Morrissey has lashed out at tributes to the late Sinéad O’Connor, and has claimed people are only praising her now “because it’s too late”.
It seems the former frontman of iconic Manchester band The Smiths is living up to his recent controversial label and proving to be his outspoken self once again, as this time, he’s decided to take aim at the tributes paid to Sinéad O’Connor by celebrities and the media, accusing them of “not having the guts” to support her when she was “alive and looking for you”.
Legendary Irish singer Sinéad O’Connor sadly passed away at the of 56 yesterday, her “devastated” family confirmed in a statement.
O’Connor was most well-known for her famous 1990 cover of Prince’s ‘Nothing Compares 2 U’, as well as for releasing 10 critically-acclaimed solo albums throughout her revered career.
She was also known for being a vocal advocate for women in the music industry, for campaigning for women’s reproductive rights, and for publicly speaking out against the Catholic church, but was also known to have Bipolar Disorder and had been candid about her struggles with mental health over the years.
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The singer’s death came 18 months after the death of her 17-year-old son Shane, who had been on suicide watch before his passing.
Her cause of death has not yet been disclosed, but is “not being treated as suspicious” by police.
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In the hours since O’Connor’s death, many fans, famous names, and musicians and industry figures have publicly paid their tributes – but Morrissey has hit out at this response, and has taken to his personal website to have his say in an open letter.
Morrissey hits out at Sinéad O’Connor tributes claiming it’s ‘too late’ / Credit: Morrissey (via Facebook)
Titled ‘You Know I Couldn’t Last’, Morrissey wrote that “the cruel playpen of fame gushes with praise for Sinead… [but] you praise her now ONLY because it is too late”, adding that many didn’t “have the guts to support her when she was alive and she was looking for you”.
He continued: “She was dropped by her label after selling seven million albums for them. She became crazed, yes, but uninteresting, never.
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“She had done nothing wrong. She had proud vulnerability… and there is a certain music industry hatred for singers who don’t ‘fit in’ (this I know only too well), and they are never praised until death – when, finally, they can’t answer back.
“Music CEOs who had put on their most charming smile as they refused her for their roster are queuing-up to call her a “feminist icon”. And 15 minute celebrities and goblins from hell and record labels of artificially aroused diversity are squeezing onto Twitter to twitter their jibber-jabber… when it was YOU who talked Sinead into giving up…
“You didn’t have the guts to support her when she was alive”/ Credit: Wikimedia Commons
“Because she refused to be labelled, and she was degraded, as those few who move the world are always degraded.”
The 64-year-old former frontman turned solo artist – who has always been outspoken throughout his career, but has more recently become a widely divisive and heavily critiqued figure due to publicly voicing his views on a number of contentious topics spanning the genres of politics, race, culture, religion, and more – closed out his letter by calling O’Conner “a challenge” but one that “couldn’t be boxed-up”.
Listen to Bring Me the Horizon’s cover of an Oasis classic
Danny Jones
Sheffield favourites Bring Me the Horizon have covered not just an Oasis classic but arguably their biggest song of all time – but is it any good?
The high-flying alternative metalcore band are one of the biggest contemporary rock artists on the planet right now, having most recently been nominated as ‘Group of the Year’ ahead of the 2025 BRIT Awards.
Undoubtedly one of the best-known acts to ever come out of not just Sheffield but Yorkshire as a whole, there’s no project or challenge too big for these lads at this point, which is exactly why they had no trouble taking on one of the most famous songs ever written.
We never thought we’d hear Bring Me the Horizon covering Oasis‘ ‘Wonderwall’, but here we are.
Covering the legendary Britpop anthem to Spotify singles, if you’re expecting it to sound anything like the ‘Wonderwall’ you know, then you’re in for a shock.
It’s certainly not just a straightforward stripped-back bashed out quickly in a studio with an acoustic guitar – far from it…
However, if you are a fan of the current Bring Me sound, you’ll be glad to hear that the Northern heavyweights are tapping into that raw aggression with plenty of nu-metal production value.
On the other hand, although frontman Oli Sykes’ softer and more melodic vocals of late get a good deal of the spotlight, there are plenty of rip-roaring screams layered throughout, not to mention some emo-esque guitar playing and shredding drums with plenty of staccato, double-time and fun fills thrown in.
They even recreated that iconic shot from the music video for the cover art:
They faired rather well.
Uncanny, lads.
Put simply, it’s got some of the best bits from both old and new BMTH only with those iconic lyrics; it does take a minute to get used to hearing ‘Because mayyybe‘ being sung like that, but it’s definitely a grower in our opinion.
The single release also comes with a new somewhat lo-fi electronic ‘EarthcOre remix’ of ‘YOUtopa’ from their most recent seventh studio album, POST HUMAN: NeX GEn; again, this version is rather different from the original but we like both.
Without further ado, please enjoy a short preview down below and you can listen to the Bring Me the Horizon cover version of ‘Wonderwall’ by Oasis in full HERE.
What do you make of it?
Does the Bring Me The Horizon cover make ‘Wonderwall’ feel interesting again or is it still just Oasis’ most over-played song ever?
‘The Witcher in Concert’: the smash-hit video game’s soundtrack brought to life in Manchester
Danny Jones
One of the most iconic games ever, The Witcher III: Wild Hunt, is set to see its iconic score and soundtrack reborn in concert right here in Manchester.
Better still, due to the sheer demand for tickets already, an extra date has been added, giving you an extra chance to hear the record-breaking RPG brought to life on stage in front of your very eyes.
‘The Witcher in Concert’ is an immersive audio-visual experience from developers, CD PROJEKT RED (the same team behind Cyberpunk 2077), which will see the music from the series performed by a live orchestra at Aviva Studios.
Let the Wild Hunt begin…
Revolving around The Witcher III, specifically – widely considered to be not just the best in the franchise but one of the greatest games of all time – the show is soon set to take place all over the world, but Europe is getting the pleasure first.
The soon-to-be world tour coincides with the 10th anniversary of the third title, which remains one of the best-selling video game releases of all time, having sold well over 50 million copies and still counting.
Fans will get to witness the open-world RPG’s timeless score and soundscapes recreated not only by a live orchestra, but the show will also feature special appearances by Polish folk metal band, Percival (a.k.a. Percival Schuttenbach) – the original co-composers behind the game’s soundtrack.
This magical, cinematic experience combines breathtaking in-game visuals with live music, making it a must-see event for lovers of The Witcher or just classical/orchestral music in general.
It’s going to be special.
A glimpse at what ‘The Witcher in Concert’ will look and, more importantly, sound like when it lands in Manchester.
Although it’s the first event of its kind at the world-class arts and cultural space, as the official home of the ever-growing Factory International programme, it’s no surprise this was chosen as the location.
Taking place in Aviva Studios’ The Hall space, the original Manchester gig has sold out but they have now added an extra date on 6 November 2025 due to the scramble for tickets.
You can grab your seat HERE but be warned, they’ll be gone before you know it.
Over the other side of Manchester, a very similar celebration of video game music is taking place at one of the city’s other industry-leading entertainment venues.