Joy Division and New Order co-founder, Peter Hook, is taking part in a charitable evening of live music and conversation right here in Manchester city centre early next year, and it’s being hosted at one of Manchester’s most beloved pubs, the Star and Garter.
Being held at the legendary city centre pub, which now bears the freshly restored mural of his former bandmate and one of the greatest English musicians of all time, Ian Curtis, the significance of the intimate concert being held at such an iconic music venue is not lost on anyone.
Better still, the special one-off gig, Q&A session and evening as a whole has been set up with the help of local music-driven mental health organisation, Headstock, and will be raising money for their partnered nationwide charity, Shout.
Announcing the gig on Monday, 4 December, the veteran vocalist, bass player and singer-songwriter said of the inspirational fundraising gig, which will also pay tribute to Curtis: “I have campaigned for a long time for Ian and Joy Division to be commemorated anyway and anywhere possible.
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“From the statue in Macclesfield, still ongoing, and the mural there as well; to the mural in Manchester and the upcoming one in Stockport. I will only rest when every town in Great Britain has something.
“I am immensely proud of Ian and our work as Joy Division and to celebrate it in this way is such a pleasure. I am hoping to bring Ian’s best man at his wedding and childhood friend, Kelvin Briggs to join me so fans can get a real insight into this wonderful man and artist.
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“To play at such an iconic venue as the Star and Garter just seals the deal perfectly.”
Speaking on the event, Headstock founder Atheer Al-Salim said, “We are so grateful to Peter Hook and his band who are giving up their time and talent to help us raise much-needed funds to support our charity partner, Shout, and their life-saving text-support service.
“The evening promises to be a poignant moment for Manchester, and an event of huge musical and cultural significance for the city.”
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As for Shout, their CEO Victoria Hornby added: “We’re incredibly grateful to Peter Hook and The Light and Headstock for putting on this very special event which will raise vital funds for us to keep the Shout text messaging support service running 24/7.
“Our volunteers take up to 2,000 conversations with children, young people and adults in urgent need of mental health support every day, and every £10 raised funds a conversation that could save a life.”
Set to play a predominantly Joy Divison-based set in the same year that the famous Manc four-piece finally received their inaugural nomination to be entered into the Rock and Roll Hall of Fame, there will be just 200 spaces available and the Star and Garter be packed just as it was back in its heyday.
Tickets will be allocated via a ballot on Skiddle, with the first ballot already open and will close on Friday, 2 February 2024. Each successful ballot entrant will be allocated a maximum of two tickets to the event.
The pricing for ‘An Evening of Music and Conversation with Peter Hook’ on 12 April, 2024 is as follows:
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1x ballot entry – £10
3x ballot entries – £15
10x ballot entries – £20
The gig is already selling fast, so secure your spot to see an unforgettable night of music and insight, all for a great cause, HERE.
Neil Young U-turns on Glastonbury drop-out after being confirmed as festival headliner
Danny Jones
Barely a beat or two after having seemingly dropped out of the festival, Neil Young has now U-turned on Glastonbury 2025 and now looks set to be headlining it.
Thelegendary musician called out the world-renowned music festival for being under “corporate” control at the whim of the BBC (its official media and broadcasting partner for nearly 30 years) and said he would no longer be playing his slot.
Young went so far as to call it a “corporate turn-off”, claiming the event is “not how I remember it” in a message on his website.
However, just a few days after posting the news, it now appears as though the Canadian singer-songwriter will still be playing Glastonbury – and not just as one of the multiple legends lined up for 2025 either, but as a headliner.
As you can see in the update shared on Friday, 3 January, the 79-year-old now claims there was an “error” in the information he received regarding his performance at the festival.
Having now cleared up whatever confusion occurred, he and his band the Chrome Hearts will in fact be playing the festival as planned, reiterating his long-lasting love for the festival.
Quite a far cry from the sentiment he seemed to be getting across in his previous post, but make of that what you will.
Furthermore, chief organiser Emily Eavis – whose parents Michael and Jean Eavis set up the first ever Glastonbury music festival back in 1970 – not only hopped on social media to confirm that ‘Shakey’ will be performing but that he will be headline the main Pyramid Stage.
“Neil Young is an artist who’s very close to our hearts at Glastonbury”, she wrote, adding: “He does things his own way and that’s why we love him.”
So has he been given a slot upgrade of sorts or what? It still remains a little unclear.
At present, Rod Stewart is set to play the iconic and outright ‘Legends’ slot during Sunday teatime this June. We likely won’t hear much else about the rest of the lineup until sometime in spring.
This, of course, isn’t the first time Neil Young has done a 180 following a well-publicised decision in protest against a big media company.
The music veteran famously removed all of his discography from Spotify for two years before it eventually reappeared back in March 2024.
As for whatever happened between him and the festival or whether this was some gamesmanship from the influential music icon, at the end of the day, he’s heading to Worthy Farm after all.
Neil Young pulls out of ‘corporate controlled’ Glastonbury Festival
Danny Jones
Music icon Neil Young has pulled out of Glastonbury Festival 2025 after claiming it has lost its identity and is now under “corporate” control.
The 79-year-old singer-songwriter, widely considered one of the greatest and most influential to have ever lived, was due to play the festival as one of the legends named on this year’s lineup.
However, despite lots of excitement around the veteran being given the nod over others from what has largely been seen as a pop-leaning pool (at least according to the detractors) in recent years, Young has now decided to drop out of the festival.
“The Chrome Hearts and I were looking forward to playing Glastonbury, one of my all-time favourite outdoor gigs”, it reads. “We were told that BBC was now a partner in Glastonbury and wanted us to do a lot of things in a way we were not interested in.”
For context, the BBC has been partnered with Glasto since way back in 1997 and Neil Young has already headlined the festival back in 2009, so this shouldn’t exactly come as a surprise.
“It seems Glastonbury is now under corporate control and is not the way I remember it being. Thanks for coming to us the last time!”, he continues. “We will not be playing Glastonbury on this tour because it is a corporate turn-off, and not for me like it used to be.”
The message concludes with him hoping to catch fans at other venues and a simple “LOVE Neil – Be well”, but the tenor of the somewhat abrupt update is that the ever-opinionated and long-celebrated protest song-writer clearly believes the BBC‘s influence over the festival has now grown too strong.
Known not only as ‘Shakey’ and the ‘Godfather of Grunge’ but as one of the pioneering anti-establishment figures of a generation, the Canadian was previously in the headlines for demanding Spotify remove his music after taking issue with Joe Rogan’s anti-vax messaging on his show.
All that to say, the solo artist co-founding member of supergroup, Buffalo Springfield, is no stranger to taking on big business and companies if he feels he has good reason. Meanwhile, Rod Stewart will be performing in the coveted ‘Legends’ headliner slot at teatime on Sunday, 29 June.
Neil Young and the Chrome Hearts are looking set for a European tour this summer but if he’s taking on corporations and concerts under umbrella control, it seems unlikely we’ll see him at too many festivals or the likes of Co-op Live.
The better question is: do you agree – has Glastonbury Festival become too corporate and sanitised, or do you think it still upholds the same core values it had when it first popped up on Worthy Farm in 1970?