Whenever Blossoms perform within the perimeter of Greater Manchester, it’s with a certain kind of swagger.
They’re never more confident and comfortable on stage than they are here in the city where it all began a decade ago, a land where they know they can shout about Offerton, or make jokes about the 192, and the entire audience will cheer and understand the punchline.
Last time they played at Castlefield Bowl, they had one album. Now there are four to play with, and Blossoms whizz back and forth through the years in front of the 8,000-strong audience.
At the sold-out show, we hear everything from their very first song to tracks from their latest release, Ribbon Around the Bomb, with transitions between the songs so smooth you don’t even notice they’re happening a lot of the time.
Highlights include The Sulking Poet, where the eight-strong touring band lay down a complex tapestry of an instrumental while dry ice swirls around them, and If You Think This Is Real Life, where frontman Tom Ogden attacks his vocals with a furious staccato.
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He has more stage presence than ever with his new retro haircut and his flared suit, striding around like he very much runs this town.
Tom tells us about the group getting ‘sacked off by Netflix’ after writing Ode to NYC for an upcoming film – they may have lost the lucrative streaming deal but at least we all got a belting song out it.
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He thanks us all for sticking with Blossoms over the last 10 years, though adds that even at this stage in their music career, he still gets asked for ID.
The band are celebrating their ‘tin’ anniversary, and so when we’re asked to raise a tin to the five-piece, hundreds of cans of cider pop up overhead.
We may think of Blossoms as part of a new generation of Manc music, but you have to remember that these guys have been around the block a few times now.
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They reek of a band who have grown up together, through the awkward teenage years to their now chart-topping success, with a sort of magical musical telekinesis running between them.
After a brief pause during Blown Rose for an unwell audience member to be pulled out of the packed crowd, they’re able to leap back in to the song exactly where they stopped without a single hiccup.
Throughout the gig, I count only one mistake – and it was Tom forgetting to introduce his own brother-in-law, drummer Joe Donovan, while celebrating each band member’s contributions. I’m sure that’ll be brought up at every Christmas dinner for the rest of eternity.
They are immaculate in their presence and their performance, and have clearly grown up and grown into their sound.
With this 10th anniversary gig at Castlefield Bowl, Blossoms have proven, once again, that they’re a group Greater Manchester can be very proud to call our own.
The Script announced as latest Co-op Live act as they head back to Manchester
Danny Jones
Irish rock pop band The Script have been confirmed as the latest artists set to play Co-op Live arena as they prepare to make their Manchester return later this year.
Announcing the Co-op Live gig as part of their upcoming Satellite world tour, in support of their new album which is set to drop in just a few months’ time, the noughties and 2010s hit-makers will be coming to Manchester’s newest venue this fall.
With the trio having not long lost their lead guitarist and best mate Mark Sheehan during their run of Greatest Hits shows, this will be the first full tour they are set to play without him in the lineup.
Having gone back and regrouped, made a new record and now dropped their latest single ‘Both Ways’ at the same time on Friday morning, it’s full speed ahead for the boys with a massive world tour now on the horizon, including 20 European dates.
After being reduced to just two of the original found members, frontman Danny O’Donoghue and drummer Glen Power, the Dubliners have since doubled, inviting bassist Ben Sargeant and guitarist Ben Weaver to join the band earlier this month. They’re also still out on tour with pop legend Pink.
Their new album, Satellite, will mark their seventh studio LP and the first material released as a four-piece and is scheduled for release on 16 August, promising to deliver a whole new energy from the band.
Taking inspiration from the likes of The Black Eyed Peas and Bruno Mars, bassist Glen admitted that the sound “maybe not what people might expect from us but we’re The Script, and now we have something to prove: that there’s life and light after the darkness. It’s why we’re coming fast and strong with that one.”
Lead singer Danny added: “The album cover is silhouettes of me, Glen and Ben Sargeant, our bassist, who’s been with us from the beginning. Then we have a hooded silhouette, because the air of Mark is still there.
“He always will be, but it’s also giving a tip of the hat to the future. It’ll never be the same Script. We’re just trying to get on and do what it is that we all feel is the next right thing to do and that’s to keep making more great music.”
As for the show itself, The Script arrive at Co-op Live on 30 November – the final show of their UK leg and over two years since their last visit to Manchester at the AO Arena.
For those looking to grab tickets, fans who pre-order Satellites from the band’s official store before5pm on Tuesday, 21 May will receive access to an exclusive pre-sale for tickets for the UK and Irelandtour dates.
Pre-sale opens at9:30am on Wednesday, 22 May and general admission tickets go live at the same time on Friday, 24 May. You can grab yours HERE.
We’ve had the luxury of popping along to the brand-new arena a few times now and we have to say, it didn’t disappoint.
Black Keys at Co-op Live, Manchester – huge venue’s first taste of the blues
Charlie Watkinson
As a huge Black Keys fan, when I found out they were set to be the first band to grace the stage at Co-op Live, I just knew I had to be there.
Of course, it didn’t turn out that way.
After numerous cancellations and rescheduling, Elbow managed to nab the first spot, with the Black Keys taking to the stage the following night instead (several weeks later than their original show date).
Let me tell you though – they did not disappoint.
Having been one of the starry-eyed fans at Elbow the previous night, and been properly impressed by the sound quality inside the massive new Manchester venue, the thought of hearing Dan Auerbach’s epic bluesy riffs had me beyond excited.
Entering the stage playing the heavy-hitting I Got Mine, followed by one of their most well-known tracks, Gold on the Ceiling, it was evident we were in for a great show.
I have to admit, though, as a die-hard Black Keys fan, I couldn’t ignore how static the crowd was throughout the whole performance.
It almost seemed like the room was filled with people who didn’t know their songs, perhaps due to rescheduling and Co-op Live dishing out tickets to say ‘sorry for the inconvenience’?
The quiet stillness of the crowd did a great disservice to the electrifying talent on stage. Luckily, this didn’t matter too much.
Closing with their most popular song, Lonely Boy, I almost forgot how still the crowd had been as I watched the entire stadium howling, “DAH DAH DAH DAH DAH – DAH DAH DAH DAH DAH.”
Although I wanted more from the crowd, all in all, the Black Keys played a setlist fit for a super fan and gave Co-Op Live its first taste of the blues.
I just wished the audience had been Howlin’ for You all night, not so Tighten Up’… As you were.