Morehuge names have been added to the line-up of intimate charity shows ahead of the BRIT Awards coming to Manchester.
BRITs Week 26 for War Child will see major artists playing their most intimate shows, taking over grassroots venues across the UK.
These exclusive shows are in aid of War Child, to help fund aid, education, and specialist mental health support for the rights of children whose lives have been affected by war.
Already announced are Fatboy Slim, Myles Smith, and Josh Baker who will be performing at intimate venues in cities such as Manchester, Nottingham, and Newcastle.
And now, another wave of acts have been announced for BRITs Week 26 including the lady of the moment, Olivia Dean, who will be performing at the Albert Hall.
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Image: The Manc Group
Also joining the gig series is Spiritualized who will be taking to the stage in London, and The K’s who will be performing at our very own Gorilla.
The gig series, delivered by DHL, will be the biggest yet and offers fans a chance to see one-off performances from some of the most exciting names in music in smaller, iconic venues, with all proceeds going towards War Child’s vital work.
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BRITs Week will take place around The BRIT Awards 2026 with Mastercard, taking place on Saturday 28 February at the Co-op Live – the first time in the awards’ 50-year-history that it’s left the capital city behind.
The very special opening night show on 12 February will see Grammy Award-winning Fatboy Slim performing at the Boiler Shop in Newcastle.
And up here in Manchester, War Child has teamed up with The Warehouse Project to put on two nights at YES – one with Mixmag’s Year Defining DJ Josh Baker, and the other with DJ Mag’s One to Watch Rossi.
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The full lineup for BRITs Week 26 for War Child is below
12th February – Fatboy Slim – Boiler Shop, Newcastle, supported by Max Jones
16th February – Lambrini Girls – The Garage, London, supported by Bimini
18th February – Spiritualized – EartH Theatre, London
20th February – The K’s – Gorilla, Manchester
24th February – Myles Smith – Rescue Rooms, Nottingham, supported by Saint Raymond
25th February – Jack Savoretti and Katherine Jenkins OBE – Emerald Theatre, London, supported by Gabriella Cilmi
25th February – kwn – Patterns, Brighton, supported by CARI
25th February – Josh Baker – YES, Manchester, supported by Deliah and Alexandria
26th February – Rossi. – YES, Manchester, supported by Olive F
26th February – Olivia Dean – Albert Hall, Manchester
27th February – Jacob Alon – Music Hall at Assembly Rooms, Edinburgh
Clare Sanders-Wright, Head of Live Music at War Child, said,“This year’s BRITs Week shows are off to yet another brilliant start and we’re thrilled to add these new names, including three more headliners in Olivia Dean, Spiritualized, and The K’s to our lineup as well as some really exciting support acts for the gigs.
“BRITs Week for War Child wouldn’t be possible without the incredible generosity of the artists, their teams, and our partners, including DHL and we couldn’t be more grateful. 20% of the world’s children are living through conflict right now, and the money raised from these unforgettable shows will help War Child continue our vital work to protect, educate and stand up for as many of these children as possible. Because no child should be a part of war. Ever.”
Fans can sign up to the War Child pre-sale HERE, which closes at 3pm Wednesday 28 January. Pre-sale begins 10am on Thursday 15 January.
General on-sale begins at 10am on Friday 30th January HERE.
There are also £10 prize draws to win tickets to all shows open HERE.
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Clementine Hall -
27th January 2026 
