Oasis fans here in the UK, i.e. the ones that helped send them into the stratosphere in the first place, have been left begrudged by the legendary Britpop band after a key decision has been made about their recently announced US tour.
However, it’s fair to say the news was more massive here in Britain (especially here in Manchester) than any other nation, no matter how much of a global following the band amassed back in the 1990s.
So, after UK and Irish Oasis fans recently learned that North America will be avoiding the same ‘dynamic ticket pricing’ mechanic that has seen them fork out hundreds for their tickets to see their favourite band’s comeback, they’ve naturally been left a bit miffed…
As you can see, there are countless fans from England, Scotland, Wales and Ireland in the comments calling out the disproportionate treatment and prioritisation of those in the US, Canada and Mexico.
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For context, some of those who stayed in the queue for Oasis tickets ended up paying well over £300 – the ‘in-demand’ rate after the initial ballot sold out – and Ticketmaster’s main claim is that it prevents ticket touting. Their statement says the aim is now to “avoid a repeat of the issues fans in the UK and Ireland experienced recently.”
The band’s Instagram post is littered with just as much backlash, with one person replying, “So just the UK fans that get mugged off then? Sound”; another adding, “Cool – so where’s the refund of the extortion charged for the UK fans then?”, and several going so far as to demand a public apology.
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One commenter wrote: “So refunds for fans in the UK above face value? Of course not… A public apology from Live Nation, Ticketmaster and SJM [Concerts] is perhaps due, respectfully.
“There’s too many people not speaking out and it’s scalping artists on profits made as well as fans. The issues over these companies and [the] ticketing monopoly is 30+ years old now plus the recent ticketing issues is spitting in the face of entertainment.
“Do something about it please team up with the market of fans, artists and maybe help smaller venues in doing so. Thank you x”. It’s by no means the first time these kinds of inflated prices have been called out, as Robert Smith of The Cure took similar issue with the fleecing of his fans.
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That being said, there are some trying to justify Oasis’ dynamic ticket pricing simply due to the sheer demand their reunion tour resulted in; others still believe it’s an excuse to simply “exploit loyalty” and that the US is getting a let-off over the fans from their homeland.
overcharged how? there was demand which makes prices go up, and people paid those prices. just cause it was too expensive for you so you’re upset. not their problem
It's unreal that they're trying to maintain that falsely inflating the prices by more than 100% is actually a tool to combat touting, rather than a tool to exploit fans loyalty… 🤷
One consumer group here at home has already suggested that fans be refunded after being forced to pay for in-demand ticket prices if they want to stand any chance of seeing Oasis live again.
The boys from Burnage have insisted they have nothing to do with the decision itself and “at no time had any awareness that dynamic pricing was going to be used” after they announced two additional Wembley dates, “but due to the unprecedented demand [avoiding it] became impossible to achieve.”
Regardless of how unfair it seems, there is sadly little we can do about it without artists leading the way to change the music industry and live ticketing, in particular.
Unfortunately, people will also continue to pay over the odds when backed into a corner like with the Oasis reunion because that’s what loving an artist so much can do to you – not that it makes it right in way, shape or fashion.
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All we can say now is: you won, US Oasis fans – enjoy the tour, we hope it makes you happy. Dear lord, what a sad little life, North America…
You ruined our day completely so you could have the money and the tickets, and we hope now you can spend it on lessons in grace and decorum, because you have all the grace of a reversing dump truck without any tyres on. So America AND Oasis, take your money and get off our property…
How a cult classic game helped create the sound of Blossoms’ new album
Danny Jones
More specifically, their soundtracks, as in a recent chat with the Blossoms boys, we found out that their upcoming album was at least partly influenced by a beloved PlayStation 2 classic from 2006.
This is just more proof that you really can find inspiration in just about anything.
Yes, even if only in part, an old video game that many of you may have played back in the day is somehow connected to the latest and technically still yet to be announced release.
We’ve heard of groups such as The 1975 trying to make an album that sounds “as if John Hughes had directed a movie about our lives”, and Red Rum Club leaning further into the growing Western aesthetic with almost every outing, but we never thought we’d hear of a record born out of a love for Bully…
The lads actually touched on that whole ‘still TBC’ when we spoke to them at their studio in Stockport, joking not just about divorce but how they’re baffled by the whole ‘are they working on new music?’ speculation in the media. “Well, yeah, we’re a band – that’s what we do for a living”, as they put it.
But back to the point at hand: lead guitarist Dewhurt’s affection for Bully, a cult favourite PS2 title released by Rockstar Games – the same people behind Grand Theft Auto (GTA) and Red Dead Redemption – and the score behind it, essentially served as a seed for the feel of their newest work.
As he explained above, before being expanded on by frontman and primary lyricist Tom Odgen, they were fortunate enough to be in possession of the details for one half of a duo they both admire: Young Gun Silver Fox, a.k.a. British artist Andy Platts and US multi-talented instrumentalist, Shawn Lee.
Lee also just so happens to be the composer of the original Bully video game soundtrack.
Ultimately, this all came about because Josh contacted him over email simply to praise the game’s music (sure, when he was a teenager, we promise), and only took them until the last year or so to put two and two together. Small world, eh?
Oh, the nostalgia.
It has since occurred to us that we’ve come across him before, too.
For us, it was when playing the first Tales From The Borderlands (a spin-off of the popular action role-playing looter-shooter series that has since been turned into a Hollywood movie), which features his song ‘Kiss The Sky’ and ALSO enjoyed in our late teens.
It still continues to baffle us how things can come full circle like this.
As it turns out, his music appears in various pieces of pop culture, and with Tom professing his love for the funky, bass-forward 80s vibes of Lee and his partner Platts’ stuff, he was then roped in as part of the production team on the hypotheticalBlossoms LP number six. Not that we know anything about that…
What has now come out of all this is the previously alluded to lead single entitled ‘Joke About Divorce’, the music video for which dropped last month.
‘Joke About Divorce’ our new single is out now! We love this record, we recorded it live to tape at Tilehouse Studios with Shawn Lee producing. The second we got the mix back it felt like an instant Blossoms classic (if we do say so ourselves)!
We’re still not sure whether or not this is just the first finished song from the project, the opener or indeed even a title track; all we know is it’s another catchy creation from the Stopfordians.
But yeah, in a roundabout way, somehow that ‘problematic’ game that our parents and teachers complained about when we were kids, either by sheer chance, serendipity or perhaps the divine will of the audio gods, appears to have served as a kind of sonic sapling for a fresh era of the local outfit.
Sadly, we have very little else to offer you in terms of information regarding the ‘as yet confirmed’ next studio release from the Blossoms, but we can tell you we’re very much looking forward to hearing what comes next – especially live.
In case you missed it, they’re headlining this year’s edition of NBHD Weekender music festival at the end of the month; you can see the rest of the lineup down below.
Featured Images — Rockstar Games/Audio North/Press shot (via Go! Entertainment)
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After All 2026 – the affordable grassroots music festival happening in Northern Quarter
Danny Jones
Grassroots music event After All Festival is returning to Manchester this weekend, with rising local artists and affordable tickets.
Now well over half a decade since it was founded, All All Fest takes place in the heart of the Northern Quarter, and this year they’re proving that their slow and steady approach to backing the best new up-and-coming bands at core intimate venues is more important than ever.
With plenty of previous acts having impressed in recent years, we’re looking forward to seeing how 2026 stacks up in comparison to its predecessors.
Increasingly prolific native group Dirty Laces are set to headline the whole thing, Manilla Times are locked in, and Bolton’s very own James Holt also stands out on the lineup, just to highlight a few.
As the festival continues to grow in size and popularity, they have obviously had to scale things up even further this year.
That being said, beloved live music spot and Manc institution, Band on the Wall, is among the chosen arts spaces for this latest iteration.
BoW will be offering up their 500-capacity main room to the organisers for the very first time, serving as the de facto main stage of After All Fest 2026.
Joining them will be the Rose and Monkey next door, as well as cult favourite pub, Gullivers on Oldham Street, who have a long history of supporting local musicians and the arts in general.
And would you look at that, now you’ve got all the stage splits and set times, too.
Labelled by Dead Records’ Rob Fiddaman as “one of the UK’s most exciting new music festivals”, homegrown DJing legend Dave Sweetmore has also described it as “unique in so many ways”, hailing it as a “brilliant event with a great atmosphere to discover new music.”
Having been ourselves on multiple occasions since its inception in 2019 – both as Audio North off-duty and as punters before then – we can’t recommend it highly enough.
The latest edition takes place at 12 noon onwards this Saturday until 2am on Sunday, 17 May, and while the cheapest early bird tickets (£16.50) are long gone, general admission tickets are still available, with prices starting from just £20. Grab yours HERE before they sell out.
It’s not the only live music event worth being a part of this month…
Danny Jones -
1st October 2024 
