The incredible history of Manchester Pride (and how far it’s come)
From police raiding the village bars for 'licentious dancing' in the 80s to the famous footloose policewoman filmed on the parade in 2015, Manchester Pride has come a long way indeed.
Manchester Pride is today one of the biggest LGBTQ+ events in the country, bringing thousands into the city every year to celebrate love in all its forms.
Over decades, the festival has grown into one of the longest-running Pride celebrations in the country – expanding massively over the years, whilst doing its bit to raise awareness, acceptance, and huge sums of money for important charitable causes.
But it wasn’t always like this. Rather, when it began life in 1985 as the Gay Pub and Club Olympics, organisers had to deal with a lot of hostility from both the police and the public simply to put on some fun events like .boat racing down the canal, tugs of war, and egg and spoon races judged by local drag queens.
At that time, there was still a lot of institutionalised homophobia in Greater Manchester. Back then, the village was a secretive area that people visited covertly and most of the bars had blacked out windows so you couldn’t see in.
The community struggled with a lot of prejudice, as well as police raids to stop what was at that time termed as ‘licentious dancing.’
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Albert Memorial rally, 1988. 20,000 people were in attendance / Image: Manchester City Council / Manchester Libraries
An except from Mancunian Gay magazine in 1984 titled ‘Not tonight, Anderton’ tells the story of how one night 20 plain clothes officers stormed into Napoleons and forced everyone in attendance to provide their personal information before being allowed to leave – an incident that was later branded as “an obvious case of police victimisation” in a press release issued by the Gay Centre.
In spite of this, the first Gay Pub and Club Olympics event still went ahead on the August Bank Holiday weekend of 1985. Notably, the event had the support of a new generation of Labour councillors elected in 1984 – who gave the gay community their support and appointed a Lesbian and Gay officer in a move reportedly inspired by Ken Livingstone.
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Inspired by Livingstone’s ‘s early days on the Greater London Council, in 1984 those new Labour councillors created an Equal Opportunities Committee and appointed Lesbian and Gay officers Maggie Turner and Paul Fairweather in what would prove to be a landmark move for gay rights in the north of England
1986 saw things gradually improve for the community, as councillors ‘put their arms around’ the gay community and gave it their support, welcoming a Northern Pride event in 1986 and contributing public funds towards the previous year’s celebrations.
The late Tony Wilson is pictured here alongside Coronation Street’s David Neilson (Roy Cropper) and Councillor Pat Karney. / Image: Manchester City Council / Manchester Libraries
Paul Fairweather, Manchester’s first Gay officer, covered the 1985 event for Manchester magazine Mancunian Gay: That year, the council had donated £1,700 towards the event which was focused around fundraising for AIDS.
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“Some of the bars got together to raise money for AIDS organisations in the city. There was a lot of support from the gay community and a lot more hostility from people in the city.
“At the time it was a very small event but people really, really put their heart into it. I think underlying it was beginning of the AIDS epidemic – people were concerned about the future.”
As the ’80s continued, Manchester’s fight for gay rights continued with the Section 28 march in 1988 acting as a huge turning point as the Thatcher government’s draconian legislation brought people out onto the streets to protest in their droves.
At the time, Manchester was almost alone in voicing its opposition and those involved came under huge pressure both politically and through the media. However, the marches were huge in that for one of the very first times locals who weren’t part of the gay community joined in solidarity and allyship.
Although the exact date of this image is unknown, it depicts a familiar scene that takes place very year at Sackville Gardens and is one of the most poignant moments of the festival / Image: Manchester Council / Manchester Libraries
Ultimately, though, that protest put paid to the restrictive legislation, which had been introduced to explicitly discriminate against gay people and prevent them from discussing their sexuality with, say, teachers or social workers at the time.
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The march also did its bit to bring together different elements of the disparate tribes within the LGBT community, and the next year was followed by another event called Love Rights ’89 – which was billed as a “celebration of Lesbian and Gay Sexuality”.
Still, it wasn’t until the early nineties that the Gay Village welcomed its first openly-gay bar and even then police raids in the area continued right up to 1994.
The battles against institutional homophobia were still being fought, clearly, and some continued to call the Canal Street area ‘Satan’s Square Mile’ – but the opening of new nightclubs like Nightclub Cruz 101 and seminal events Electric Chair and Poptastic saw the community pushing back.
In 1991, the Village Charity was formed and the Manchester Mardi Gras, ‘The Festival of Fun’ was created – raising £15,000 that year alone.
A more recent image from one of the legendary parties held inside a car park in the village / Image: Gpphotography / Manchester Pride Festival / Down At The Social PR
That year, there was a ‘street market’ in Sackville park (instead of on the road outside the Rembrandt Hotel) soundtracked by DJ Mike Coppoc, and a ‘It’s a knockout’ competition that was characterised by the wearing of some very tight cycling shorts – by all accounts ‘the thing’ to wear at the time.
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A heartfelt speech by Paul Orton of The Village Charity closed that year’s event on the Monday night, followed by a fireworks display which ended with “Manchester Cares” spelt out in the night sky.
In the years that followed, the free-to-attend event grew and grew, with stages erected in the public park and on the car parks every year. Then, in 1999, for the first time ever the Gay Village area was fenced off and what was then known as a “pledgeband” was introduced, with a commitment that 50% of proceeds raised would go to charity.
The decision to cordon off the village and charge an entry fee was contentious at the time, and is still considered to be so by some today – with some campaigners arguing that the wristband system prevents some members of the community from taking part by imposing financial restrictions.
In part because of this, some bars and clubs in the village still don’t require a wristband to gain entry to this day and the campaign group Facts About Manchester Pride have done quite a lot of work to suggest that there isn’t a basis in law to charge people access to the village over the Bank Holiday weekend.
Image: Gpphotography / / Manchester Pride Festival / Down At The Social PR
Despite the contention, though, for many the party was only becoming more popular. By the early 00’s the event was attracting more than 100,000 people a year.
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Renamed from Mardi Gras to Gayfest in 2001, the celebrations still didn’t officially become Manchester Pride until 2003, when the event was renamed once more – this time by Marketing Manchester.
In the years that followed, millions of pounds have been raised through the festival – which now has numerous different parts to it such as the Superbia Weekend, the Gay Village Party, Manchester Pride Parade (which is not taking place this year), Youth Pride MCR and the Candlelit Vigil.
It’s also continued to push the boundaries and campaign for equality, too. Manchester’s parade was the first in the UK to include services like the police, NHS and army amongst its floats – showing just how far things have come within the space of 20 years.
Remember the dancing footloose policewoman filmed on the parade in 2015? We can’t imagine that having happened without the progress of the past 20 odd years.
A familiar sight, this is how Canal Street looks today when the village party takes over for the four-day knees-up / Image: Manchester Pride Festival / Down At The Social PR
From what was essentially a jumble sale in the 80s to a world-recognised event, no matter what criticisms you may have of Manchester Pride it’s still fair to say that it has done a lot for promoting equality within the wider community. It’s also one of our favourite times of year.
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Of course, the work’s not done – in 2019, the festival’s Chief Executive went on record to say that “the fight has only just begun.”
“Every year I am asked do we still need a Pride celebration and every year I say yes we do.,” said Mark Fletcher.
“We must support every single member of every single LGBTQ+ community and fight until they feel equal and free to be themselves.”
These comments feel even more pertinent in 2023 after ‘anti-woke’ GMP Chief Constable Stephen Watson told officers they cannot decorate their uniforms with rainbow badges and patches this year – leading some to wonder if we’re going backwards, not forwards.
Manchester Pride Festival 2024 will take place between 23 and 26 August – you can find out more here.
Feature image – Manchester City Council / Manchester Libraries.
Feature
The best Manchester-based anime-style memes we’ve seen online as Ghibli craze takes over
Danny Jones
Now, the internet can be used for a lot of silly and pointless things – you might argue us sharing our favourite memes every morning is a prime example of that – but we have to admit, the second we saw a Manchester-inspired Studio Ghibli image on social media, we were hooked.
If you have absolutely no idea what we’re talking about, there is a current craze that has taken over the internet, which has seen recognisable memes and images recreated in the style of the iconic Ghibli anime films, created by legendary animator and filmmaker Hayao Miyazaki.
Once you’ve found one, you tend to start spotting them more and more frequently, and in the case of the chronically online like us, we’ve been inundated with them for weeks now.
People are using AIto create them in various different contexts, but it won’t surprise you to learn that our favourite Ghibli/anime memes are those based around Manchester. For example:
Bloody hell, the internet really is brilliant sometimes, isn't it? 😂 https://t.co/virpFx60u7
As it happens, this was the first and perhaps still the best we’ve seen to date, but it didn’t stop us from falling down an animated rabbit hole looking for others.
To be honest, we didn’t actually have to do much searching ourselves as they’re absolutely all over the algorithm at the minute, and have been for a good month or so.
‘Ghibli memes’ may be an overgeneralisation of what is a rather specific and famed art style, but this ongoing flood of anime-style cartooons is being created by users giving prompts to ChatGPT, the increasingly popular large language model (LLM) and AI tool.
Designed with OpenAI software, the artificial intelligence chatbot can do everything from write extensive study notes and flash cards to fixing blurry images, writing computer code, entire essays and quite literally countless other things.
In this instance, people are just reimagining moments from the zeitgeist and famous memes in this style by feeding the image to ChatGPT, along with an ‘in the style of Studio Ghibli’ prompt.
One for the Blues…And the Reds.All of these images have been designed using ChatGPT. (Credit: Eleventh Minute/centredevils via X)
Pretty cool, right?
You’ll find that footballer Twitter (sorry, X*), in particular, is absolutely full of fan accounts recreating iconic club scenes in the Miyazaki art style, giving their favourite players big ‘Chibi’ eyes (another unique aspect of anime) and so on.
It’s all just a bit of a laugh, after all; even we here at The Manc put ChatGPT to the test back in June 2023 and asked it to design ‘the perfect day out in Manchester’ – to varying degrees of success, we might add.
As ever with machine-learning, the more information you feed it, the better the result and although we know these are original pictures being reimagined, it still goes to show just how impressive and varied AI is becoming.
We’ve also enjoyed some that aren’t necessarily Manc but are quintessential British humour or simply more universal memes.
Exhibits E and F…
Even after all these years, we feel like we still see this in some context at least once a week – and it still makes us laugh.‘What a sad little life, Jane…’Credit: brandsynario (via Instagram)/No Context Brits (via X)
Despite these memes riding a real wave right now, the Ghibli portrait fad is just that; there are plenty of other aesthetics being toyed with, too.
Actually, it already has, as we’ve now started coming across people making action figure versions of themselves and/or famous people, full decked out with accessories inside blister packs and everything.
On the other hand, many people are understandably concerned about what this means for artists and although there is no substitute for genuine human expression, whatever form that may come in, lots of people are railing against it as the possibility of AI-based pop music has been posited.
With that in mind, maybe the best twist we’ve seen is our very own Stanley Chow subverting the trend and doing Ghibli stuff in his equally iconic style. We’ll take these geometric gems over computer-generated imitations any day.
For now, it’s just a bit of fun and we confess we’ve got some light entertainment out of it, but the increasing possibilities being thrown up by AI in terms of art do pose a lot more complex questions.
We’ll finish with one final example because let’s be honest, there’s only really one thing on our minds at the minute – at least until the summer finally rolls around…
Let us know if you’ve seen any other fun examples and what you make of the whole Ghibli meme trend down in the comments.
LF System on headlining Amber’s for ‘The Drop’, dancefloor anthems and more
Thomas Melia
Scottish DJ duo LF System are playing an intimate set in Manchester as part of ‘The Drop’, a special monthly event series for a very important cause.
‘The Drop’, sees the hitmakers joining two more greats, DJ Paulette and Turno, as headliners for this remarkable event all about raising awareness and funds for mental health in the music industry.
The mastermind partnership of Headstock and Skiddle, each event champions a charity which benefits including Music Minds Matter (Turno) and Nordoff & Robbins (DJ Paulette and LF System).
The first monthly set comes from the DJ duo behind one of the biggest UK club staples, ‘Afraid To Feel’, as LF System take over Manchester’s newest clubbing venue, Amber’s – who typically keep their lineups private – for an exclusive ‘Coffee Table Session’.
LF System, Conor Larkman and Sean Finnigan, outside their New York session venue.Credit: Supplied
LF System Interview
This event is in aid of Nordoff & Robbins: how important is this cause to you?
We feel like music should be enjoyed by. Anyone, no matter what. Nordoff & Robbins make that possible.
They help everyone, all ages through music therapy. It’s important to us that [this event] supports them. Everybody deserves a chance to have a go at music, it’s a great cause that allows people to have great opportunities.
You’re going to be playing Amber’s, which is one of Manchester’s newest clubbing venues, how are you feeling?
I’ve heard a lot of good things about it, so I just really want to get in there and experience it for ourselves.
It’s weird coming to Manchester at this time of year as well; we’re always here in winter, usually freezing and raining, so it’ll be quite nice to come down this April.
Amber’s nightclub has some very important rules, including a no-phone policy in order to bring clubbing back to its roots – how do you feel about this?
Oh, we’re all for that!
I think there’s been a bit of a problem recently, so anything that can be done to make clubbing all about the music and as immersive as possible the better. It’s about living in the moment. I think that’s a good thing.
I don’t think we’ve ever actually done anything with a no-phone policy before; somehow, they’ve always snuck them in. Exciting.
LF System’s Conor at a recent event in New York.The Scottish duo LF System, playing an intimate set in New York.Credit: Supplied
What can fans expect from your special set for the monthly music series ‘The Drop’?
It may be a bit different to what we usually do as it’s a coffee table session set-up, but there’ll definitely be good vibes and good music all night.
There’ll be a lot of unreleased stuff that we’ve been making recently, mostly from our new EP that’s coming, and it gives us a chance to play our new songs and see people’s reactions. So far, they’ve been good every time we’ve included them.
How come you’ve opted for a ‘Coffee table session’ rather than a huge rave vibe, especially considering how much your music gets crowds up on their feet?
We’ve never actually done a coffee table session in a club before, so that’ll be our first for us. It’s going to be electric and fresh.
You just get to showcase a lot more music than when what you do when you’re playing a club set, different BPMs.
[Coffee table sessions] still get people up and dancing, but it’s just a different type of night. It’s relaxed, happy dance music, you know what I mean? You don’t have, don’t have to go mad ‘fer it, just a nice chilled one.
As well-respectedDJs, it’s only fair we consult you on Manchester’s clubbing scene, so how would you rate the club culture and atmosphere in our city?
We always have a good time in Manchester and there’s always good crowds. It [Manchester] is just like that.
There’s a good culture to do in this city, so I think it’s a good place to bring this session too, and we’re looking forward to it.
It’s got a really rich history and you can always feel that when you’re there, it’s always a good time in any of [Manchester’s] different venues. Everyone always seems right up for it.
House music is known to improve people’s moods, and ‘The Drop’ is all about music and mental health, so to finish off, what’s your all-time favourite top three mood boosting house tracks?
Sean
‘Music Sounds Better With You’ by Stardust
‘Beautiful People’ by Barbara Tucker
‘In Love With You’ by The Paradise
Conor
‘Why Not?’ by Skate Bård
‘I Think I’ll Do Some Skipping On My Own’ by Sandy B (Opolopo Rework)
‘Night Walkin” by Mermaid S
LF System are bringing their bangers to ‘The Drop’ in Manchester.Spinning the decks just like they will at Amber’s in Manchester later this month at ‘The Drop’.