Parklife 2023 is nearly here and if there’s one thing we know about this staple of the British summer and festival season it’s that it never disappoints.
There’s once again an absolutely massive line-up heading to the fields of Heaton Park, including headline slots from Fred Again, Aitch and The 1975.
The sun and warm weather seems to have arrived in the nick of time too, with what looks like a sunny, mud-free Parklife on the way.
If you can believe it, it’s been 13 years since the first-ever Parklife was held and since then it’s gone on to be not only a Manc music institution and rite of passage, but one of the most famous festivals around the world – we’re just lucky it happens to be right on our doorstep.
With that in mind, here’s everything you need to know about Parklife 2023, from who’s playing and where to how you’ll be getting there and back.
As you can see, Parklife punters are in for an absolute stormer this year, with the organisers bringing along some of the biggest names across various different genres.
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With headliners and local lads Aitch and The 1975 topping the bill, the bar is already pretty high, but with the likes of Fred again…, Little Simz, The Prodigy; Anderson .Paak, Nas, Self-Esteem; Skrillex, Annie Mac and even the Wu-Tang Clan all rocking up over the weekend, it really is going to be unforgettable.
We could literally go on forever when it comes to who we’re excited to see at Heaton Park this year – Peggy Gou, Charlotte De Witte, DJ Seinfeld, Patrick Topping and so on – but part of the challenge is always going to be sorting out your clashes.
If any of you ever figure out the magical power of being able to be in two places at once let us know but until then, here’s which Parklife artists will be appearing on which stages for 2023.
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Parklife 2023 festival site map
Parklife takes over a corner of Heaton Park, just to the north of Manchester itself.
With so many stages and street food and parties scattered around the festival site, it’s good to get your bearings beforehand.
And Parklife has just dropped its festival site map for 2023, which you can see below.
Who’s playing when and where?
Since moving from its original home at Platt Fields (2010-2013), Parklife Festival now stretches across several stages, many of which are exclusive only to Saturday/Sunday.
There is, of course, the self-titled main stage, as well as The Valley, The Hangar and The Temple – all of which span across both days.
It won’t surprise you to learn that there aren’t a lot of Parklife tickets left for 2023, with all Saturday and full weekend passes now sold out and only travel packages really available.
However, that isn’t to say there aren’t any: there a still a handful of tickets left for the Sunday, with general admission costing you £92.95 including the booking fee.
There are also VIP passes still going for £123.65 with upgrades also available for Saturday too if you’re feeling fancy. After all, summer is getting into full swing and it’ll have just been payday (hopefully), treat yourself – or don’t know, we’re not the boss of you.
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Travelling to and from Parklife
Speaking of travel, knowing how you’re going to get to and from Heaton Park is also something you should plan ahead for rather than just wing it on the day.
Luckily, Parklife’s famous Big Green Coaches will be running as per usual, all of which will be carbon neutral, will only set you back a £10 deposit and are running from all over the country.
As for public transport, the Parklife shuttle buses and regular TfGM bus services will all running across the weekend and into the early hours of each night to make sure everyone gets home safely.
The dreaded Metrolink strike has now been called off, so you can also use the tram to get up to Heaton Park – just hop off the Bury-bound tram at either Heaton Park or Bowker Vale.
For the shuttle bus, you can board it from the corner of Aytoun Street and Minshull Street (M1 2DD) near Piccadilly train station, with the drop-off site right inside the festival. For any further information, check out the travel portal on the Parklife website.
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The Parklife travel pass is £10 for the whole weekend and can be used on trams or the shuttle buses.
Last but not least, there’s not much point in turning up to the festival without your wristband. Here are the three official locations to have your Parklife 2023 tickets verified and receive your wristband.
Open on Saturday 11 June and Sunday 12 June.
Minshull Street (next to the shuttle bus departure point) from 9.30am-4.00pm.
Cathedral Gardens (in front of the National Football Museum) from 10am-4.00pm.
St Peter’s Square (outside of Manchester Central Library) from 10am-4.00pm.
As always, we’d also remind you to steer clear of ticket touts – not worth spoiling your weekend by being stung.
Parklife 2023 is set to be an absolute stormer and with the weather looking to be holding up too, all the stars are aligning as punters prepare to descend on Manchester.
It’s a great weekend for the region and for the UK music scene, let alone Greater Manchester, and we can’t wait. You’ll see a few faces from The Manc going along too, so feel free to come up to us and say hello – we don’t bite.
Last but not least, look after each other out there and, above all else, enjoy yourselves. Roll on June 10!
A legend in leopard print – Magic Miles Kane at Albert Hall, Manchester | Gig Review
Harry Quick
There’s something poetic about seeing Miles Kane perform in a venue like the Albert Hall.
Beneath the stained glass and towering arches, he felt less like a veteran gigger and more like the high priest of British indie showstoppers – sharp-suited and equipped with what appeared to be custom, heeled adidas three stripes with a fully leopard print set to match. Carpeted floor, drum kit and all.
You can tell from the outset that, city rivalries aside, the scouser is adored by his Mancunian fanbase. His opening track, ‘Electric Flower’ – taken from his latest album, Sunlight in the Shadows – made for the perfect start.
Kane emerged to a roar. The track’s shimmering melodic edge got the two-tiered crowd quickly accustomed to Kane’s newest style of sound, and things kicked on easily from there.
It was a confident opener (not a greatest hit in my humble opinion, but a statement) before snapping straight into ‘Rearrange’: more familiar territory for most, which sent the floor bouncing within minutes.
From there, the set unfolded like a guided tour of Kane’s career, past and present blending seamlessly.
‘Troubled Son’ and ‘The Wonder’ leaned into his grittier side, while ‘Without You’ felt inspired by a similar jangly riff of ‘Long Cool Woman’ by The Hollies, famously setting the rhythm to a particular Britpop classic. If you don’t know already, look it up!
By the time ‘Coming Down the Road’ and ‘Love Is Cruel’ rolled around, Albert Hall was fully warmed up — and personally won me over on the new album with the latter.
It carries a softness that you don’t tend to expect with a Miles Kane track, but maybe that comes with a creative maturity approaching your 40s (sorry, mate).
Regardless, Kane stalked the stage with trademark swagger, feeding off the crowd and grinning like a man who knows he’s exactly where he belongs and continues to do so.
Then came one of the night’s first real eruptions…
Ahead of the show,‘Inhaler’ was one of my most anticipated listens. It hits like a shot of adrenaline from the opening chord, and the crowd sing every word back at him as if it were 2011 all over again. If you’re a Miles Kane fan, my money is on ‘Inhaler’ being high up your list.
‘Blue Skies’ followed, which shone a spotlight on not only the vocals but the complete shredding from the rhythm guitarist in the final breakdown. Having stood in the top tier of the Albert Hall, I got a prime view of the audible freedom he had to play with!
Mid-set, Kane doubled down on newer material with ‘One Man Band’ and ‘I Pray’, both sounding huge live – proof that his recent output more than holds its own alongside the classics.
The emotional heart of the night arrived with my favourite, ‘Colour of the Trap’. This track has been etched onto my playlist for longer than I care to mention. You felt it coming. The room softened, phones lit up, and for a few minutes, Albert Hall felt like a shared memory rather than a venue.
It’s almost as if he didn’t want it to end himself, with an echoing chorus of la la la la going on for a good few minutes after the band’s final instrumental chime. ‘My Love’ and ‘Walk on the Ocean’ kept that reflective mood rolling before ‘Better Than That’ nudged the energy back upwards.
From there, it was full throttle. ‘Coup de Grace’ and ‘Never Taking Me Alive’ were delivered with venom and volume. Straight from his 2018 catalogue felt like one for the dads, or at least it resonated with the 50-year-old bloke pointing his fist in the air with one hand and holding a double pint in the other. Legend.
As the main set drew to a close, ‘Don’t Forget Who You Are’ fittingly carried us into the encore — defiant, anthemic, and shouted back word-for-word by a crowd that had been banging this tune out long before they heard it on FIFA 14 (like me).
It was exactly the type of tune that made me whip my phone out and record it for the boys, saying, ‘remember this one?!’, to a chorus of thumbs up in the group chat. And when I mention the encore, it didn’t mess about.
Kane and the band picked up where they left us with a high intensity ending to ‘Don’t Forget Who You Are’ before the title track, ‘Sunlight in the Shadows’, gave the tour its emotional centrepiece: rich, expansive, and glimmering amongst camera flashes between bums on shoulders.
And then, the inevitable closer. By far his biggest song, if Spotify streaming numbers are anything to go by, ‘Come Closer’ sent Albert Hall into one final frenzy.
We saw bass guitarist Nathan get his special birthday moment when Miles and the band brought on a chocolate cake to celebrate, blowing out the candles – mid belter. Just ending the night on a euphoric high that left smiles plastered across sweaty faces.
Miles Kane at Albert Hall wasn’t just another date on the tour calendar. It was a reminder of just how deep his catalogue runs, how legendary in the indie rock game he is, and how effortlessly he can still command a Manchester crowd despite hailing from Merseyside. We don’t mind them, really!
Interview | Chatting with Tim Burgess before he chats to Mancunians on their doorstep
Danny Jones
In case you hadn’t heard, local music legend Tim Burgess is coming back to the AO Arena right here in Manchester this February for another intimate evening following the success of his last visit.
Set to include not only an interview but live stripped-back performances as well as Q&A, it’s your chance to see one of our region’s most famous musical sons up close and personal.
Returning for a candid and eye-opening sitdown with local DJ and radio host and Northern music champion, Chris Hawkins, it’s sure to be a special night.
Before posting up in The Mezz (which you can still grab tickets for), we had the honour of interviewing Salford’s very own Tim Burgess ourselves. Here’s what he had to say ahead of the event…
So you’ve returned to the AO again for another intimate gig. What do you love most about these smaller, conversational evenings compared to traditional gigs?
“Live events just have a connection with an audience that no remote link, AI or recording could ever match. From arriving and running through a soundcheck, meeting the arena team and catching up with Chris Hawkins, it all builds up to when the audience comes in.
“Chris and I don’t plan what he’s going to ask, so it’s all on the spot – nothing’s recorded, so you never know what might get said.
“Chris is a fantastic interviewer, and I get to meet everyone over the merch table at the end; I don’t get that at a Charlatans show – they are brilliant, and the tour we did in December was a brilliant experience for all of us.
“Maybe I prefer my bandmates being there when it comes to playing the songs, but it’s a chance for an audience to hear them in a way that they probably haven’t heard them before.
For anyone who hasn’t been to a Q&A-Sides show before, how would you describe the experience?
It’s a brilliantly informal night out – the chance to hear some of the stories behind the songs and 35 years’ worth of recording and touring adventures – plus a few songs with me and a guitar, and maybe a harmonica involved too.
“I’ve chatted to lots of people after the shows, and they always say it was a fantastic insight and that they loved the songs – then I realise they’re talking to me and they’d probably just say that anyway.”
Are there any particular songs that really shine in this stripped-back setting?
“You get to hear them as many of them were written. Particularly, the songs that Mark [Collins] and I came up with – it would usually just be me singing and him with an acoustic guitar, so it’s back to how they originally sounded.
“I’ve got quite a back catalogue of songs I’ve learned, so I’ll maybe keep them a bit secret. Suffice to say, there will be a few Charlatans’ classics, absolutely.”
When you look back on your career so far, are there any moments that feel especially meaningful to share in a setting like this?
“Our audience has grown up with us – lots were teenagers when we started, and I was in my early twenties. We’ve shared moments of grief, triumph, elation and tragedy – it’s just that ours were done in the cauldron of touring and recording with sometimes the eyes of the world on us.
“At times, it’s not been easy, but life will have been tough for our fans too. Chris is brilliant at making it seem like it’s just the two of us, and nothing is off limits – then you might say something funny and two hundred people laugh, and you snap back to realising it’s not the two of us talking in a pub.”
You’ve met and worked with so many iconic artists – are there any stories that always get a great reaction when you tell them live?
“I suppose there are some fairly iconic times – lots of people in the audience would have been at Knebworth when we played there with Oasis. Our situation was made all the more poignant as Rob Collins had died shortly before the show, and we weren’t even sure if we would play.
“It was a real existential moment for us – then there are funny stories of doing Top Of The Pops with a dressing room opposite The Smurfs. A lot has happened in those three and a half decades…
Being a Salford lad yourself, what do you think it is that makes a Manchester crowd so special?
I’m biased, but up until the band started, all my greatest moments happened in and around Manchester, and I was part of that crowd, whether watching [Man] United, seeing a band or losing yourself on the dancefloor of a club.
There’s a sense of feeling at home – there’s a BIG, beautiful world out there, and maybe we won’t tell the Midlands contingent in The Charlatans, but Manchester is always a homecoming for us.
Once again, if you fancy grabbing a last-minute ticket for ‘Tim Burgess – Live and In Conversation’ on Sunday, 8 February, there are still a few available.
The show starts from 7pm, and you can secure your seat right HERE.
Danny Jones -
28th May 2023 
