Cocaine, ghosts and drowning cars: The legacy of Oasis’ divisive ‘Be Here Now’
Be Here Now hit shelves in August 1997 at the height of Oasis mania and has gone down in history as the group’s Marmite record: Loved by some, hated by others.
Not for the first time, the world’s eyes were fixated on a group of Mancunian ne’er do wells with immense musical talent and swaggering braggadocio to match.
After two smash-hit records and a pair of Knebworth gigs that attracted quarter-of-a-million punters, Oasis were the biggest thing since sliced bread.
So, after wrapping up at Hertfordshire, they did what any group of young successful lads would do. They went on holiday.
They drank. They partied. They celebrated. But they also made music.
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The first blueprints for Oasis’ third album Be Here Now were built on the Caribbean island of Mustique in 1996, amidst a swirl of drugs, booze and sunshine.
The CD was on music store shelves a year later – and has gone down in history as the group’s Marmite record: Loved by some, hated by others.
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Q Magazine called it “Cocaine set to music.”
Pitchfork described the sound akin to “hell churning around a cement mixer.”
But whilst a general consensus has evaded Be Here Now, there remains a unanimous fascination with the story behind it.
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Writing began in Saint Vincent and the Grenadines – which Noel later admitted was a mistake but “a fucking good holiday” – before the band moved recording to the famous Abbey Road in London in October.
Despite being back on British turf, the partying didn’t stop.
Oasis took advantage of the studio bar at The Beatles old stomping ground, and after relocating to Ridge Farm Studios in Surrey, they spent a big chunk of time scooping white powder and tricking Liam into thinking his bedroom was haunted by flipping pictures and moving lampshades.
Whilst all this was going on, police and press lurked outside in the darkness, hoping to catch a glimpse of the havoc that was playing out on the other side of the studio doors.
The album was completed at another location in London where hedonism once again ensued, with the group eventually packing a huge bulk of recording into a two-day session.
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A final version of Be Here Now eventually arrived in stores on 21 August, sporting fittingly excessive cover art that featured a Rolls Royce dunked in a swimming pool.
People queued around the block to purchase a copy (among them a young Pete Doherty) and the album went to number one in 12 countries across the world, moving over 620,000 units in seven days to become the fastest-selling album in UK history.
Overall sales in Britain would eventually surpass 2.1 million.
Be Here Now was deafening, wall-to-wall bravado – packed with bloated songs that were loud and boastful even by Oasis’ standards.
These included the raucous opener ‘D’You Know What I Mean’; the title track (borrowed by Harry Enfield for his ‘Manky Street’ sketch, where a northern-twanged family squabble and demand drugs for breakfast); and the marathon-length closer ‘All Around The World’ – which powers on for nine minutes filled largely with ‘la-la-la’s’.
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Between the million strings and countless crashing symbols, Be Here Now was a musical reflection of the bedlam surrounding the band at that very moment.
The first wave of reviews were glowing. Critics gushed over the guitar riffs and called it ‘true rock and roll’, but when the clamour had calmed, many music writers retracted their initial praise; suggesting Be Here Now wasn’t actually the classic they’d first believed it to be.
Noel has largely dismissed the record as something of a footnote in Oasis’ glittering 18-year existence. But Liam has rushed to defend the album on numerous occasions.
“There are some great songs on there”, he told the NME, claiming its only downside was the fact it was “a bit overproduced”.
The record continues to split the brothers – and the Oasis fanbase – straight down the middle to this day.
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Still, however you feel about Be Here Now, the album is nonetheless a perfect snapshot in time.
This was the world’s biggest band attempting to eclipse their own colossal reputation.
The result was mayhem. Whether that’s the good or bad kind remains a question for the ages.
Feature
Take That shine at the AO Arena in an over-the-top spectacle of a show that we’ll never forget
Danny Jones
Iconic 90s boy band and homegrown heroes Take That played the first of their five-night run at the AO Arena this Tuesday night and boy do these lads know how to put on a show.
I’m going to start this off by admitting I wasn’t necessarily the biggest Take That fan going in – the hordes of huns, mums and tipsy grans firmly won that – but I did walk out with my headphones full blast listening back to all the greatest hits I’d just had brought to life in front of me in glorious technicolour.
At one point, it looked like they might not get to play their truly massive Manc arena shows after the drama with Co-op Live’s ‘opening’ fortnight was derailed but, fortunately, the AO Arena were there to rescue this week’s performances and put together the frankly barmy production in just a few days.
So, first of all, big props have to go to them and they rightly did on the night; the venue helped keep lots of people’s dream gig alive, with both the headliners themselves and support act Olly Murs encouraging a huge round of applause from the packed-out 23,000 cap arena.
‘Olly olly’ opening (yes, he did chant get the entire crowd to chant that)
Speaking of Olly, again, I can’t pretend to be the biggest Murs fan but two things are true, I knew most of the words to his biggest hits (he played a medley of his career from start to finish), and the man has bundles of energy.
He cut a George Michael and almost Harry Styles-esque figure at times (even if a few years older, sure), sprinting from one side of the stage to another, cycling through the whole roster of dance moves and giving the crowd exactly what they wanted: that cheeky chappy vibe that got him where he is.
While the 2010s UK chart-topper was a deeply unserious performer for the most part, simply having fun and pratting about as he wished – he even had a fun little stunt where people could call his number on stage – we’re not mad at it because make no mistake, he showed everyone a good time.
And it wasn’t all just playing forgotten pop tunes to his main and admittedly adoring demographic, he he paid a touching tribute to his late friend Caroline Flack with a slower ballad and gave plaudits to his live band who helped bring plenty more. And then these three other lads emerged through the fog…
Non-stop shenanigans and we loved every second of it
Quite literally, we mean: Take That’s entrance felt like some kind of weird second coming and, to be fair, it looked to be a biblical experience for the die-hards who began to scream at pitches we’ve rarely heard as they walked out to ‘Keep Your Head Up’, the opener from their last year’s album.
An obvious way to start their Manc tour dates off, we had some idea of the shenanigans about to happen after spotting a few videos on social media but in no way we’re prepared for the thematic whiplash that was about to take place. Or how much we were going to enjoy it.
We’re not joking when we say we lost track of how many costume changes there were, how many times the set design shifted from a set of stairs (think of a Vegas-style cabaret show, only at one point they were on fire) to a walkway descending from the ceiling and so much more madness.
The overarching narrative, in short, was a slightly sardonic twist on a Take That TV show, with Gary, Mark and Howard introducing and flicking through all the big moments down the years. It reminded us of The 1975 stage production at times, only a little less artsy and a bit more wink-wink, nudge-nudge.
Take That’s staggering show at AO Arena in Manchester. Credit: RHM ProductionsTake That’s staggering show at AO Arena in Manchester. Credit: RHM ProductionsGary Barlow taking to the piano in Manchester. Credit: RHM Productions
If we had to give you a top-line summary of the show overall, it’s intentionally camp, over-the-top and often silly by design, but all with plenty of self-awareness underpinned by the lads who, just like Olly did beforehand, did nothing but have a laugh on stage. Oh, and yes, Gary did ‘the thing’, don’t you worry.
Be it marching up and down stairs in synchronicity before running out of breath when they remember they’re 50, to delivering dance routines galore and getting the rest of the band to come and sway side-to-side with everyone sitting round a sofa, they pull out of the stops when it comes to pageantry.
It also has to be said that no matter how big a Take That fan you are, hearing a full AO Arena belting out ‘Patience’, ‘The Greatest Day’, ‘Never Forget’; ‘Rule The World’, ‘Back For Good’, ‘Relight My Fire’ and oh my they really do have a shed load of absolute bangers, don’t they?…
I mean, just look at this:
Probably the best moment of the night – even if they were wearing strange, Daft Punk-type space helmets.
To cut a long story short, while Take That obviously wished “all the best” to the Co-op Live for when it hopefully opens next week, it felt rather fitting for them to return once again to the venue that first started playing decades ago and still how the record for having played the most shows at.
Better still, the whole bells and whistle spectacle did add something to the experience and it wasn’t as gratuitous as it perhaps looks in some of the clips that have been memed up online. Still daft, don’t get us wrong, but they know it is and it made moments when the vocals were front and centre memorable.
It doesn’t matter how many years on they are, Take That’s latest show proves exactly why your mum, grandma, auntie and probably your uncle loved them in their heyday, why it was such a big deal when they came back in the noughties and why they’re still selling out arenas to this day.
They’ve been doing this for years and they’re absolute pros – we don’t see them going away again any time soon. Roll on the next few nights!
You can ‘run and rave’ as part of this new charity-driven social in Manchester city centre
Danny Jones
If you’re looking for a fun new way to spend a night out or thinking about getting into running but maybe haven’t quite found the right way in for you just yet, this new Manchester run socialthat starts and ends with a good old-fashioned party might be right up your street.
Run The Streets MCR is a community-led and charity-driven fitness and social event that recently launched in Manchester and has already developed a bit of a cult following in the space of only a couple of months.
The concept is simple: it’s a running social where you can meet new people whilst getting your yards in, just not quite as you know it. Instead of people turning up for a 5k and then heading home, the fun carries on at a host venue where people can keep chatting and mingling whilst having a boogie.
And the best part is that not only is it more of a causally paced, low-pressure jog and crucially social-first, but it’s all for a good cause too.
Started out by East Manchester locals and lifelong mates, Liam Parker-Worsley and Sarah Edwards, (‘Sezzle’ to those who know her among the Manc running circles), Run The Streets started out as a running social concept at its very core but has now become truly bigger than the sum of its parts.
While the ‘run and rave’ idea has been done before, this particular event is the first of its kind in Greater Manchester and after facing some serious obstacles to get it off the ground and plenty of adversity at the very first hurdle – for lack of a less punny phrase – they’ve managed to turn it into a force for good.
After pivoting the model at the start of 2024 to be completely non-profit, the monthly event is now helping bring people together for a good time, from the tarmac to the tiles, all whilst raising money for the likes of The Running Charity (TRC).
Not only do all the proceeds from the super affordable tickets – we’re talking the same price you’d pay for a decent pint in town these days – go straight back into running the next social, but they also help fund the chosen charity for that month.
Be it national causes like TRC, which recently received huge support from the incredible ‘Hardest Geezer‘s run across Africa, or charities strictly local to Manchester, everyone involved is striding towards a goal – quite literally.
Meet the team behind the new non-profit run social in Manchester.
Offering a different kind of night out
Speaking to The Manc, co-creator Sezzle says the mission statement is simple: “Everyone’s welcome and you can meet new people whilst running but at the same time we’re giving back to the community.
“We’re supporting local charities, artists and DJs, as well as local running clubs who want to get involved. Essentially, it’s just about bringing people together, which is what run clubs do, but we’re also in a big city and not everyone wants to go out and just drink at a bar all night.
“You want to keep fit, it’s good for your mental health, but you also still want to be social and enjoy yourself. Run The Streets is that Mancunian through and through but everyone’s invited.”
Sober for five months now, she acknowledged that outlets like this are crucial, insisting: “I don’t want to stop going out and having a good time or meeting new people, so this is a way that you can still go out on a Friday night and enjoy a party atmosphere with no pressure to drink”.
This is what the start of a night in trainers, hi-vis and glow sticks looks like. (Credit: Supplied)
The ‘by Manchester for Manchester’ ethos
Her partner in crime Liam echoed that party-run description, reiterating that whilst people can still get a bit boozy if they like, it’s all about “providing an alternative for anyone who doesn’t want to drink and want to be included but might have felt a little alienated otherwise”.
A fellow Tameside native, he explained how Run The Streets has already partnered with zero-alcohol brands like Clean Break for their inaugural event back in March and now alcohol-free favourite Lucky Saint for their sophomore social this month.
“It’s not about the financial aspect for us”, says Liam, “we only charge for tickets to sustain the event and pay for the talent, hiring spaces and so on… It might be different venues, different charities etc., but as long as we focus on core issues to Manchester with a cultural element that’s important to us, we’re happy with that”.
Sez couldn’t agree more, adding: “At the end of the day, we’re Mancs, we’ve watched the city grow into what it is today. When it comes down to it everyone knows about the Manchester spirit, it’s a hard-working area and there’s such a community to this place – we want to make sure everyone feels welcome.
“We look out for each other. That’s how it’s always been.”
Their recent running event with Matchroom ahead of the Gill vs Barrett fight at AO Arena. (Credit: Run The Streets MCR)
Roots in the running and wider Greater Manchester community
Chatting with Tom Lewis, founder of Manchester’s annual 24 Hour Run Against Homelessness and Chairman for the Run The Street’s official host club, Manchester Road Runners, he said that they became interested because they “really liked the idea of sponsoring different charities every month”.
Confessing that it felt like “a natural crossover” given MRR’s size and ethos, as well as their own non-profit work with the British Heart Foundation and Greater Manchester Mayor’s Charity, he said the “overall response from the first event was incredible – everyone just loved it”.
“There were people dancing on the streets as they saw us come past and there were so many videos on social media. That sort of stuff can really help get people into running who wouldn’t necessarily consider it in the first place.”
“I think it’s going to grow really quickly; the first event sold out and I think the next ones will too, definitely. It’s great to see what just a random group of friends can accomplish when we come together.”
Manchester Road Runners is helping bring huge numbers to the event already.
Liam himself couldn’t speak highly enough of the Castlefield-based group, insisting that “me and Sez find a lot of happiness and solace” at MRR.
While they are affiliated with others like KOKO (Keep On Keeping On’s Manchester arm) and Stretford Run Club that they want to help promote, the hope is that events like this might help people who run but don’t attend a club might give them a try in the future.
Regular ambassador and volunteer at both organisations, Natasha Barclay – who herself is over a year into her own sobriety journey – described the flagship event as “such good fun, really welcoming” and filled with plenty of people who had never even run before.
Nat also urged people not to be scared if they’re first-timers to run socials or running full stop, reassuring that “no one gets left behind; even if you can’t really run, you’ll always make it back, have a good time and meet others in the same boat”.
She went on to add: “Run The Streets MCR is all about giving back to the running community which I think can often get overshadowed by social media and certain brands. The spirit can sometimes get taken out of it but this run social puts its straight back in whilst helping Manchester business and DJs.”
When we asked the guys to sum this whole experience up in three words or less that weren’t ‘rave and run’, they came up with some pretty telling answers too. “Community, soul and fun”, “alternative Friday fun” and our personal favourite: “Simply for Manchester”.
It’s also worth reiterating that these guys have done it completely off their own backs and are doing so on an entirely voluntary basis on top of their full-time jobs, sometimes juggling two or three different roles. It’s been built over countless late nights and dinner hours, all for the love of running and the city.
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The second ever Run The Streets MCR running social and party kicks off this Friday, 26 April from 7pm at Joshua Brooks, with a light 5k around our lovely city centre starting at 7:30pm before heading back to the venue for more tunes, dancing, glowsticks and general good vibes from 8pm onwards.
You can grab the last few remaining tickets HERE and we hope to see a few of you there on the night.
Come rain or shine, there’s always tunes to keep you going.The turnout at the last Run The Streets Manchester social at The Deaf Institute.Credit: Supplied/The Manc Group