The 2024 Warehouse Project calendar was already shaping up to be top-tier but with the latest additions to this year’s lineup now out in the ether, we can now confirm this could very well be one of the best editions of the club series to date.
News of Jungle and Bonobo headlining Repercussion for the opening party of the season was enough to get us beyond excited and now we’re staring down the face of even more eye-catching events and big-name performers.
Revealing the return of Welcome To The Warehouse, the calendar has also seen two more huge dates tacked onto it, a night of music from Disclosure with Family and Friends, as well as the Worried About Henry 10th birthday set.
Whether you want modern electronic dance and disco music or some of the best contemporary drum and bass the genre has to offer right now, Warehouse Project has you covered.
The Warehouse Project lineup for 2024 is looking stellar (Credit: WHP via supplied)
The fun kicks off this autumn first with an unreal Repercussion lineup in its own right and will be followed by WHP’s flagship show, Welcome To The Warehouse (WTTW), which lands at Depot Mayfield on Saturday, 28 September.
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This year’s Repercussion not only features the two aforementioned headliners but the likes of Honey Dijon, salute, DJ Seinfeld, DESIREE and many more.
As for WTTW 2024, there’ll be performances from Joseph Capriati, Boiler Room legend Chris Stussy; TSHA and Saoirse, as well as a Max and Luke Dean b2b, just to name a few.
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This event will also be hosted across a total of five stages including the Depot, Concourse and Archive inside the venue, not to mention an additional street party on Temperance Street hosted by Animal Crossin, along with a takeover of the iconic Star and Garter pub just across the road.
And then there’s Disclosure presents Friends and Family; it would be more than enough to just see these guys on their own but Warehouse punters will also be treated to seeing the likes of Folamour, Jyoty, a Floating Points DJ set and more on Friday, 25 October. It’s going to be an unreal night.
Last but not least, Worried About Henry‘s reputation speaks for itself and with a decade of top-notch electronic nights here in the UK, the 10th anniversary on 23 November is already sure to be a belter.
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Bringing names like Andy C, Hybrid Minds, Dimensions; Bru-C, K Motionz and Friction to the decks all around the legendary gig space, it’s
Pre-sale ticket sales go live this Thursday, 25 July from 10am, with general admission going live at the same time on Friday. You can register for pre-sale now and see the full Warehouse Project calendar where you get ready to buy tickets HERE.
Co-founder Sacha Lord might have announced he was stepping away from the music series last week but what a legacy he’s left and the future is looking as bright as ever for WHP.
Featured Images — The Warehouse Project (supplied)
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: