Be it the food and drink, leisure and shopping facilities old and new, bands like Blossom putting the town back on the map, or its growing nightlife scene, the regeneration of Stockport over the last few years has been wonderful to watch — and amongst it all, one place is shining bright: Bask.
Having only just celebrated its first anniversary after opening back in June of 2022, located right outside the train station, Bask is a bar, cafe, music venue and many more things all rolled into one and in the 12 months it’s been open, it’s arguably become the one of it not the best night out in Stockport.
At least for our money, anyway.
So, what makes this spot where people step out of the station to enjoy a coffee, a pint or something to eat so special? Well, it’s partly because of the fact that it never stays simply that place to grab a quick little something for very long — be there long enough and something is always happening.
If you do happen to find yourself stepping out of the station and making the two-yard trip from the doors onto the ever-developing Stockport Exchange, you’ll see Bask’s instantly recognisable orange sign outside a modern glass-panelled unit which used to be a coffee shop with about three people in it.
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Cut to today and you’ll find a large and lovely room lined with bar stool window seats, big speakers, two screens showing sport; plenty of tables as well as comfy booths and wooden benches sturdy enough to support your weight when you clamber on top of them hours later (we’ll get to that).
But before you get to that, you have plenty to choose from when it comes to food and drink in the daytime. Whether it’s a big breakfast to start the day, a steaming hot pie from local favourites Ate Days A Week, fresh butties or a luxurious meat and cheese platter to feel all cultured or just a pint of their house lager, you really spoilt for choice.
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As you peruse the healthy bar selection — stocking lots of booze including their house lager and two custom brands of Stockport Gin — you’ll see a glorious selection of cakes from Manc music legend Clint Boon’s wife, Charlie, who drops off fresh batches of baked goods every week and even hosts regular bottomless brunches and her already legendary
Credit: The Manc Group/BaskThere’s some seriously top scran.
Bask’s live gigs and mega music nights
Speaking of the Boons, the Tea Party isn’t just about scranning cakes and posh coffees: it’s a jumping-off point for what is an absolutely stellar monthly schedule that is regularly packed out with live performances, themed music nights and all-round partying.
From Inspiral Carpets, Reverend & The Makers, The Lottery Winners; The Sherlocks, Ruby J and all manner of massive music names from the North have taken to this stage already over the last year, and it won’t be long before more acts from all over the country cotton on to how mint a venue Bask is to play.
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You’ll also find many members of staff like barman and musician French Coriandah, as well as co-owners Simon Silcock and XS Manchester DJ Gareth Brooks on stage, playing guitar or spinning tracks on the decks — they even had This Is England‘s Thomas Turgoose doing a set the other week, as you do.
They also do their best to promote up-and-coming artists with their weekly Acoustica event every Monday, where aspiring musicians can rock up every week and it’s free entry for the punters. Even when there isn’t live music or, say an 80s-themed night on the cards, they still regularly belt out the best bangers from throughout the ages every weekend and, believe us when we tell you, it’s a vibe in there.
Credit: Bask/Thomas Edwards(via Instagram)We’ve had some absolutely belting nights out in Bask.
Bask Bingo, comedy nights, matchdays and more
And it doesn’t stop there — not even close. From the ‘Baskmaster’ pub quiz to their sellout Bask Bingo and ‘Bask in Laughter’ comedy nights which have seen the likes of Justin Moorhouse, Haley Ellis, Smug Roberts and countless others cracking up locals, they will literally have a stab at anything these lot.
The most impressive part, at least from our experience anyway, is that they always seem to pull it off. This place was originally supposed to open up as just a restaurant but after extraction issues set those plans back, they had to readjust and boy are we lucky they did.
Whether it’s inviting along spoken word artists every month, hosting FIFA tournaments or the Stockport Social Creative Culture and Music Mixer (a bit of a mouthful, we’ll admit), Bask isn’t happy to just be one thing or another and that’s why it’s so good.
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It’s even become a regular haunt for the Stockport County faithful week in and week out (having a few mad Hatters in-house doesn’t hurt), serving pies and pints pre-game, right up until late after it’s finished. While many pubs and bars keep footy fans at a distance, this place welcomes them in with open arms — they were even flying the flag for both teams at Wembley earlier this year.
Credit: BaskThey thrive on two slogans: ‘Stockport isn’t sh*t… it’s forever being beautiful’
It’s been a while since Stopfordians had a place like this. The town centre’s Underbank has gradually been rejuvenating under the Old Town revival and Foodie Friday now seems bigger than ever, but there’s something about having a spot that does all of this right on your doorstep that feels special.
We’re happy to go on record by saying that Bask is not only well worth swinging by at any time during the day but beyond just being the best night out in Stockport, it’s also currently one of the best times you’ll have anywhere in Greater Manchester.
If you’ve never been before, it’s worth heading over and giving it a try — you’ll most likely end up doing what we did the first time around: nipping in for ‘one drink’ and end up staying till 2am. Go on, why not?
Louder for those at the back: ‘Stockport isn’t sh*t’.
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It’s a good little crew this. Pop in and say hello.Credit: Bask/@thomasedwardsphotography (via Instagram)
Featured Image — The Manc Group/Bask (via Instagram)
Feature
Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
Feature
Hazlett at Manchester Academy 3 – some of the best ‘sad and depressing songs’ you could ever ask for
Danny Jones
On Thursday evening, we finally got to see Hazlett in a small, tightly-packed room here in Manchester and have maybe never heard so many people sing so expertly quietly so as not to even remotely dullen the stunning voice of this rising solo artist.
For anyone who isn’t aware of Hazlett, he’s an Australian singer-songwriter who has been gradually growing in popularity over the last couple of years, but his journey to where he is dates back much further than that.
Noticing a few familiar faces in the crowd from his last visit to the city for a performance at The Deaf Institute just over a year ago – one we sadly missed and have been kicking ourselves ever since – he acknowledged that many may already know his story, but it’s nevertheless worth sharing with the class.
After self-deprecating (how oh-so British) about gigging in pubs when he was younger, and being told to stick to covers rather than try any of his own material, he moved to Sweden in 2019 and fell in love with not only a much more seasonal European but winter, specifically. No wonder he looked at home here.
Here’s our review of Hazlett at Manchester Academy 3, 4/12/2025. (Credit: Audio North)
Kicking off with one of his best-known tracks, ‘Please Don’t Be’, it immediately struck us how full and mournful it all felt in the flesh – arguably even more so than the studio version we’ve been playing in our headphones since 2023.
The atmospheric but not over-produced engineering is an aspect we’ve always admired about Hazlett‘s discography, and we were so relieved it came across on the night, with the Brisbane-born ex-pat crediting his talented live band with helping bring that same sound to life on stage.
It’s a regular trapping, we’ve found, when it comes to acoustic-led music; that instinct, perhaps, for an artist and/or a producer to use seemingly as many of the tools at their disposal as possible just because they’re available to them.
Sadly, this easy pitfall often ends up taking away from what makes those tunes so beautiful to begin with – but not in this case.
The rising solo star seemed to have an expert command not only of his vocals, but the second mic that added those subtle and yet stirring layers, and built those moving, almost ethereal effects on top of the words themselves.
Honestly, we were literally in awe of him just whistling…
Admittedly, it’s hard to put a finger on what exactly made this such a special show, but we think it is THAT same appreciation and embrace of colder months and how it’s inspired his music.
Just bear with us for a minute, it’ll make sense soon.
He actually said it was one of the things he loves the most about people in this country, and this specific part of the world, as well as other parts of Europe, such as his now beloved Sweden, where he says he found his creative spark.
It’s that feeling of the weather and the mood it brings so intensely that he says it helped him write ‘Bones Shake’, which was fittingly chilling as he played it to the spellbound, would-be choir, and could hear the soft sibilance of people gently repeating those S-sounds back to him.
There’s a genuine sense of being able to chart the slight sorrow in the passing of time through the seasons, and while some may not be afforded that same feeling from the sun-soaked shores of his homeland, it’s a concept he’s really run with – especially on his most recent LP.
Simply titled, last night you said you missed me, it’s almost something he kind of tried to resist, confessing that he wrote and finished the album in the space of about a month, fearing that it couldn’t be good enough/ready purely because it came together so quickly.
Given that two specific tracks from this record made a lady standing with us well up and eventually shed several tears (you know who you are), we’d say he absolutely nailed it.
Our only minor gripe was not getting to hear ‘Tell Me What You Dream About’. (Credit: The Manc)
He did joke that his set is filled with nothing but “a bunch of sad and depressing songs” and had a laugh at the idea of people being “dragged along” without any real idea of who he is or the kind of stuff he makes, but having now witnessed him play live, we can assure you it’s much more than that.
Bloom Mountain was an emotional, magical debut that found us in a particular place and time in our lives that we’ll always appreciate, but hearing him knit it together with his newest material confirmed to us that his music has to be more than listened to – it has to be felt.
Like the changing of the seasons. Like the winter. Like the cold.
We unfortunately didn’t manage to make it in time to watch the support act, Hans Williams, but judging by the reaction from the audience who did get in there early enough, the authentic but inventive stylings of the Americana, folk and soul-infused indie-pop artist, he definitely won over plenty of new fans.
As Mitchell Hazlett Lewis, to use his full name, he’s had our hearts since the very start and will continue to do so for however long he keeps bringing his relatable lyricism, delicate but impressive guitar-picking and gentle charm to Manchester.
Please check out his tour dates and see him the next time he’s in town. You can guarantee you’ll find
Please enjoy the song from his latest album that he says his mum likes best.
Danny Jones -
14th July 2023 
