Rising UK pop star Lola Young has unfortunately cancelled all of her upcoming gigs “for the foreseeable future” after recently collapsing live on stage.
This, of course, includes her two scheduled dates at O2 Victoria Warehouse in Manchester, as well as the rest of the dates on her breakout world tour.
Young, a BRIT School graduate whose career has taken off over the past year or so, took to social media to reluctantly inform fans that all her remaining shows are now cancelled as he prepares to take some time for herself and recover.
Admitting that it “pains her”, it is clearly the right decision for her overall health, and we hope she returns to full strength soon.
In case you missed the headlines or the clip that went viral online, Lola Young passed out mid-performance during the 2025 All Things Go music festival.
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Whilst up on stage at the Forest Hills Stadium in New York, the 24-year-old singer could be visibly seen losing her footing and grasp of the microphone, before dropping it entirely and falling backwards as she lost consciousness.
Not only did this include a serious risk of head injury and/or concussion, but it is not the first time alarm bells have been raised surrounding her welfare in the past few months alone.
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Shortly after struggling with in-ear monitors during her biggest-ever show at Wembley for Capital FM’s Summertime Ball, Young also threw up on stage during her Coachella debut.
The London-born artist has opened up multiple times in the past about struggling mentally at times, as well as ADHD and, most notably, her schizoaffective disorder diagnosis, which often revolves around symptoms such as depression, mania, mood irregularities and more
She ultimately had to pull out of a set in Washington, DC, as well; in fact, even before the incident this past Saturday (27 September), she told the crowd she had been having a difficult time.
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Lola Young opens up about having a “tricky couple of days” at All Things Go NYC after canceling a Friday concert “due to a sensitive matter.”
Posting after the DC cancellation, Young said: “I love this job and never take my commitments and my audience for granted, so I’m sorry to those who will be disappointed by this.”
Echoing the same sentiment she shared above, she went on to add, “I hope you’ll give me another chance in the future. Thank you to all those who listen and care.
“To all those who love to be mean online, please give me a day off.”
It goes without saying that we wish her all the best, and that it’s worth noting that Lola Young isn’t the first artist who has risked putting entertainment before their own health, which raises real questions around what the industry can do to better safeguard individuals and prevent situations like this.
Featured Images — The Project TV (screenshot via YouTube)/Press shot (supplied)
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The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Danny Jones -
1st October 2025 
