Bluedot festival is finally set to return next weekend after two years of cancellations.
The much-loved festival marries together the worlds of music and science and takes place at arguably the most beautiful location in the UK.
Some of the world’s biggest artists will be performing beneath the awesome sight of the 76-metre-wide Lovell Telescope, which will be lit up with projections as a huge digital artwork for the first time.
Bluedot will be back between 21 and 24 July for its fifth instalment.
Here’s everything you need to know about the massive festival near Greater Manchester.
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Who are the headliners?
Bjork and Metronomy will both headline Bluedot 2022. Credit: Supplied
This year, headliners at Bluedot will include Groove Armada (as part of the band’s final live tour), post-rockers Mogwai, and Metronomy.
In a UK festival exclusive, Bjork will perform a uniquely commissioned performance with the Halle Orchestra to close the festival.
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Bluedot’s now-traditional opening concert on the Thursday evening will see Mercury-nominated Hannah Peel and Paraochestra take to the stage.
Also confirmed on the bill are psychedelic space rockers Spiritualized, current chart-toppers Yard Act, Warp Records mainstay Squarepusher, multi-instrumentalist composer Anna Meredith, the legendary likes of A Certain Ratio and Tim Burgess, and techno producer and creator of the official theme for the 2023 Women’s World Cup Kelly Lee Owens.
Bluedot 2022’s science programme will welcome key speakers including Radio 4’s Jam Al-Khalili, British filmmaker David Olusoga, space scientist Monica Grady, and many more.
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Comedians such as Desiree Burch, Olga Koch, Robin Ince and Ahir Shah will also be making appearances as part of the culture programme.
How much are tickets?
Bluedot Festival. Credit: Lucas Sinclair
There are still some tickets available for Bluedot festival.
Last release weekend tickets for adults are £205.25 including booking fees (then it’s £87 for 11-15 year olds, and £27.50 for children aged between six and 10 years old).
If you want to add on early Thursday entry, it’s £31.90 for adults.
You can also add on access to the VIP Village for £110.00 including booking fees.
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Where is Bluedot festival and how do I get there?
Bluedot Festival. Credit: George Harrison
Bluedot takes place at the Jodrell Bank Observatory in Cheshire, a UNESCO World Heritage Centre.
If you’re making your own way there, you’ll need to use the postcode SK11 9DW.
There are also coach travel packages available with National Express from cities around the UK.
What are the gate times?
The weekend campsite will open from midday on Thursday 21 July for those with a Thursday add-on ticket. For everyone else, it will open from 9am on the Friday.
For Friday, Saturday and Sunday, gates to the festival will be open between 9am and 9pm.
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What’s the camping situation?
Bluedot Festival. Credit: Scott Salt
There are several camping options to choose from at Bluedot, and general weekend tickets include access to the standard camping site.
There are also a limited number of boutique campsites at The Colony, which are selling out quick – you can browse remaining availability at discoverthebluedot.com/accommodation.
Bluedot has included family-only areas within the standard campsite for those bringing children, and space for live-in vehicles.
Bluedot is a fully cashless festival across its bars, food stands, merchandise and other points of sale, in a bit to improve customer experience with faster service and shorter queue times.
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Unlike 2019, the festival won’t be operating a payment wristband system and will instead just be using standard payment methods.
That means all major credit and debit cards can be used, either as contactless or chip and pin, as well as wearable forms of payment like Apple Pay and Google Pay.
Featured image: Lucas Sinclair
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: