One of the most legendary drum and bass nights in Manchester’s music history is returning to the city for the first time in 20 years. Yes, it’s official: Squiggle Dee Mash is back.
Arguably the best-named night of live music anywhere in the world, Squiggle Dee Mash became a local institution even in its short four-year lifespan from 1998 to 2022, sprouting from a small gig put together by a uni student to a clubland cult hit.
Having been hosted in legendary venues like Generation X (New Wakefield St.) Club Havana (now Revs de Cuba), K2 (yes, the karaoke bar), MMU Student Union even in the depths of UoM’s Institute of Science and Technology (UMIST), the drum, bass and jungle night has had many homes.
Now resurrected by its founder, Ottilia Ordog – a music promoter and director of Beats Bazaar with decades of experience under her belt – Squiggle Dee Mash will be making its comeback at the Bee House venue located on Deansgate Locks on 21 October.
The line-up includes OG residents such as Sappo, Mark XTC and DJ Prophecy, as well as the likes of the Ragga Twins, DJ Rap, MC Madrush and many more.
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Full Squiggle Dee Mash Line-Up
DJ Rap
Ragga Twins
Sappo
Mark XTC
DJ Prophecy
Outlander
Diemond’ED
Veba
MC Madrush
MC Crystalize
MC Chilla
Kerin
The comeback event also promises live PAs from Howie Jacobs of Mr Wilson’s Second Liners, who will also drum along to Sappo’s beats, as well as a new collaboration between Mandy Wigby (Lionrock, Sister of Transistors, Architects of Rosslyn) and Kerin, a.k.a. Che3kz.
Ottilia, a self-proclaimed five-foot ‘Transylvanian drum and bass and jungle fanatic’, first hosted the event back in 1998 when she was a second year at the University of Salford and helped pioneer the D and B scene in the city, aiming to bring a more fun, festival-like feeling to jungle nights.
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As she puts it, the gig’s unique name basically took on United’s mantra of ‘hated, ignored, never ignored’, but soon the somewhat niche event became a place where people from all walks of life were welcome to come and enjoy themselves.
Squiggle Dee Mash boasted the best jungle DJs and MCs, as well as dancers, drummers, fire breathers, jugglers and more, with lots of people regularly tuning up in fancy dress. There was even an infamous ‘witchdoctor’ who regularly let people in for free if they could bring so crazy and entertaining to the party.
Original posters from the early Squiggle Dee Mash nightsDancers regularly provided further entertainment
Spread across multiple rooms playing everything from jungle and D&B to hardcore, hip hop and house music, this year’s event promises to bring the authentic Squiggle Dee Mash experience to a modern audience.
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Ottilia said she met up with friends and former MCs from the early days and before she knew it, they were all ‘well up for it’ and things started coming together ‘like it was meant to be.’
Running from 10pm on 21 October until 4am the following day, if you’re into your drum and bass or electronic music in general, you don’t want to miss this one.
You can grab your tickets via Skiddle for £12 plus the booking fee HERE.
Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
The AO Arena is giving away FREE tickets for a year to celebrate 30 years in Manchester
Daisy Jackson
The AO Arena has announced it’s giving away free tickets for a year to celebrate its 30th anniversary in Manchester.
The iconic music venue has welcomed the biggest names in the world in its three decades, with millions of us making memories for life inside its huge space.
And now you could win VIP tickets for an entire year, simply for sharing those memories with the AO Arena.
Fans who submit their old photos, videos and tickets will be in with a chance to win tickets to all the shows coming up in 2025 – which already includes massive gigs like Kylie Minogue, Katy Perry and Busted vs McFly.
AO Arena wants to dig deep into ‘first gig’ nostalgia territory, using fan-submitted snaps to build a collection of Manchester memories.
Were you in the same room as Taylor Swift, did you party like it was 1999 (because it was) with Spice Girls, did you cry over the sight of Gary Barlow or cry laughing with Peter Kay?
Britney Spears and Beyonce are among the names who have performed at AO Arena in its 30 year history. Credit: Supplied
Whatever your AO Arena memories are, you can share them before the end of the month to be entered into the competition to win VIP tickets for the year.
One overall winner picked at random will get the ultimate VIP experience, including access to a premium suite and The Beautiful North, as well as access to The Mezz with panoramic views of the main stage.
The 30th birthday campaign has been inspired by Adele’s monumental When We Were Young performance at Glastonbury, and all these memories will be projected around the arena before every performance.
You can submit your footage and enter the competition via the AO Arena website HERE.
Danny Jones -
21st September 2022 
