back in the saddle (both figuratively and literally) but also fellow blockbuster Irish actor, Barry Keoghan.
Other big names set to appear in the movie – set for a limited release in theatres before launching exclusively on Netflix – include Rebecca Ferguson and Tim Roth. It still remains unclear, however, as to how any of these characters will knit into the new season.
It’s also worth noting that the trailer shares a little snippet of the historical context, this continuation of the Shelby story is playing into, as we see what looks to be Nazi figures meeting on screen.
Creator Steven Knight has already confirmed that the plot will fast-forward some years to meet back up with Tommy at the outset of WWII and his ancestral home of Birmingham during the Blitz.
Having already confirmed 6 March as the theatrical release date ahead of it going live on Netflix a fortnight later, the anticipation was seriously starting to ramp; this latest look has only added to the tinderbox of excitement.
What do you make of the Peaky Blinders: The Immortal Man trailer, and will you be watching it?
Daisy Jackson -
30th December 2021 
