Legendary US rock, country and folk band the Eagles have announced their last-ever UK gigs and Manchester’s Co-op Live arena has been giventhe honour of bidding them a British goodbye.
One of the most successful and seminal bands of the 1970s and beyond, the LA hitmakers best known for tracks like ‘Hotel California’, ‘New Kid in Town’, ‘Desperado’ and countless others, are rounding off their global Long Goodbye tour with three final shows here in Britain and our city’s newest venue.
Announced as part of a residency at the brand-new Co-op Live, set to open in April this year, the Eagles will be playing a trio of greatest hits shows, with long-standing lineup — Don Henley, Joe Walsh, Timothy B. Schmit, Vince Gill and Deacon Frey (son of the late great frontman, Glen) — all set to perform.
Better still, the worldwide phenomenon and music veterans are also bringing another beloved American outfit along for the ride, as cult favourite jazz rockers Steely Dan will also be joining them. Iconic.
Writing as per a press release, the band said: “The Eagles have had a miraculous 52-year odyssey, performing for people all over the globe; keeping the music alive in the face of tragic losses, upheavals and setbacks of many kinds.
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“Credit and thanks go to our longtime management team, our dedicated road crew, and our exceptional backup musicians for providing skilled and steadfast support, throughout these many years. We know how fortunate we are, and we are truly grateful.
“Our long run has lasted far longer than any of us ever dreamed. But, everything has its time, and the time has come for us to close the circle… We want to give all our fans a chance to see us on this final round… We hope to see as many of you as we can before we finish up.
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“Most importantly, we thank you from the bottom of our hearts for embracing this band and its music. At the end of the day, you are the reason we have been able to carry on for over five decades. This is our swan song, but the music goes on and on.
Having crossed several destinations off the list already, the boys make their way to Manchester on Friday, 31 May, before playing to more shows on Saturday, 1 June and Tuesday 4 June.
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Co-op Live’s Executive Director and General Manager, Gary Roden, said of this huge coup for the venue: “We’ve always said that our mission is to bring the world’s biggest artists to Manchester, and we’re delighted Co-op Live is hosting the only UK shows of Eagles’ farewell tour.
“Hosting these shows epitomises the ambition that the arena is built on, and we can’t wait to be part of plenty more historic events like this one.”
If you to be at the last ever Eagles shows here in the UK and say one last goodbye to the Rock & Roll Hall of Famers, you can grab your tickets HERE. General sale goes live this Friday, 26 January at 10 am so you best be quick! There are some seriously massive names coming to Manchester’s newest gig venue.
Featured Images — Press Image (via Eagles.com)/Mark Tepsic (supplied)
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Bez and Shaun Ryder are starring in a new gangster movie – nope, not kidding
Danny Jones
No, you didn’t misread the headline and you’re not on acid: Manchester music legends Bez and Shaun Ryder are set to feature in a brand-new gangster film.
Yes, the ones from the Happy Mondays – why are you having such trouble processing this?
Seriously though, we did a little double-take ourselves when we came across this news, but the familiar Manc faces look to be among the ensemble of a brand-new gangster movie by Irish writer, actor, producer and filmmaker, Ciaron Davies.
And this is just a little leak or rumour that may have been blown out of proportion: you can take it from the horse’s mouth as Happy Mondays frontman, Ryder, recently shared the news on social media.
As you can see, the new film is called Geezers and is billed as a “British crime caper” written and directed by Davies, featuring Shaun as hard-man Robbie and Bez as ‘Monk’.
Although it’s not strictly listed as a comedy per se, ‘caper’ would suggest plenty of humour and light-heartedness, so we’re thinking more like The Gentleman, Italian Job, or maybe even Four Lions, rather than a serious crime thriller.
Now, while we’ve seen both of the Salfordians on screen before not only in the likes of music videos, interviews, panel shows and even as two of the funniest guests to ever go on Celebrity Gogglebox, this latest venture will serve as their respective acting debuts.
According to the IMDb page, the synopsis of the film is as follows: “Crime caper about a stolen bag of money. Caught in the crossfire are ‘The Geezers’ a bunch of wannabe criminals who have bitten off more than they can chew. With 24 hours to grab the cash, London may just go up in smoke tonight.”
Shame it’s not set on the mean streets of Manchester, or better yet Salford, but you’ve still very much caught our interest.
You can see the first promotional poster for the film down below.
As for Davies, he has been involved with a number of small-budget TV film projects, as well as appearing in shorts and even video games, so it’s fair to say that getting 62-year-old Ryder and his ever-energetic hype man, 60, involved is quite the coup for his movie-making career.
Although the film has no release date just yet, we know that filming locations having included parts of Warrington and Pinewood Studios, will be produced by Loose Gripp Films and distributed by publishers High Fliers.
Given the high-octane nature of Geezers and its genre, the feature will involve lots of action, stunts, violence and even martial arts – though how much kung-fu these two will have learned for the project remains to be seen…
All we know is that the film is supposedly “coming soon” and if you don’t want to see Bez and Shaun Ryder doing their best impression of a Guy Ritchie gangster movie then you’re lying to yourself. Praying for a Rowetta cameo to put the cherry on top.
Featured Images — Shaun Ryder (via X)/Loose Gripp Films/IMDb
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Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.