Graeme Park on Hacienda’s legacy, United We Stream and the next episode for UK nightlife
Even Hacienda legend Graeme Park endured a tough 2020. But with United We Stream ringing in the New Year, he believes there might be hope for live music yet.
“I look at my life in chapters – and each chapter has its highs and lows,” Graeme Park explains.
When you’ve been in the music business as long as he has, compartmentalising your story in this way is probably the best approach. It makes it easier to pick out all the important moments from a kaleidoscopic catalogue of clubbing memories.
Still, wherever Park goes, there’s always one chapter he’s asked about most: The time he spun records at the greatest party on Earth.
“The Hacienda chapter was incredible,” Park tells us.
“It was the original British superclub and always will be. One thing you can always rely on, whether you’re in Sydney or some obscure beach resort in Uruguay, someone will come up to you and go: “Oy! Parky! ‘Aciendoooorrrrrr!
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“Always, always, always.”
The nine years he spent working at Manchester’s hazard-coloured nightclub are the best-known bits of Graeme Park’s biography. But as the DJ points out, it was a venue that played a huge part in other people’s stories, too.
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“People fell in love at The Hacienda,” Park remembers.
“People got divorced because of The Hacienda. People conceived their children after going to The Hacienda. Some people apparently conceived their children in The Hacienda, if rumours are to be believed!”
Paving the way for Park’s residency at the world-renowned nightclub was a prologue that featured three influential moments.
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The first was the day he got hired at a record store. It was the “job that everybody else wanted”, Park remembers, as he got to hear all the new music being released and play whatever he liked.
The second was when he “reluctantly agreed” to be the DJ after the record shop owner bought a local nightclub (“I never wanted to be a DJ, I played in bands,” Park explains).
And the third came much later – when Park stepped up to fill The Hacienda’s Friday slot for a few weeks in 1988 (a time which would later be remembered as the ‘summer of love’ when house music truly took off in Manchester).
The rest is history. Even now, almost 24 years after the party finished, the music of Madchester is still ringing in Park’s ears.
“It was a privilege and honour to be a part of it,” he states.
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“I was a massive Factory Records fan in the 80s, and I used to visit The Hacienda to see bands like Crispy Ambulance and A Certain Ratio – so to end up being part [of The Hacienda] was a dream come true.”
But all good things come to an end. The Hacienda, a club that infamously never made any money despite its huge popularity, fell into decline in 1997 and was eventually demolished before being converted into flats.
Post-Hacienda, Park embarked on a series of new adventures – playing to enormous crowds all around the world, launching a merchandise range, and even teaching music part-time.
He even travelled down the other end of the M62 and played at Cream in Liverpool (“I couldn’t have done both [Hacienda] and Cream at the same time; they’d have lynched me!” Park jokes).
The DJ’s career has spanned the best part of four decades. And his most recent chapter, 2020, has also been an important one. Albeit for very different reasons.
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Like so many other live performers during the past eight months, Park has found work very hard to come by – playing just five socially-distanced outdoor gigs since March.
Coronavirus has essentially muted most live music across the world, and it’s been a challenging period for everyone in the industry.
“90% of my income has just gone,” Park says, frustratedly.
Until gigs are back on, he’s been paying the bills with his part-time music lecturing – a role he was considering quitting not too long ago.
Park explains: “Three or four years ago, I said to my wife: ‘I don’t really need to be doing this lecturing any more.’
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“I was doing quite well and it wasn’t that much money a month. It was less than half I got for a gig.
“But she talked me out of it. She said: ‘You never know what’s around the corner.’
“It’s a bloody good job I didn’t. It’s my only income now. And it all disappears in a day on bills.”
Image: Katie Hall
In between lectures, Park has been trying to get the music scene going again – campaigning to Shadow Minister for Cultural Industries Tracy Brabin and Withington MP politician Jeff Smith for change.
The DJ says the sight of shoppers flocking to retail stores whilst the entertainment sector has stayed shut has been frustrating – with the industry arguably proving in summer it could indeed be ‘COVID safe’.
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“All the socially distanced events I did, they worked,” Park claims.
But still, whenever coronavirus cases in the UK rose at any stage during 2020, live entertainment and events were promptly put under lock and key.
“It’s frustrating because if you produce the evidence that says your industry isn’t going to be able to operate, you take it on the chin,” Park explains.
“But that evidence hasn’t been shown to anyone.
“That’s because the evidence doesn’t exist. Maybe that’s an argument for another time.”
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In a year that will surely go down as one of the most difficult Park – or any musician – has ever experienced, there has been at least one small and delicious crumb of comfort.
In spring, we got United We Stream – a gig platform set up by Greater Manchester’s night time economy adviser and Parklife/Warehouse Project founder Sacha Lord.
Back in April, Lord assembled some of the best DJs and musicians – including Park – to beam gigs into living rooms around the world.
It was an enormous success – raking in 7 million viewers during its initial run and raising £477,000 for 12 regional charities and good causes.
The project wound down in summer to focus on rebuilding the sector, but in November it was confirmed that United We Stream would return for four shows over the Christmas holidays – including a massive 24 hour stream on New Year’s Eve.
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“I did the two Hacienda house parties in March and April, including a 12 hour stream on my own which was amazing,” Park says.
“When they [United We Stream] approached me for the New Years Eve party, I just couldn’t say no.”
Park is assembling his Hacienda Classical project exclusively for the occasion – producing live orchestral renditions of the Hacienda’s flagship floor-stompers (‘Blue Monday’, ‘Voodoo Ray’, ‘Move Your Body’ etc).
There’s a limit on the number of musicians permitted inside the studio due to COVID, so some “technical wizardry” is being used to bring the full orchestra together – as the choir and solo singers perform their parts from home.
Once the final note is played, Park will then rush up to the DJ decks for a solo set.
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“There are so many great DJs on before me and after me, and it’s a fair assumption that house will be the predominant sound [on the night],” Park explains.
“So, I’m already planning on dropping a few surprises – just to make people smile.
“My biggest thrill that I get these days is digging deep into archives and finding tracks people have forgotten about… stuff people haven’t heard for 20 years but will remember as soon as they drop.”
Park’s always had an eclectic taste in music – dating right back to his teenage days working in the Midlands record store.
During those shifts, he would play a diverse range of tunes – which is what convinced the store owner to make Park have a go on the decks at his new nightclub.
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After realising people liked his music selection – and that he could actually mix – Park never looked back.
“I just play what I like and always have,” he puts simply.
“Sometimes it’s difficult to explain this to some half cut woman who clambers up to the DJ box and says: ‘But if you play it, everyone will go crazy’.
“And I’m like: ‘Yeah, but I absolutelyhate it.
“I don’t care how big it is.”
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Image: Katie Hall
Park has been given the prestigious honour of ringing in the New Year at United We Stream’s show on the 31 December.
“I’m seeing in 2021 in the UK – GMT midnight – so I’ve got one of the best DJ slots,” he reveals.
“Well, I say ‘see in the new year’. This time it’s going to be more like ‘good riddance last year.’”
Of course, Park is well aware that life won’t magically return to normal at the stroke of midnight.
“I think that masks, hand sanitiser and social distancing are still going to be around when we start opening up live venues again,” he admits.
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“Coronavirus isn’t just going to go away because of the vaccine. It’ll take time. It’ll be back to normal with certain caveats.
“Some live venues will never open again. Some people will have lost their jobs and won’t be able to go out for a while.
“Promoters are reviewing fees in the circumstances as well, saying: ‘I don’t know if I can afford this anymore’.
“Things will be different.”
Image: Ant Mulryan
With clubs closed for so long, many have attempted to recapture the euphoria of live shows and nights out by propping up their camera phones against walls and beaming live sets to YouTube or Facebook.
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But according to Park, United We Stream is one of the few to do it properly.
“One thing that really does my head in is that the internet is full of tedious looking blokes playing records now,” Park says.
“They’re all playing the same thing. You think: ‘Why am I watching this?’”
“The key [to streaming] is keeping it special.
“United We Stream is the perfect example. It’s going to be something else.
“It’s a huge, huge lineup. And visually, it’ll be fantastic.”
2020 has left the live music industry on the ropes. But nonetheless, Park is impressively calm and optimistic.
“It’s in my nature to be positive,” he states.
“I’ve got lots of great things to be thankful for in life. I know this cannot be forever.
“The sooner everyone follows the guidance fully, the sooner we’ll be back.”
There’s still a long road ahead, but in time, we might just look back at United We Stream NYE as the moment everything started to get a little better…
Celebrate New Year’s Eve by watching a massive 24-hour set from Hacienda legends – including Graeme Park – live via United We Stream here.
Feature
Manor House Hotel & Spa – The magical garden spa near Manchester with TWO swim-up bars
Daisy Jackson
There’s an increasing number of garden spas popping up around the UK, where you can soak and relax out in the open air.
But a lot of them are missing the key ingredient – the gardens.
That’s what makes Manor House Hotel & Spa over in Cheshire so special. It feels like it’s been built as garden first, spa second, in the way that pools and hot tubs seem to have been slotted in between established trees and flower beds and shrubs.
It’s like stumbling onto the set of a romantic period drama, but with state-of-the-art spa facilities concealed into the grounds. I’m half expecting a sopping wet Colin Firth to emerge from a hot tub.
And although the square footage of the garden spa is relatively small, it’s this clever landscaping that makes it feel like a never-ending maze where every turn reveals a new place to lie down.
There are covered, swinging beds in a herb garden. A sauna concealed as a potting shed. Private bookable hot tubs behind a hedge.
And then the real whimsy – the secret garden. Opened just last year, this corner of the spa is home to a blisteringly turquoise heated pool, surrounded by charming sage green ‘sheds’ (which are actually a series of cosy indoor relaxation pods).
The Secret GardenOne of two cold plunge poolsThe relaxation sheds in the secret gardenA huge heated poolThe Secret Garden’s sauna
There’s a second swim-up bar here, because why stop at one, a cold plunge pool with spring flowers wrapped around it, a lawn for sunbathing if you’re lucky, and a traditional Finnish sauna overlooking it all.
It doesn’t stop there – weave along the footpaths and you’ll come across a sunken, circular hydrotherapy pool, a cosy summer house with noise-cancelling headphones you can plug in to, a gently heated panoramic laconium, hammocks, squishy sunbeds, swing seats, and so much more.
The adjective that keeps coming to mind is ‘pretty’, but that almost feels too flippant for how gorgeous the spa garden is.
And you might think with it being an outdoor garden spa that it would be a waste of time in bad weather – but you’re wrong.
Manor House has built subtle shelters which look more like garden pagodas over a lot of the facilities here, including part of the main pool and swim-up bar, and most of the double lounge beds.
The main pool and swim-up barThe Potting Shed saunaA classic cold plunge tubThe hydrotherapy pool
But even beyond that, your classic spa facilities like the saunas and salt steam chamber have been constructed in out-buildings, safe from the infamous North West weather, AND there’s a sizeable indoor pool, sauna and steam room back inside the main hotel building.
The metal cold plunge tub is exposed to the elements – but if you’re being brave enough to dunk in this, a little drizzle is the least of your worries.
They’ve got an enormous list of treatments on offer here, whether you want to be scrubbed and rubbed into a new person, or give your skin a real boost with a facial. Once you’re done with your treatment, Manor House has built a cosy relaxation lounge, where you can pull the curtains across your own private booth to sip a cup of herbal tea and unwind.
Private relaxation booths for post-treatmentMezze lunchDinner in the StablesBreakfast the next dayThe Salt ShedDrinks from The Bothy Bar, a swim-up bar in the secret gardenThe indoor poolThe Stables restaurantBedroomsCovered beds in the herb garden
Alongside all that relaxing, a typical spa package at Manor House may include an afternoon tea, a brunch, or a mezze platter lunch, with a glass of fizz served to you in the Pool House.
And if you go for the overnight, you’ll be sinking into a huge plush bed, full from a refined British gastropub dinner in the hotel’s cosy restaurant space, The Stables.
Manor House is currently running a full Spring Renewal Spa Escape, for the ultimate taste of everything that’s on offer while the gardens are in full bloom.
The Manor House Spring Renewal Spa Escape package
An overnight hotel stay
A 60-minute Collagen Renewal Ritual (a soothing, exfoliating back massage, followed by a luxurious collagen facial)
Full access to the spa, with 18 spa experiences, on both days of your stay
A delicious three-course dinner in the Stables restaurant
Five Greater Manchester-based music artists you should listen to | April 2026
Danny Jones
Ay up, you lot – we’re back with another box office batch of music from in and around Greater Manchester for you to get your teeth stuck into.
We’d like to think you know the deal by now, but if not, here’s a quick rundown for you…
Every month, we look back on the local bands and artists, either hailing from or now based in the area, that are spending regular time in our rotation.
It doesn’t matter if they’re still just young prospects or they’ve been at it for decades: if it’s good and it’s been in our ears, it goes on the list. Ready? Let’s go, then.
Five Manc bands and artists we’ve been listening to recently
1. Harry Lyon
First up is April’s cover star: the wonderfully talented Harry Lyon, who is another born and bred and now quietly plying his trade here in Greater Manchester and already showcasing a great level of versatility early in his career.
He moved to the city from Sheffield not too long ago, and his creative output has only ramped up since he got here. Toying with everything from alt-pop/indie to straight singer-songwriter stuff that wouldn’t sound out of place on the radio, his often R’n’B-esque vocals mean he can turn to multiple styles.
We actually lucky enough to bump into him in person earlier this month over in Stretford, and you’ll be glad to hear he’s also as sound a person as we hoped he’d be; he even teased a new single on the way, but for now, we’ll recommend ‘Violet’, ‘Backwards’ and the piano version of ‘While We’re Still Young’.
In fact, he does acoustic versions for most of his songs, and a fair few of them genuinely rival the originals in their own way.
From an up-and-comer to some Manc veterans that often get overlooked in the shadow of their even longer-standing and more well-known predecessors, but we’re going to go out on a limb and say something controversial here… We think we might prefer Black Grape to Happy Mondays.
Before you bite our heads off, let us explain: while the Mondays are obviously way more iconic and had a huge influence on the overall Madchester scene, we would argue that their progenic spin-off are almost a more honed evolution of at least some of what the Ryders and co. first created a buzz around.
Not only do the likes of ‘Kelly’s Heroes’, ‘Nine Lives’, ‘String Theory’ and more have so much more guitar in them (which will always score extra points for me), but more importantly, there is so much more successful experimentation with different instruments, cultural sounds and blends of energy.
It can be hard to know where to start, but those three examples aren’t bad options, and ‘In The Name of The Father’ is also such a vibe – we’re hoping we see it on the setlist for Outwards Fest next month.
BLACK GRAPE play Outwards Festival on Saturday 2nd May 😎
For fans of Sports Team, Spangled, Deadletter, and pretty much any current post-punk pioneers, these former students who originally hail from Cambridgeshire but have come up in and around the local rock scene have been making a splash for a little while, and now it feels like things are hitting a fever pitch.
Sometimes the idiosyncratic lyrics put you in mind of rising Oldham star, Seb Lowe; there’s even one intro that could be the start of a more upbeat and melody-forward King Krule, and you even get notes of Slaves/Soft Play at times. Whatever you hear, personally, you won’t find a bad song – we haven’t yet.
As the lyrics on ‘Are You The Best Yet?’ state, some of this stuff literally makes our knees go weak. We can’t remember the last time a band came around that has you eagerly awaiting the inevitable guitar break, let alone when you fully lock into one and pull a face (we’ve all got our own).
They’re so, SO good, and they help prolong some songs that, while brilliant, could feel more like fast-paced flashes in the pan without them. It all amounts to something extra and ups an already healthy dose of swagger: that’s definitely what you get on the recent ‘Cambridge Is On Fire’ and most of their tracks.
In at number four is another one to watch within the genre. Some industry figures have equated them to the likes of the Amyl and the Sniffers, Lambrini Girls, Viagra Boys, and so on, but we think there’s a much cooler sense of darkness going on with their approach – however familiar the repetitive guitar playing and aggressive, shouty vocals may be.
Luckily, their discography – not unlike that of their aforementioned punky peers – isn’t that extensive just yet, so you can easily work your way through all their releases soon enough, and they’ve also got a big gig at White Hotel coming up just after they drop their debut LP, Hodge Podge. Watch this space…
Our present picks would be ‘American Boy II’, ‘Marina’ for the foreboding sense of build and that central riff alone, and you simply have to listen to their latest single, ‘Creeping Offences’, which, understandably, is the best track in terms of production they’ve dropped yet.
We want to see them live before passing any decisive judgement, but we like what we’re seeing so far.
5. A Certain Ratio
Now, we’ve touched on electronic-influenced alternative group in Black Grape, but what about another truly influential act from within that fluid space? Probably one of your bands/favourite DJ’s favourite artists, whether you know it or not, A Certain Ratio were tastemakers long before even they knew.
If the previous two are post-punk, then these lot are the funkier forerunners, known for their trademark muted strumming patterns, heavily distorted, codified and multi-layered mixes, ACR have been going nearly half a century now, and they were doing all this stuff long before virtually anyone else.
You’ll inevitably fall down a bit of a rabbit hole listening to their stuff, but ‘All Comes Down To This’ is a good starting point, and ‘1982’ has always made us think of what a Doctor Who-themed rave might sound like.
Oh, and purely because it still sticks with us as an eye-opening first listen, it really doesn’t get much better than this one:
And once again, that’s all she wrote.
We hope you dive into at least some of these names over the long bank holiday weekend, as three uninterrupted days of listening couldn’t have timed any better.
The Manc -
27th December 2020 
