Oasis are back and ahead of their sold out Heaton Park gigs, we’re showing you some of the band’s most iconic Manchester-based locations.
If you haven’t heard already, the Oasis reunion is well and truly in full swing, so what better way to celebrate than visiting some of the band’s most iconic locations in and around Manchester city centre.
Whether you want to visit the place where the boys sat together practicing their hits and eating ‘Digsy’s Dinner’, or feel ‘Supersonic’ as you stroll past their favourite football stadium, these locations should be on all Oasis fan’s radars.
Take it easy and ‘Roll With It’ as you admire an Oasis mosaic in Manchester’s Northern Quarter or ‘Go Let It Out’ as you fangirl before posing next to the actual fireplace from the Definitely Maybe album cover.
Enough time talking, now we’ve got to figure out ‘The Masterplan’ to fitting a visit to each of these iconic Oasis locations all in one day… ‘Stand by Me’ we’ve got some ground to cover.
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Iconic Oasis locations around Manchester city centre
Oasis are set to play five historic sold out nights at Heaton Park in Manchester this July.
Etihad Stadium
Both Liam and Noel Gallagher have been Manchester City supporters since day one / Credit: The Manc Group
If there’s one thing Manchester loves as much as its music – it’s football, and these two Burnage boys are no different, because they’ve been showing up for a familiar blue team since day one.
Located and right next to Manchester’s newest live entertainment venue Co-op Live, why not pay the Manchester music landmark a visit too.
Where to find: Etihad Stadium, Etihad Campus, Manchester M11 3FF
India House
Noel lived in a flat at India House from 1989 to 1993 / Credit: The Manc Group
Just off Oxford Street you’ll find a very impressive Edwardian-style building with a big gold plaque outside labelled ‘India House’ – it’s even more impressive when you learn that Noel Gallagher had a flat here.
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Legend has it the Gallagher brother came up with lots of the Britpop band’s most legendary hits including ‘Rock ‘n’ Roll Star’ here. Oh to be a fly on the wall when Noel wrote ‘Live Forever’.
He loved this city centre flat so much that he decided to pose outside it in 2023 for a student-led photography project titled ‘Greater Mancunians’.
Where to find: India House, 73 Whitworth Street, Manchester, M1 6LG.
This place needs no introduction as the second you even speak the word ‘Hacienda‘ the yellow and black striped poles, spotlights and cigarette smoke hit you like a brick.
Besides being one of Manchester’s most famed nightclubs thanks to the help of performances from The Smiths, New Order, Oasis and even pop royalty Madonna.
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Unfortunately, this piece of Manchester’s music history was demolished in 2002 but its legacy lives on with the film 24 Hour Party People Where one scene was filmed on a rooftop in Rochdale – now The Hacienda Apartments stand in its place.
Where to find: The Hacienda Apartments, 21 Albion St, Manchester M1 5DA
The Boardwalk Nightclub
Oasis played their first gig at The Boardwalk on 14 August 1991 / Credit: The Manc Group
The Boardwalk was once a thriving nightclub and entertainment venue that welcomed the likes of The Charlatans, Happy Mondays, The Stone Roses and of course the venue where Oasis played their first gig.
The basement of this popular live music venue was once a rehearsal space for some of Manchester’s most recognisable names including James and Simply Red.
From the 90s until its closure just before the Millennium, The Boardwalk became a cultural hub for all things indie rave scoring itself a blue plaque as a ‘Madchester Venue Nightclub and Rehearsal Rooms’.
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Where to find: 21 Little Peter St, Manchester M15 4PS
The next place isn’t just an iconic Oasis location, it’s also one of the most important as it’s where the band came to fruition.
This terraced property is the childhood home of founding Oasis member and guitarist, Paul Arthurs, more often known by his nickname ‘Bonehead’.
The West Didsbury house is also a part of global music history with the band shooting the artwork for their 1994 debut studio album Definitely Maybe, now one of the most recognisable Britpop covers ever.
Where to find: 8 Stratford Avenue, West Didsbury, Manchester, M20 2LH
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Fog Lane Park
The Didsbury green space has a very special place in the Oasis brothers’ hearts after being an outdoor area they used to play football at growing up.
Eagle-eyed Oasis fans will be able to recognise particular shots from the band’s ‘Shakermaker’ music video which features Fog Lane Park and Burton Road.
This park is also not too far from Sifter’s Records, another notable Manc spot for the band, which also sits pretty on, you guessed it, Fog Lane.
Where to find: 139 Fog Ln, Parkville Rd, Park, Manchester M20 4UP
This musical instrument superstore near both Manchester universities has been a trusted trader for all artists and acts since 1955.
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Oasis pay homage to the blue-and-yellow-signed music shop in their The Masterplan video which sees the matchstick figures of the band woven into Lowry paintings with an Oasis twist.
Roadhouse himself was known as Manchester’s Mr Music so it’s only fitting that Manchester’s biggest musical export added this shop in this animated music video.
Where to find: 123 Oxford Rd, All Saints, Manchester M1 7DU
New Islington Marina may have been completed after the boys stopped making and releasing music but it sure knows its musical history.
This canal side spot has attracted many due to its modern charm but it’s also drawn in an Oasis fan or two who have spotted a hidden message under the marina’s footbridge.
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Underneath this raised walkway, Oasis fans have spotted that the title to their 1995 track ‘Cast No Shadow’ reflects in the water below, now isn’t that just ‘Supersonic’.
Where to find: New Islington Marina Prom, Manchester M4 6BX
If you know your Manchester lore then you know this record shop we’re talking about here – Sifters in Burnage is well known for being mentioned in Shakermaker by Oasis.
‘Mr Sifter sold me songs when I was just sixteen..’
Walking through the doors is like stepping through a time machine and you’re transported back to an era when physical media was still appreciated and music came on round pieces of plastic.
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Microdot Boutique
Microdot on King Street is run by Brian Cannon, the designer behind iconic artwork for Oasis and The Verve (Richard Ashcroft is supporting them at their Manchester gigs), plus loads more.
It’s packed with original prints, rare memorabilia, and design history you’ll recognise instantly, such as the actual fireplace from the ‘Definitely Maybe’ cover, kindly on loan from Bonehead himself.
From the original Oasis logo to some of the most iconic sleeves of the 90s, this store is a proper slice of UK music culture – whether you’re just having a nosey or looking to take something home.
Definitely Maybe bar (and mosaic)
Everywhere in Manchester has been pretty lively ahead of the reunion shows – but it’s really going to go off at Definitely Maybe, a new Oasis-inspired bar beneath Afflecks in the Northern Quarter.
There’s a menu of cocktail inspired by the Burnage brothers, loads of memorabilia and photography from the band’s illustrious career, and even a pair of Liam’s Tommy Hilfiger underwear pegged up alongside a variety of awards, posters and vintage memorabilia of the Manchester music pioneers.
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A new mosaic by Mark Kennedy has also just been unveiled on the side of Afflecks just outside.
Oasis Live ’25 wall art
Now this, is a Wonderwall.
The Coach and Horses pub in Whitefield, which has found itself on the doorstep of the Oasis reunion shows in Heaton Park, unveiled a new mural last year dedicated to the Gallaghers.
Painted by Snow Graffiti Scott, it replicates that first photo we had of the boys together for the first time in 16 years.
adidas shop
adidas made a return to Manchester city centre in spectacular style last month, launching back onto Market Street with a huge store packed with sportswear and streetwear.
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And they’re honouring The Band with the Three Stripes too, with an entire section dedicated to the Oasis x adidas collection.
The limited-edition 26-piece drop brings together classic 90s silhouettes with a fresh twist including bucket hats, Firebird tracksuits, jerseys and more. So if you’re heading to Heaton Park this month, you know where to head to.
Five Greater Manchester-based music artists you should listen to | April 2026
Danny Jones
Ay up, you lot – we’re back with another box office batch of music from in and around Greater Manchester for you to get your teeth stuck into.
We’d like to think you know the deal by now, but if not, here’s a quick rundown for you…
Every month, we look back on the local bands and artists, either hailing from or now based in the area, that are spending regular time in our rotation.
It doesn’t matter if they’re still just young prospects or they’ve been at it for decades: if it’s good and it’s been in our ears, it goes on the list. Ready? Let’s go, then.
Five Manc bands and artists we’ve been listening to recently
1. Harry Lyon
First up is April’s cover star: the wonderfully talented Harry Lyon, who is another born and bred and now quietly plying his trade here in Greater Manchester and already showcasing a great level of versatility early in his career.
He moved to the city from Sheffield not too long ago, and his creative output has only ramped up since he got here. Toying with everything from alt-pop/indie to straight singer-songwriter stuff that wouldn’t sound out of place on the radio, his often R’n’B-esque vocals mean he can turn to multiple styles.
We actually lucky enough to bump into him in person earlier this month over in Stretford, and you’ll be glad to hear he’s also as sound a person as we hoped he’d be; he even teased a new single on the way, but for now, we’ll recommend ‘Violet’, ‘Backwards’ and the piano version of ‘While We’re Still Young’.
In fact, he does acoustic versions for most of his songs, and a fair few of them genuinely rival the originals in their own way.
From an up-and-comer to some Manc veterans that often get overlooked in the shadow of their even longer-standing and more well-known predecessors, but we’re going to go out on a limb and say something controversial here… We think we might prefer Black Grape to Happy Mondays.
Before you bite our heads off, let us explain: while the Mondays are obviously way more iconic and had a huge influence on the overall Madchester scene, we would argue that their progenic spin-off are almost a more honed evolution of at least some of what the Ryders and co. first created a buzz around.
Not only do the likes of ‘Kelly’s Heroes’, ‘Nine Lives’, ‘String Theory’ and more have so much more guitar in them (which will always score extra points for me), but more importantly, there is so much more successful experimentation with different instruments, cultural sounds and blends of energy.
It can be hard to know where to start, but those three examples aren’t bad options, and ‘In The Name of The Father’ is also such a vibe – we’re hoping we see it on the setlist for Outwards Fest next month.
BLACK GRAPE play Outwards Festival on Saturday 2nd May 😎
For fans of Sports Team, Spangled, Deadletter, and pretty much any current post-punk pioneers, these former students who originally hail from Cambridgeshire but have come up in and around the local rock scene have been making a splash for a little while, and now it feels like things are hitting a fever pitch.
Sometimes the idiosyncratic lyrics put you in mind of rising Oldham star, Seb Lowe; there’s even one intro that could be the start of a more upbeat and melody-forward King Krule, and you even get notes of Slaves/Soft Play at times. Whatever you hear, personally, you won’t find a bad song – we haven’t yet.
As the lyrics on ‘Are You The Best Yet?’ state, some of this stuff literally makes our knees go weak. We can’t remember the last time a band came around that has you eagerly awaiting the inevitable guitar break, let alone when you fully lock into one and pull a face (we’ve all got our own).
They’re so, SO good, and they help prolong some songs that, while brilliant, could feel more like fast-paced flashes in the pan without them. It all amounts to something extra and ups an already healthy dose of swagger: that’s definitely what you get on the recent ‘Cambridge Is On Fire’ and most of their tracks.
In at number four is another one to watch within the genre. Some industry figures have equated them to the likes of the Amyl and the Sniffers, Lambrini Girls, Viagra Boys, and so on, but we think there’s a much cooler sense of darkness going on with their approach – however familiar the repetitive guitar playing and aggressive, shouty vocals may be.
Luckily, their discography – not unlike that of their aforementioned punky peers – isn’t that extensive just yet, so you can easily work your way through all their releases soon enough, and they’ve also got a big gig at White Hotel coming up just after they drop their debut LP, Hodge Podge. Watch this space…
Our present picks would be ‘American Boy II’, ‘Marina’ for the foreboding sense of build and that central riff alone, and you simply have to listen to their latest single, ‘Creeping Offences’, which, understandably, is the best track in terms of production they’ve dropped yet.
We want to see them live before passing any decisive judgement, but we like what we’re seeing so far.
5. A Certain Ratio
Now, we’ve touched on electronic-influenced alternative group in Black Grape, but what about another truly influential act from within that fluid space? Probably one of your bands/favourite DJ’s favourite artists, whether you know it or not, A Certain Ratio were tastemakers long before even they knew.
If the previous two are post-punk, then these lot are the funkier forerunners, known for their trademark muted strumming patterns, heavily distorted, codified and multi-layered mixes, ACR have been going nearly half a century now, and they were doing all this stuff long before virtually anyone else.
You’ll inevitably fall down a bit of a rabbit hole listening to their stuff, but ‘All Comes Down To This’ is a good starting point, and ‘1982’ has always made us think of what a Doctor Who-themed rave might sound like.
Oh, and purely because it still sticks with us as an eye-opening first listen, it really doesn’t get much better than this one:
And once again, that’s all she wrote.
We hope you dive into at least some of these names over the long bank holiday weekend, as three uninterrupted days of listening couldn’t have timed any better.
A masterclass in The Art of Loving: Olivia Dean brings two unforgettable nights to Co-op Live
Emily Johnson
Olivia Dean took over Co-op Live for not one, but two nights this weekend – and what she delivered felt like a full-circle celebration of The Art of Loving, her incredible sophomore album.
From the moment Olivia’s silhouette appeared behind the curtain on night two, opening with the album’s title track, it was clear this evening was going to be special.
With a sea of polka dots on arrival, it’s evident that the 27-year-old already has great influence when it comes to style with her fans, and you could spot anyone who was attending Olivia Dean around Manchester city centre immediately.
Despite performing to a crowd of over 20,000 people, the performance felt incredibly intimate, with interactions with the crowd through the evening, even pointing out a fan’s banner saying they had been a fan of Olivia since 2019, which she was humbly taken aback by.
Her voice carried effortlessly around the arena, somehow still managing to feel soft and personal, like she was singing directly to you.
No Dean show would be complete without her incredible outfits either, and last night we were truly spoilt, with two outfit changes throughout the evening, which split the night into three chapters.
Initially appearing in a black sequin number, before reappearing in the middle of the crowd in an all-white outfit, evocative of an angel – a moment that felt intimate even in a room that size.
Later, with disco balls lowered and the energy lifted, she returned in another glitzy look for the more upbeat tracks, including a crowd-pleasing cover of ‘Move On Up’. With her band behind her, the sound filled the arena beautifully.
Everyone was on their feet having a good time, but no one was having as much fun as the woman herself, Olivia Dean.
And that’s the thing with Miss Dean, no one at her gigs is having half as much fun as she is. She’s always smiling, always glowing.
Put simply, she’s a proper ray of sunshine on stage. Towards the end of the show, Olivia looked up at the crowd and stated, “It’s magic in here tonight, Manchester”, and we all believed her.
Looking around at the crowd, arms around each other, best friends, couples – it was hard not to feel the magic too.
Highlights included ‘UFO’ with a sea of lights, which in the moment gave the whole room goosebumps, and of course, the confetti cannon, which was the grand finale to an incredible evening.
Thomas Melia -
11th July 2025 
