How CBD oil gave two Mancs a new lease of life – and a booming business
Dr. Ed is the leading supplier of quality CBD oil in Manchester - sending more than 100,000 units to doors around the world; including those belonging to football and soap stars.
“I’d have a call with a client, and then as soon as the phone went down, I’d think: ‘He probably thought I was a dickhead.’”
Alex McMillan is remembering his life before CBD oil.
It was a time when he worked in the marketing sector, and every move he made was subject to scrutiny.
“I’d put off everything,” he tells The Manc.
“I’d refuse to open emails, I’d delay doing tasks.
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“My self-confidence was at an all-time low, and I didn’t want to go out as much.
“It’s hard to explain unless you have it. But anxiety just made me hyperanalyse everything.”
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Millions in the UK suffer from anxiety. According to the NHS, more than 5% of people in the country are out there right now, struggling to manage the problems that arise as a result of the condition.
Finding a way to relieve symptoms can prove to be a huge challenge.
But, in true British fashion, Alex’s path to recovery began with a bonding session in the pub.
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Pints in hand, Alex talked it all through with his buddy Ed, and with his knowledge they came to the conclusion that CBD oil – a liquid extracted from cannabis – could be a potential solution.
Dr. Edward Jones, who happened to have an extensive background in Neuroscience and numerous degrees from the University of Manchester, whipped up a recipe.
Today, the brand is the leading supplier of quality CBD oil in Manchester – sending more than 100,000 units to doors around the world; including those belonging to football and soap stars.
“Without naming specific names, I can’t believe how far it’s come and the diversity of our customers – from all walks of life.” Alex chuckles.
Now that its health benefits are all but confirmed, CBD oil is rapidly becoming a saturated marketplace.
First and foremost, it actually does what it says on the bottle. And second, it boasts some of the best flavours you’re ever likely to find in CBD oil, according to its founders.
“We use specifically grown Californian hemp which is then processed using advanced techniques with no harsh chemicals or solvent to produce raw CBD oil’ Ed explains.
“We also include added terpenes that give it a great taste. One of the biggest problems with a lot of CBD is that it often tastes awful; many cannot get over the inherently ‘weedy’ and ‘earthy’ taste and terpenes do wonders for the palatability.
“The most successful users of CBD take it every day and experiment with timing and dosing schedules. So if the oil doesn’t taste good, you’re not going to stick to it which is why flavour profile is so important to us.’’
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Happy customers have come flooding back to Dr. Ed after enjoying relief from anxiety; and by tweaking the formula, Dr Edward Jones has found a way to help ease other common ailments, too.
Their CBD oil range has now expanded from anxiety cures to pain relief, insomnia remedies and even PMS problems.
Other oils in the catalogue have also shown an ability to increase users’ libido and their energy levels based in part on the inclusion of other active ingredients alongside CBD.
Cannabis without THC – the part of the plant that triggers a psychoactive response – has acquired growing stature in the medicinal world over the past few years.
Whilst there remains tight regulation on the plant itself, CBD oil has been declared not only safe and legal but even healthful.
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“The rules are that the products have to be produced from hemp that contain less than 0.2% THC, and the final product must contain no more than 1mg of THC” Ed explains.
“Ours have zero THC as detected by our current lab partners.’
“We triple-batch test to make sure there’s no THC in there at all – and also to confirm each bottle contains the amount of CBD we say there is on the label.
“Sting operations among CBD oils are common. Many find that very little CBD is actually in there. But we always make sure there’s exactly the right amount.”
Alex calls their production process ‘fairly simple’, but ‘second-to-none’ in terms of results.
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“All the plants are grown and harvested in California, they extract the CBD and other cannabinoids, turning it into a waxy resin. This high quality resin is then processed by us in different ways to generate our unique product line’’, he tells us.
“It’s pretty simple, it’s just about getting those ingredients right and ensuring our mixing processes are accurate, reliable and clean. ‘’
Dr. Ed CBD has three full time members on the team right now, with numerous other part time support staff but they’re looking to triple full-time staff numbers by the end of the year.
A far cry from the job-cutting stories most businesses are despondently sharing in 2020.
The brand is also aiming to grow throughout Europe with more production plants – increasing distribution and expanding the product range.
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“I’m more confident and I’m a better person to be around since taking the oil,” says Alex.
“It’s just helped so much.”
With six-figure sales since launch, it looks like Dr. Ed’s oil has gone far beyond patient zero.
Thousands with anxiety are suddenly starting to feel a lot better.
Learn more about the products available from Dr. Ed by visiting the company website.
Feature
A masterclass in The Art of Loving: Olivia Dean brings two unforgettable nights to Co-op Live
Emily Johnson
Olivia Dean took over Co-op Live for not one, but two nights this weekend – and what she delivered felt like a full-circle celebration of The Art of Loving, her incredible sophomore album.
From the moment Olivia’s silhouette appeared behind the curtain on night two, opening with the album’s title track, it was clear this evening was going to be special.
With a sea of polka dots on arrival, it’s evident that the 27-year-old already has great influence when it comes to style with her fans, and you could spot anyone who was attending Olivia Dean around Manchester city centre immediately.
Despite performing to a crowd of over 20,000 people, the performance felt incredibly intimate, with interactions with the crowd through the evening, even pointing out a fan’s banner saying they had been a fan of Olivia since 2019, which she was humbly taken aback by.
Her voice carried effortlessly around the arena, somehow still managing to feel soft and personal, like she was singing directly to you.
No Dean show would be complete without her incredible outfits either, and last night we were truly spoilt, with two outfit changes throughout the evening, which split the night into three chapters.
Initially appearing in a black sequin number, before reappearing in the middle of the crowd in an all-white outfit, evocative of an angel – a moment that felt intimate even in a room that size.
Later, with disco balls lowered and the energy lifted, she returned in another glitzy look for the more upbeat tracks, including a crowd-pleasing cover of ‘Move On Up’. With her band behind her, the sound filled the arena beautifully.
Everyone was on their feet having a good time, but no one was having as much fun as the woman herself, Olivia Dean.
And that’s the thing with Miss Dean, no one at her gigs is having half as much fun as she is. She’s always smiling, always glowing.
Put simply, she’s a proper ray of sunshine on stage. Towards the end of the show, Olivia looked up at the crowd and stated, “It’s magic in here tonight, Manchester”, and we all believed her.
Looking around at the crowd, arms around each other, best friends, couples – it was hard not to feel the magic too.
Highlights included ‘UFO’ with a sea of lights, which in the moment gave the whole room goosebumps, and of course, the confetti cannon, which was the grand finale to an incredible evening.
Yungblud channels a bit of magic that’d make Ozzy proud on huge headline night in Manchester
Lonnie Bowes
A darkened arena erupts into life as Yungblud storms the AO Arena main stage for his biggest Manchester show to date.
He flickers across the giant screens, projected against a curtain that stretches the full width of the AO Arena. Then that unmistakable Doncaster drawl cuts through the noise, urging the audience to make some noise (even more of it), and they oblige – gladly.
When the lights come up, a barrage of lights flickers, pyrotechnics explode, and chaos ensues. Manchester crowds are no strangers to Yungblud; he’s a livewire performer with seemingly endless energy, a proclivity for raw emotion, and a fiercely loyal fanbase: the self-proclaimed ‘Black Hearts Club’.
Dressed in a grungy pair of Chrome Hearts leather trousers, a leopard-print waistcoat and sunglasses so thick he could look directly at the sun with no issues, he tears straight into the opening track (Hello Heaven, Hello) with barely a second to breathe.
He then pauses – hands extended to the crowd, a cheeky grin – and bang: confetti fills the room.
If previous Manchester shows hinted at his stamina, this one confirms it. The scale may be bigger, but the intensity hasn’t dipped. The floor quickly becomes a sea of movement, with mosh pits swelling and collapsing in waves, sending bodies ricocheting across the arena.
It’s the kind of gig where you’re never quite safe from getting drenched either – water cups are less for drinking and more for launching, with sprays arcing out over the front rows like some kind of punk rock baptism of fire. So many flames.
The audience was on the ball; at one point, Yungblud’s comb was hurled into the crowd. Showgoers in the area tussled over the item for a minute before returning to the mayhem unfolding around them.
Part conductor, part chaos agent, part mic-wielding cowboy, he commands the room with ease. The mic stand, placed in front of him between each song by the production team, is repeatedly cast to the back of the stage, and he flails the mic above his head on more than one occasion – always catching it again before it can strike anyone else. It’s reckless, but never careless.
Because beneath the sweat and noise, there’s something more deliberate at play. His speeches on identity, equality, belonging and mental health feel less like interludes and more like the backbone of the entire night.
This isn’t just performance: it’s a space he’s actively shaping, one where thousands feel seen. Towards the back end of the set, he invites the whole crowd to look left and right and tell each other how much they f***ing love one another.
Tracks like ‘Loner’, ‘Lowlife’ and ‘Zombie’ land with particular weight, their messages amplified by a crowd that knows every word. At one point, the lights swing out over the audience, and for a moment the focus shifts – not just to the performer, but to the community he’s built.
With a touching tribute to the late, great Ozzy Osbourne, Yungblud is visibly emotional, with tears in his eyes for his dearly departed friend. And if the ringing in my ears is anything to go by, I’m pretty sure Ozzy heard it and was looking down with pride.
If you haven’t guessed by now, Yungblud knows how to command a room, but things definitely took a turn when he invited a member of the crowd on stage.
Holding a poster that read something along the lines of “I can play guitar”, she was brought up and proceeded to absolutely bring the house down, performing alongside him for a song. Daisy, hats off – you absolutely SMASHED it.
Congratulations are in order as well to the happy couple who got engaged at the gig. We really hope your first dance is to a Yungblud track.
Even in a venue of this size, he moves like he’s trying to outpace it; sprinting, leaping, barely standing still long enough to catch a breath. It’s hard not to feel like this is still just a stepping stone. Because if he can command a room like this with such force, it’s not a stretch to imagine Yungblud scaling even bigger stages before long.
Loud, relentless and emotionally charged, this wasn’t just a gig, it was a statement – a place to escape the struggles of day-to-day life and bolster an ever-growing community built on all the right things: acceptance, harmony, and just a little bit of chaos. In short, he’s welcome back anytime.