Right in the heart of Manchester city centre there’s a stunning Catholic church that’s been hidden away for hundreds of years. Or it has been until now.
The scaffolding that’s long-marred Lincoln Square during its redevelopment has finally been removed to show St Mary’s Hidden Gem in its full glory, and glorious it really is.
Externally it’s comprised of the plain, red brick you see all over Manchester, but with a few special additions.
An ornate bell tower, stone-dressed windows and a carved stone doorway with a hand above forming the sign of the Ascension of Christ give visitors just the smallest hint of the beauty waiting to be discovered within.
Venture through its doorway, and you’ll be greeted by beautiful stained glass windows, a majestic Victorian carving and High Altar made of marble.
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Image: The Manc Group
Life-size statues of Our Lady, St Stephen, St Patrick, St Peter, St John, St Hilda, St Augustine and St Joseph, all of whom gaze down serenely from on high.
In the very centre of the Altar, above the Tabernacle, sits Christ himself bearing the Sacred Heart. Elsewhere, you’ll spy striking expressionist paintings of the Stations of the Cross – the handiwork of late British artist and professor of painting Norman Adams.
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The church dates all the way back to 1774 , when it was originally located on Rook Street (near to today’s Fountain Street).
Over the years it has been afflicted by fires and other acts of God, still it stands firm.
The roof is said to have spontaneously cracked and collapsed in 1833 after its Rector at the time, Father Henry Gillow, had (in folly) enlisted his congregation’s help to conduct repairs without the oversight of a master builder.
At other points in St Mary’s history, a number of fires have required it to be rebuilt several times.
First erected at its home on Mulberry Street in 1794 following a fire, the church was rebuilt again in 1848 after it was destroyed in similar circumstance once again – leading architects to redesign it in an eclectic mix of Norman, Byzantine and Gothic styles that horrified top architects of the day.
It was the first Catholic church to be built in the Uk for some 250 years, thanks to Henry VIII’s desire to remarry, which led the country to break away from the Catholic church in the 1530s, but its parishioners were very poor, and during the 17th century had to meet secretly to conduct services.
Inside St Mary’s. Credit: Filckr
During this time, catholics were treated as second class citizens and were banned from many privileges – such as owning a horse, serving the armed forces, practising law or teaching – incase they might decide to side with the Pope over the Crown.
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Thankfully this is no longer the case today, and it remains open for all to visit – religious or not – to soak up a moment of quiet away from the noise of the city.
Whilst over time the Manchester that exists outside it has changed beyond recognition, St Mary’s HIdden Gem remains an oasis of peace today just a stone’s throw from the hustle and bustle of Albert Square and Deansgate.
Well worth a visit for its stunning interiors alone, this charming piece of Manchester history is worth seeking out – and now, its easier to find than ever before.
Feature image – The Manc Group
City Centre
Manchester streaming platform StreamGM unveils four-part creative industry careers podcast
Thomas Melia
A new four-partpodcast by StreamGM featuring some of Greater Manchester’s top creatives has launched with the aim of powering creative careers.
Produced by Rebecca Swarray, a.k.a. ‘RebeccaNeverBecky’ – the founder of the Manchester events and arts collective – this podcast is designed to “ignite and elevate creative careers in music.”
Swarray deep dives into the current Manc music scene and beyond with the help of fellow insiders who vary upon each episode.
There are four parts in this latest series and there’s lots to cover, especially in an industry that’s ever-changing and ever-challenging.
Some of the guests and speakers you can expect to listen to on ‘ICAM’ (In Conversations and Masterclasses)Credit: StreamGM/The Manc Group
Listeners can expect to learn all about ‘Women Behind The Music’ as part of the In Conversations and Masterclasses series with Sophie Bee, Sara Garvey and Kat Brown.
The next episode delves into another key music industry area, ‘Promoters, Venues And Events’, which is broken down by Baz Plug One, Strutty, Tashadean Wood and Liv McCafferty.
‘Artist Development And Management’ features Karen Boardman, Karen Gabay, Damian Morgan, and Via Culpan deep in discussion.
The final episode in this four-part series is ‘Videography And Photography In The Creative Industries’, which sees Johan Reitan, Alice Kanako and Ahmani Vidal talking all things visual.
These four features will be an incredible resource for any creative talents as it put together by professionals for upcoming professionals of any age from any background, race, gender and walk of life.
After all, that’s what is all about, right?
Abbreviated to ‘ICAM’, the podcast is certainly one to check out, with for aspiring artist managers, producers, photographers, promoters—anyone driven to make their mark in music and events.
These podcast sessions understand industry challenges, explore career journeys, creative influences, crisis management and lots more creative field concerns.
You can find the first episode in full down below:
The first episode of the new limited StreamGM podcast.
This run of shows is the second instalment by StreamGM: Greater Manchester’s phenomenal streaming platform dedicated to all things music, nightlife and culture.
Whether you’re a budding creative arts talent or just curious to find out insights into this wonderful innovative industry, you can listen to all the episodes from the series directly on StreamGM HERE.
Elsewhere in Greater Manchester music news, another very special event is kicking off very soon:
Featured Images — Publicity Picture (Supplied)/The Manc Group
City Centre
One of Manchester’s oldest surviving Victorian mills to be repurposed into ‘distinctive’ rental homes
Emily Sergeant
A multi-million funding deal has been agreed to repurpose one of Manchester’s oldest surviving Victorian mills.
After £55 million plans to reimagine Talbot Mill into a 10-storey apartment block began back in May of last year, social impact developers Capital&Centric have now agreed a £37 million deal with Paragon Bank to finance the restoration of the historic mill and repurpose it into 190 new distinctive properties for rent.
Built in 1855 overlooking the canal, the imposing red-brick mill on Ellesmere Street in the Castlefield neighbourhood was the product of Manchester’s textile boom.
One of the city’s last massive mills to be restored, it was Talbot that spearheaded the rapid transformation of the Cornbrook area from undeveloped land to a powerful industrial hub in the late 19th century, before going on to dominate the local cotton industry in the early 1900s.
It was even used as a mushroom farm in the 1980s, while more recently, it has been the set of a period drama and a massive art exhibition.
But when the restoration is complete, over half the development will be newly-built and will offer residents of the nearly 200 ‘distinctive’ apartments a lush hidden garden, with plenty of green spaces to meet and hang out, while still managing to celebrate the mill’s past and retain loads of original features.
Capital&Centric is developing Talbot Mill as an investment, which it will retain for rent once finished.
This is something the developers have already done successfully on a number of sites in recent years, especially in its lengthy run of restoring Manchester’s iconic listed buildings and mixing the old in with the new.
One of Manchester’s oldest surviving Victorian mills will be repurposed into ‘distinctive’ rental homes / Credit: Capital&Centric
“We love to restore and repurpose historic buildings,” explained Tom Wilmot, who is the joint managing director at Capital&Centric.
“But as one of Manchester’s oldest mills, Talbot Mill is something a bit different, so we’re buzzing to be bringing it back to its former glory, [as] it had a huge role to play in the industrial revolution in the city and now it gets to be part of the city’s future.
“We’re retaining as many features as we can, to keep the history of the mill alive and so that our residents can enjoy becoming custodians of the past whilst enjoying all the trappings of modern-day living.”