Glastonbury has drawn to a close for another year.
As thousands of festivalgoers woke up bleary-eyed today after three days of eclectic shows, and with the usual massive clean-up operation now underway down at Worthy Farm, viewers and critics have been reflecting back on what was another successful year for the UK’s – and probably the world’s – biggest music event.
And by the looks of things, it seems one local star has stolen the show.
We are, of course, talking about none other than Rick Astley – who is now no longer a self-professed “Glastonbury virgin” after taking to the world famous Pyramid Stage on Saturday for one of the festival’s most talked-about sets.
It may have been 36 years since the iconic singer-songwriter from Newton-le-Willows first shot to fame with his massively-popular 1987 hit song ‘Never Gonna Give You Up’, but Rick Astley is arguably a more prominent force in popular culture now than he ever has been before.
Over the past couple of years, the 57-year-old has been amassing new fans left, right, and centre, and has even claimed the strongest run of album chart positions of his entire career.
Fans will know that Astley had already teamed up with Blossoms to perform a selection of their favourite The Smiths songs back in 2021, and it went down so well the first time, that the Stockport indie rockers decided to bring Astley up on stage with them again for a surprise set to entertain the Glastonbury masses with some of the iconic Manchester band’s most well-known songs.
Taking over from Morrissey on vocals, Rick belted out some of the classics from The Smiths’ back catalogue – including ‘This Charming Man’, ‘Heaven Knows I’m Miserable Now’, and ‘Please, Please, Please, Let Me Get What I Want’ – with the Stockport lads doing a brilliant job of providing the instrumentation.
But still, that’s arguably not what Astley’s Glastonbury debut year will be remembered for the most.
As it was his unexpected drums cover of AC/DC’s iconic 1979 classic ‘Highway to Hell’ that’s got viewers branding it one of the festival’s best moments.
As Astley took to the Pyramid Stage for his highly-anticipated Saturday slot, the enthusiastic showman had the expansive crowd in the palm of his hands and appeared to win everyone over with his impressive vocals – but it was when he took a seat behind the drum kit for the penultimate song on his setlist that he won over even his harshest critics.
And they weren’t the only one to take to Twitter to sing Astley’s praises, as social media was flooded with viewers complementing his unexpectedly good drumming talents, and his set as a whole.
“I didn’t know how much I needed to see Rick Astley crushing AC/DC’s Highway to Hell on the drums at Glastonbury,” another fan wrote on Twitter.
Someone else even called Astley “the human equivalent of flare jeans” as both are “making a comeback in 2023”, while another person called the cover a “legendary performance”, and more fans called to “Protect Rick Astley at all costs.”
One fan wrote on Twitter in praise: “Watching him play every instrument in every genre while covering vocals without mimicking the original singer like a single trick cover band singer is really quite something.
“Rick has been one of the pleasant surprises of Glastonbury,” another fan summed it up best, adding that he’s “a proper ray of sunshine.”
Featured Image – BBC
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A new music showcase is taking place at a beautiful and historic Stockport venue
Danny Jones
A new live showcase is coming to Stockport town centre as part of a wider music, art and cultural celebration next month.
And by new, we mean the artists; if you went to the last edition, you’ll know it delivers some serious talent.
Teaming up with the likes of Manchester-based music magazine and promoters, The Rodeo, as well as ticketing platform Skiddle, Stockport is set to welcome the return of Mercury Climbing Festival.
This week-long celebration of music, art and culture around parts of the Greater Manchester borough’s historic old town, and there are some exciting names on board already.
As for Mercury Climbing 2025 itself, the multi-day festival spread across several locations boasts the best in native and Northern music, visual arts, and comedy.
Popping up across a total of eight different spaces, including the likes of the brand-new Stockroom, pubs, and headline music venue St Mary’s Church – quietly one of the coolest places we’ve ever seen a gig – you have plenty of reason to be excited about this one.
Speaking of St Mary’s, while artists such as local legends Badly Drawn Boy, Manc indie outfit The Covasettes and Riding The Low – fronted by actor Paddy Considine – are set to play the stunning ceremonial space, The Rodeo is also hosting its own dedicated stage at the church.
Highlighting emerging new talent on Saturday, 20 September, Manchester-based solo indie project Better Joy is set to headline, with Denver County Council (who featured on our Manc artists of the month round-up), Henry Webb-Jenkins, Katie & the Bad Sign, plus more to be announced in support.
The last time we saw a ‘Live at St Mary’s’ event, we can’t stress this enough: it was nothing short of an unforgettable experience.
You don’t get to enjoy a ‘religious’ gig experiences like this often…
Taking place from Friday, 19-26 September, the festival as a whole will transform Stockport’s historic Old Town into a vibrant cultural hub.
And it isn’t just music: there are local food and drink traders getting involved, artwork from the one and only Stanley Chow, as well as plenty of other entertainment.
Above all else, the event is not only steeped in SK and Greater Manchester’s rich heritage, but it’s a great way of supporting new art coming out of the region.
The Rodeo’s St Mary’s stage gets underway from 4pm and is scheduled to finish at 10:30pm, but the wider Mercury Climbing programme is an all-day festival that won’t end until late. You can grab your tickets right HERE.
Royel Otis add second Manchester date due to massive demand
Danny Jones
Australian indie pop group Royel Otis have announced a second Manchester date ahead of their upcoming UK tour due to a huge demand for tickets.
The Aussie duo, who have blown up in the past couple of years with tracks like ‘Oysters In My Pocket’ and two viral covers of Sophie Ellis-Bextor and The Cranberries, are due to play a massive Manchester gig later this year.
Set to make their O2 Victoria Warehouse debut this winter, the ‘Sofa King’ singers saw their ticket allocation sell out quicker than you can say ‘Going Kokomo’.
As a result, there was only one thing for it:
Due to demand, @RoyelOtis have just added an extra date at Manchester @O2VicWarehouse in November! 🔥
For anyone still unaware of the rising alt-pop outfit led by frontman Otis Pavlovic and Royel Maddell (hence the name), they began breaking onto the scene around 2022 after having released a couple of tracks the year prior.
Although they quickly gained support back in their home country, their presence over here and indeed around the world was helped no end after their tripleJ take on ‘Murder on the Dancefloor’ and stripped-back version of ‘Linger’ for SiriusXM hit the internet.
They even managed to land a feature on EA FC 24 – formerly known as FIFA – and we all know how getting on that soundtrack can transform careers.
Since then, their following has grown exponentially, and the rising double act has booked major festival slots such over the past 12 months or so, playing the likes of Kendal Calling, Glastonbury, as well as Reading and Leeds, just to name a few.
Regardless, fervent fans haven’t seen their clamour disappear, and now the band have announced an extra date at Victoria Warehouse.
Now set to play the venue on Friday AND Saturday, 28-29 November 2025, they will be supported by an opening act with a cool UK connection: Still Blank.
The transatlantic outfit is made up of Jordy is from Hawaii, and Ben, from right here in Manchester; the two come together to make what Stereogum has described as “sullen folk-grunge” – yet more reason for locals to be interested in the gig.
Once again, while the first gig has sold out, you can grab your tickets for Royel Otis’ second Manchester show HERE.
Emily Sergeant -
26th June 2023 
