Post-punk is having a massive revival at the moment and it’s beautiful. There are loads of bands that were ‘up and coming’ now achieving chart success, shifting records and producing some mint music.
Take bands like Fontaines DC from Ireland – last year their third album got to number one in both England and Ireland. Then they went on to play three back-to-back shows at the O2 Victoria Warehouse.
Manchester has also become a hotbed of new talent like up-and-coming bands Soup! and Harpans Kraft, but the band tonight were veterans on the scene.
Ist Ist first wormed into my brain in 2020 on XS Manchester, when they had just released their brilliant first album, Architect, which spawned the single ‘You’re Mine’ (still their biggest song and still bringing in new fans to this day).
After that, I saw them live in 2021 at the Invisible Wind Factory, Liverpool, touring their second album The Art Of Lying.
ADVERTISEMENT
So I was excited for their big return in 2023, as they announced their third album Protagonist back during the end of 2022 with Scruff Of The Neck.
Ist Ist chose a Friday night slot at the O2 Ritz to launch that new album, putting the venue’s spring-loaded dance floor through its paces under the bouncing crowd.
ADVERTISEMENT
They start with their first single from this album ‘Stomp You Out’, and instantly sound like a band from Manchester’s original post-punk era. It feels like being transported back to the late 1970s, when New Order were just forming and Magazine were releasing their pioneering album ‘Real Life’.
The Manchester crowd love the local band, and I’ve been told Ist Ist has a massive cult following of loving fans who constantly sell out their records, with limited editions being made just for this show.
Lead singer Adam brings deep and emotive vocals to the performance, evoking the spirit of Joy Division’s Ian Curtis and Future Islands’ Samuel Herring. All against the background of dark, heavy bass, guitar, drum and synth.
ADVERTISEMENT
Friday night’s headline show set the start of the band’s tour off with a bang as next they head to Glasgow and other UK cities before flying to European cities like Paris, Amsterdam and Berlin.
Take That shine at the AO Arena in an over-the-top spectacle of a show that we’ll never forget
Danny Jones
Iconic 90s boy band and homegrown heroes Take That played the first of their five-night run at the AO Arena this Tuesday night and boy do these lads know how to put on a show.
I’m going to start this off by admitting I wasn’t necessarily the biggest Take That fan going in – the hordes of huns, mums and tipsy grans firmly won that – but I did walk out with my headphones full blast listening back to all the greatest hits I’d just had brought to life in front of me in glorious technicolour.
At one point, it looked like they might not get to play their truly massive Manc arena shows after the drama with Co-op Live’s ‘opening’ fortnight was derailed but, fortunately, the AO Arena were there to rescue this week’s performances and put together the frankly barmy production in just a few days.
So, first of all, big props have to go to them and they rightly did on the night; the venue helped keep lots of people’s dream gig alive, with both the headliners themselves and support act Olly Murs encouraging a huge round of applause from the packed-out 23,000 cap arena.
Take That first night at Manchester’s AO Arena was pretty special, can’t lie.
‘Olly olly’ opening (yes, he did chant get the entire crowd to chant that)
Speaking of Olly, again, I can’t pretend to be the biggest Murs fan but two things are true, I knew most of the words to his biggest hits as he played a medley of his career from start to finish and the man has bundles of energy.
He cut a George Michael and almost Harry Styles-esque figure at times (even if a few years older, sure), sprinting from one side of the stage to another, cycling through the whole roster of dance moves and giving the crowd exactly what they wanted: that cheeky chappy vibe that got him where he is.
While the 2010s UK chart-topper was a deeply unserious performer for the most part, simply having fun and pratting about as he wished – he even had a fun little stunt where people could call his number on stage – we’re not mad at it because make no mistake, he showed everyone a good time.
And it wasn’t all just playing forgotten pop tunes to his main and admittedly adoring demographic, he he paid a touching tribute to his late friend Caroline Flack with a slower ballad and gave plaudits to his live band who helped bring plenty more. And then these three other lads emerged through the fog…
Olly Murs opens for Take That at the AO ArenaIt was never going to be just an ordinary show…Credit: The Manc Audio
Non-stop shenanigans and we loved every second of it
Quite literally, we mean: Take That’s entrance felt like some kind of weird second coming and, to be fair, it looked to be a biblical experience for the die-hards who began to scream at pitches we’ve rarely heard as they walked out to ‘Keep Your Head Up’, the opener from their last year’s album.
An obvious way to start their Manc tour dates off, we had some idea of the shenanigans about to happen after spotting a few videos on social media but in no way we’re prepared for the thematic whiplash that was about to take place. Or how much we were going to enjoy it.
We’re not joking when we say we lost track of how many costume changes there were, how many times the set design shifted from a set of stairs (think of a Vegas-style cabaret show, only at one point they were on fire) to a walkway descending from the ceiling and so much more madness.
The overarching narrative, in short, was a slightly sardonic twist on a Take That TV show, with Gary, Mark and Howard introducing and flicking through all the big moments down the years. It reminded us of The 1975 stage production at times, only a little less artsy and a bit more wink-wink, nudge-nudge.
If we had to give you a top-line summary of the show overall, it’s intentionally camp, over-the-top and often silly by design, but all with plenty of self-awareness underpinned by the lads who, just like Olly did beforehand, did nothing but have a laugh on stage. Oh, and yes, Gary did ‘the thing’, don’t you worry.
Be it marching up and down stairs in synchronicity before running out of breath when they remember they’re 50, to delivering dance routines galore and getting the rest of the band to come and sway side-to-side with everyone sitting round a sofa, they pull out of the stops when it comes to pageantry.
It also has to be said that no matter how big a Take That fan you are, hearing a full AO Arena belting out ‘Patience’, ‘The Greatest Day’, ‘Never Forget’; ‘Rule The World’, ‘Back For Good’, ‘Relight My Fire’ and oh my they really do have a shed load of absolute bangers, don’t they?…
I mean, just look at this:
Probably the best moment of the night – even if they were wearing strange, Daft Punk-type space helmets.
To cut a long story short, while Take That obviously wished “all the best” to the Co-op Live for when it hopefully opens next week, it felt rather fitting for them to return once again to the venue that first started playing decades ago and still how the record for having played the most shows at.
Better still, the whole bells and whistle spectacle did add something to the experience and it wasn’t as gratuitous as it perhaps looks in some of the clips that have been memed up online. Still daft, don’t get us wrong, but they know it is and it made moments when the vocals were front and centre memorable.
It doesn’t matter how many years on they are, Take That’s latest show proves exactly why your mum, grandma, auntie and probably your uncle loved them in their heyday, why it was such a big deal when they came back in the noughties and why they’re still selling out arenas to this day.
They’ve been doing this for years and they’re absolute pros – we don’t see them going away again any time soon. Roll on the next few nights!
Travis Scott announces massive Manchester gig at Co-op Live arena
Daisy Jackson
Travis Scott will be bringing his epic Utopia – Circus Maximus Tour to Manchester this summer, announcing a huge gig at the Co-op Live arena.
The rapper and producer today released details of 12 arena and stadium dates across Europe, including his biggest UK headline show to date at Tottenham Hotspur Stadium.
His 2023 album Utopia became the biggest hip-hop album of the last year, racking up more than 50 billion streams globally and spending four weeks at the top of the Billboard charts.
And now Travis Scott is heading to Manchester’s new Co-op Live as part of the European leg of the tour, which sold out across North America.
The Utopia – Circus Maximus tour will donate £1 (or one euro) from every ticket sold to the artist’s Cactus Jack Foundation, which helps young people in Houston with scholarship programmes, toys, and experiences.
The eight-time Grammy-nominated artist will play hits from his record-breaking Utopia, as well as his three previous studio albums – Rodeo, Birds in the Trap Sing McKnight, and Astroworld.
Travis Scott’s live show is promising to ‘transport fans into an unparalleled audiovisual experience’ when it kicks off in the Netherlands in June, before arriving in Manchester in July.
Tickets for his Manchester gig will go on sale on Friday 10 May at 10am local time through See Tickets here.
Travis Scott 2024 European tour dates in full
Friday 28 June – Netherlands, Arnhem – GelreDome
Tuesday 2 July – Poland, Krakow – TAURON Arena
Thursday 4 July – Switzerland, Zurich – Hallenstadion
Saturday 6 July – France, Nice – Allianz Riviera
Monday 9 July – Belgium, Antwerp – Sportpaleis
Thursday 11 July – UK, London – Tottenham Hotspur Stadium
Saturday 13 July – UK, Manchester – Co-op Live
Tuesday 16 July – Germany, Hamburg – Barclays Arena
Thursday 18 July – Czech Republic, Prague – O2 Arena
Saturday 20 July – Germany, Cologne – RheinEnergieSTADION
Tuesday 23 July – Italy, Milan – Ippodromo SNAI La Maura
Saturday 27 July – Germany, Frankfurt – Deutsche Bank Park
Dean Hadcock -
3rd April 2023 
