It’s almost time for tens of thousands of people to flock to the fields of Heaton Park for this year’s Parklife festival, which is bigger than ever in 2024.
The huge festival brings together the biggest names in dance, house, hip hop, grime and electronic music for two days of partying.
This year’s line-up is arguably its biggest yet, featuring headline performances from Doja Cat, Disclosure, Becky Hill and loads more.
And even with the incredible European debut of Fisher and Chris Lake’s Under Construction now pulled from the line-up, it’s still set to be Manchester’s biggest party of the year.
If you can believe it, it’s been 14 years since the first-ever Parklife was held and since then it’s gone on to be not only a Manc music institution and rite of passage, but one of the most famous festivals around the world – we’re just lucky it happens to be right on our doorstep.
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With that in mind, here’s everything you need to know about Parklife 2023, from who’s playing and where to how you’ll be getting there and back.
Parklife 2024 line-up
Aitch performing at Parklife 2023. Credit: Sam Neill
The city’s biggest music event has lined up huge names like Doja Cat, Disclosure and J Hus to perform over the weekend of 8 and 9 June.
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Returning Parklife favourites Peggy Gou, Becky Hill, and Four Tet are also heading up the huge 2024 Parklife line-up.
The pop and R&B side of the line-up will be taken care of by names like Sugababes, Anne-Marie and Mahalia.
Also on the bill will be Kaytranada, Camelphat, Rudim3ntal, Nia Archives, Hybrid Minds, Patrick Topping, Barry Can’t Swim, Folamour, Dom Dolla, Casisdead, Wilkinson, Shy FX: Specials, Interplanetary Criminal, Sammy Virji b2b Interplanetary Criminal, Kenya Grace, ANOTR, PAWSA, TSHA, Girls Don’t Sync, Max Dean, Hedex, Bou, Uncle Waffles, Skream, Jyoty, Loco Dice, Sub Focus and loads more.
The good news if you’ve not yet booked your Parklife tickets is that there are still some available, whether you’re picking a day to go or want to take on the whole weekend.
How much is a VIP upgrade and what does it get you?
Having done a fair few Parklife festivals now, we can confirm that the VIP upgrade is well worth the money.
You’ll get fast-track entry to the festival (no queues for you!), and access to a whole separate area of the festival to relax in.
The VIP area at Parklife has exclusive DJs, a street food market, cocktail and spritz bars, lockers, fast-track loos, a make-up artist and glitter station, and even a streetwear stall by Suzy Loves Milo.
It’s £35.50 to upgrade a day ticket to VIP, or £34.50 for weekend ticket-holders – again, check here to book yours.
Parklife 2024 festival site map
The map of the Parklife festival site for 2024
Parklife 2024 dates and opening times
Saturday 8 June : 12pm – 11pm
Sunday 9 June : 1pm – 11pm
Last entry into the festival is 5pm
Stage splits for Parklife 2024 headliners
It’s always the eternal question for festival-goers – how am I actually going to see all this amazing music and one weekend, and who’s going to clash this year?
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Parklife has already confirmed the stage splits for its 2024 instalment, so we know exactly who’s going to be playing which stage.
Stage times aren’t out yet but usually drop a good few days before the festival – you can download the Parklife app (here for Apple, here for Android) for all you need to know.
How to get to and from Parklife festival 2024
As Parklife is a non-camping festival, getting home at the end of the night is always a question people ask.
Organisers make it as straight-forward as possible for people to get back home after the stages wrap up in Heaton Park.
The fastest and easiest way to travel to and from Parklife is with the official Parklife Travel Pass, a partnership with Transport for Greater Manchester (Bee Network), Manchester City Council and Parklife, which allows you to travel on the direct Parklife Shuttle Bus and Metrolink service from Manchester City Centre.
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Buses will operate back into Manchester from the early evening, until the site is clear, and fans should use the NORTH EXIT of the site for the bus departure point.
Tickets are just £5.50 per day.
You can see more travel advice from Parklife here.
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.