Peculiarly, horror movies about the end of the world have enjoyed a new lease of life during the pandemic.
In waking life, a deadly virus has been spreading across the planet and forced millions to take shelter in indoors. Yet viewing figures for the likes of Steven Soderbergh’s Contagion and Wolfgang Petersen’s Outbreak have skyrocketed.
It might seem strange that people would choose to digest pandemic-themed media when a global emergency is happening right outside their window. But there’s actually some interesting psychology behind it.
Watching scary films about the end of the world is a coping mechanism; allowing us to imagine – and come to terms with – a potential worst-case scenario.
Whilst audience have been lapping up dystopian cinema – lockdown has proven to be a fertile breeding ground for horror flicks.
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And one of the most exciting, upcoming apocalyptic productions is being shot right here in Manchester: Day of the Clones.
Billed as a mishmash of Dawn of the Dead and The Thing (shot with the methodology of Werner Herzog) – Day of the Clones is a twisty sci-fi horror about a scientist hiding in an isolated farmhouse with a group of survivors after the clones he created take over the world.
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The movie is the brainchild of Manchester-born director and Hollywood screenwriter Eric Steele – who is steering the film for Vamoose Productions.
Elaborating on the plot, Eric explains: “It’s all about a small group of people confined in a very claustrophobic space who are forced to get on with each other, something I’m sure a lot of people can relate to at the moment!
“I always found the idea of clones quite creepy, and human cloning is downright terrifying. But when the pandemic hit, I thought this would be a good project because it is contained and claustrophobic – ideal for shooting with a few actors and the minimum of crew.”
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Eric has called Day of the Clones his most ambitious project to date – with the movie starring a mixture of local amateur actors and some familiar professionals seen in the likes of Shameless, Peaky Blinders and Hollyoaks.
But perhaps the most intriguing performer on set is a robot – played by a “specially-built mannequin.”
Day of the Clones is Eric’s second feature film, with the director shooting the self-funded Boy #5 – a Manchester-based vampire flick – in 2019, which is currently playing the festival circuit.
Originally starting out in the movie business as a screenwriter and selling his scripts over the internet, Eric saw one of his works, The Student, picked up by the company that made Stephen King’s Creepshow.
However, it wasn’t until he met his producing partner Barry Morton that he decided to give directing a try.
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Last year, the pair set up their own production company, Vamoose Productions Ltd, and are now hoping to make many more films set in Manchester under this banner.
Eric found himself drawing on all kinds of cinematic influences for Day of the Clones; including the likes of Danny Boyle’s 28 Day Later, Alex Garland’s Ex Machina, Ben Wheatley’s A Field In England, and the classic Hammer Horror films of the seventies.
But his biggest source of inspiration has been Manchester itself.
“[Manchester] is such an interesting city,” says Eric.
“Having lived here all my life, I know its good sides and bad sides. There’s tremendous wealth and poverty. There’s lots of crime but also a thriving art scene.
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“Turn a street corner in Manchester and you’ll never know what you’ll find, from a giant mural to a Brazilian-themed restaurant to an ancient derelict factory.”
With its gritty aesthetic and surviving remnants of the industrial revolution, Eric calls Manchester a “horror filmmaker’s dream”.
“I think it’s that humdrum, everyday despair of the Industrial North,” he says.
“There are remnants of the city’s great past everywhere. Sometimes it feels like you’re walking through a graveyard dedicated to the industrial revolution.
“Mixed in with those amazing old mills are brand new high rise complexes that look surreal and futuristic. It’s a great combination of ancient and modern.
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“For our vampire film “Boy #5” we shot outside a pub with a glowing non crucifix on the wall, outside the abandoned abattoir and in the middle of the busy city centre on a Friday night!”
Day of the Clones has so far been largely self-funded – and now Eric and his production team are looking for donations to help complete the movie.
People will receive perks in exchange for contributions, with all money raised going towards props, postproduction facilities, securing named actors for cameo roles, and visual effects.
It’s a terrific opportunity to support the local arts – and watch a thrilling, terrifying horror film play out in your backyard as a result.
Head over to the crowdfunding page here to learn more.
You can also read about Day of the Clones via the film’s official Facebook page.
Feature
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Could the reaction to Casemiro’s swansong Man United season see him stay ‘one more year’?
Danny Jones
Casemiro has arguably been up there with one of the best Manchester United signings in the post-Sir Alex Ferguson era, after the likes of Bruno Fernandes; maybe not in terms of how it’s impacted the wider transfer budget, but now he’s about to leave, most supporters aren’t ready to let him go.
Truly, if they had their way, many would happily keep him for at least “one more year”, as they continuously chanted during the most recent home game.
However, with the footballing veteran himself admitting that he’s been left moved by the response and certainly basked in the chants for him to stay following the win over Aston Villa last weekend, another one in which he chipped in with a key goal.
Casemiro scored the opener in what went on to be a vital 3-1 win in their pursuit of Champions League places, and has made it clear that, like the rest of the squad, this is his only goal for the remainder of the 2025/26 campaign.
But with United now looking closer to securing third or perhaps even chasing down second place, according to many (some have even gone further than that…), this current, albeit still early doors, resurgence under Michael Carrick could be the start of a corner turned for the one serial winners.
However, fans have seen many false dawns at Old Trafford over the past decade or so, and there is obviously the risk of him ultimately spoiling what should now be a fine and fitting farewell.
Then again, after speaking in a recent interview with Sky Sports, the 34-year-old said it’s been “way more” special than he was expecting since he revealed his plans to leave on a high, and stranger things have happened.
You only have to look at Mohammed Salah and Liverpool, who looked all set to go before eventually U-turning and signing a new deal – though contract terms no doubt helped swing those negotiations.
As one of the highest-earning players not just at Man United or even the Premier League but in Europe, he’s already earned serious amounts during his time with the Red Devils, so there is a belief that the incumbent INEOS board would be happy to shift him off the books and reinvest in replacing him.
#mufc are in advanced talks to sign Bruno Guimaraes for around €80m, but renewed interest from Real Madrid threatens to complicate the proposed move [@Reuters, @fernandokallas]
The likes of Guimaraes, previously courted Carlos Baleba, Elliot Anderson, Adam Wharton, Wolves duo André and Joao Gomes have all been linked with possible moves to Manchester of late.
In fact, depending on how much room Jim Ratcliffe and co. have for spending on recruitment, they could potentially even cover the wages of more than one signing in the middle of the park or other positions that they feel may require further reinforcements.
All this is still very much in theory, of course, and while Casemiro has seemingly confirmed that he will depart this summer, who knows how much of the recent reaction and outpouring of love and support from the Stretford End and beyond could potentially sway the outcome?…
Then again, do you think reconsidering the decision would be a wise move, or at his age, is four years in the English top flight enough?