Joy Division and New Order co-founder, Peter Hook, is taking part in a charitable evening of live music and conversation right here in Manchester city centre early next year, and it’s being hosted at one of Manchester’s most beloved pubs, the Star and Garter.
Being held at the legendary city centre pub, which now bears the freshly restored mural of his former bandmate and one of the greatest English musicians of all time, Ian Curtis, the significance of the intimate concert being held at such an iconic music venue is not lost on anyone.
Better still, the special one-off gig, Q&A session and evening as a whole has been set up with the help of local music-driven mental health organisation, Headstock, and will be raising money for their partnered nationwide charity, Shout.
Peter Hook and the Light are merely the latest in a long line of huge names to grace the Star and Garter.
Announcing the gig on Monday, 4 December, the veteran vocalist, bass player and singer-songwriter said of the inspirational fundraising gig, which will also pay tribute to Curtis: “I have campaigned for a long time for Ian and Joy Division to be commemorated anyway and anywhere possible.
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“From the statue in Macclesfield, still ongoing, and the mural there as well; to the mural in Manchester and the upcoming one in Stockport. I will only rest when every town in Great Britain has something.
“I am immensely proud of Ian and our work as Joy Division and to celebrate it in this way is such a pleasure. I am hoping to bring Ian’s best man at his wedding and childhood friend, Kelvin Briggs to join me so fans can get a real insight into this wonderful man and artist.
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“To play at such an iconic venue as the Star and Garter just seals the deal perfectly.”
Speaking on the event, Headstock founder Atheer Al-Salim said, “We are so grateful to Peter Hook and his band who are giving up their time and talent to help us raise much-needed funds to support our charity partner, Shout, and their life-saving text-support service.
“The evening promises to be a poignant moment for Manchester, and an event of huge musical and cultural significance for the city.”
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As for Shout, their CEO Victoria Hornby added: “We’re incredibly grateful to Peter Hook and The Light and Headstock for putting on this very special event which will raise vital funds for us to keep the Shout text messaging support service running 24/7.
“Our volunteers take up to 2,000 conversations with children, young people and adults in urgent need of mental health support every day, and every £10 raised funds a conversation that could save a life.”
Set to play a predominantly Joy Divison-based set in the same year that the famous Manc four-piece finally received their inaugural nomination to be entered into the Rock and Roll Hall of Fame, there will be just 200 spaces available and the Star and Garter be packed just as it was back in its heyday.
Tickets will be allocated via a ballot on Skiddle, with the first ballot already open and will close on Friday, 2 February 2024. Each successful ballot entrant will be allocated a maximum of two tickets to the event.
The pricing for ‘An Evening of Music and Conversation with Peter Hook’ on 12 April, 2024 is as follows:
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1x ballot entry – £10
3x ballot entries – £15
10x ballot entries – £20
The gig is already selling fast, so secure your spot to see an unforgettable night of music and insight, all for a great cause, HERE.
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Danny Jones -
5th December 2023 
