Living on top of the city: How Manctopia’s Sarah Lomas sees Manchester differently from above
The BBC's 'Manctopia' documentary covered every kind of character and story in modern Manchester - but it was Sarah’s rise from below the poverty line up to a penthouse that struck the biggest chord.
Dazzled interior designer Sarah Whatmore is stood on top of Manchester, gawping at the city below her feet.
She’s been tasked with kitting out a luxury penthouse in West Tower – one of Britain’s tallest skyscrapers outside the big smoke – but the view is distracting her.
During a conversation with the building’s general manager, she gazes through the floor-to-ceiling windows at the concrete labyrinth wriggling away into the sunset.
The two women look out at Manchester and share a moment of silent awe.
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“… great place to live,” Sarah eventually mutters, still in half a trance.
Even after days spent dedicated to this building, they’re still taken aback.
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This scene plays out during BBC’s Manctopia – a property boom documentary that dedicates much of its final episode to teasing the arrival of a new penthouse owner in the Deansgate Square development.
For almost an hour, the episode keeps its cards close to its chest. All we’re told is that the new buyer is an international businesswoman who’d spent so much on fittings that the designers won’t even reveal the numbers on screen.
“Very expensive,” is all they’d give away.
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Then, around the 50 minute-mark, the owner appears.
It turns out to be Sarah Lomas, a born-and-bred northerner who’d spent her early twenties just a few miles away in Denton – completely broke and living on inflatable furniture.
Now the CEO of global health brand REVIV, Sarah recites a truncated version of her rags-to-riches story in Manctopia, calling it an “incredible feeling” to be standing in the best apartment in Manchester after her upbringing on a council estate.
It’s only a forty-second cameo. But after the credits rolled, Sarah’s social media inbox was almost set ablaze.
More 3,000 messages poured in from viewers who wanted to know how she’d done it.
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Manctopia covered every kind of character and story in modern Manchester – but it was Sarah’s rise from below the poverty line up to a penthouse that struck the biggest chord.
Nonetheless, Sarah isn’t convinced her tale is worth talking about too much.
“There’s not a really interesting story there,” Sarah tells The Manc.
“Other than the fact it was bloody hard work.”
In Sarah’s eyes, there’s a much bigger narrative in play here: The one that’s shaping Manchester’s future.
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According to the REVIV owner, Manc still isn’t being taken seriously as it should – despite all these brand new glistening buildings bumping their heads against clouds.
Relentless urban development aside, Sarah believes that London still sees Manchester as being behind the pace.
But it’s not so much the wealth divide. Apparently, it’s the way we talk.
According to Sarah, there’s been no bigger hindrance to her corporate career than her northern twang.
“I was working as a single mum in a male-dominated environment, but the largest obstacle wasn’t being a parent or even a female – it was my northern accent,” she explains.
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“To get further up the ladder, I was actually told to go for elocution lessons.”
Imagine that.
You’re a single mother with no qualifications. You sell all your furniture to pay your bills. You work night shifts to put food on the table. You spend years upskilling and studying in your spare time. You earn a long-term deal with one of the world’s biggest banks. You rapidly rise through the ranks and enjoy an enormously successful two decades in finance.
But then… you’re told that none of that really matters.
What’s really important is that you speak proper.
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“In the end, I went to work in countries where my accent didn’t matter,” Sarah admits.
“I was the only British person in an international group; so nobody detected the Manc. They just thought I was from the UK.”
Whilst Sarah accepts the corporate scene has changed a lot since the nineties, she believes accent discrimination remains rife and is holding fellow businesspeople back as we speak.
“It still exists, 100%,” she asserts.
“I can see it’s still out there by the sheer volume of people coming to me.
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“Most of the messages I get are from people feeling held back by their accent. And interestingly, about 65% of them are men.
“Perhaps you could say I took the easy way out – I left the country.
“But others are still having problems with it right now – and I think that’s something we need to address.”
Despite its archaic, prejudicial nature, accent discrimination did lead to Sarah opting to go her own way and build a company on her own terms.
It’s the business that ended up buying her the flat in West Tower: REVIV (a health organisation that offers intravenous (IV) vitamin hydration and wellness therapy).
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The company’s global hub and flagship clinic is operating right here in Sarah’s hometown – with the service being rolled out to a staggering 41 countries around the world.
Big names like Hap Klopp – the founder of Northface – are on the company board, and the service has proven unsurprisingly popular with the cultural elite – from pro athletes to actors and actresses.
But what’s intriguing about REVIV is that services are also accessible for the everyman.
Product prices start at just £25 – and their IV Therapy has now been commissioned for public use for the very first time.
But most amazingly of all, REVIV can offer customers a personalised diet and supplement plan based on their own genetics that ensures the best possible levels of health; with an app in development that lets users scan an item and reveal how beneficial it is for their body.
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Sarah says she wants to change ideas and understanding of wellbeing in Britain – whilst making these treatments – typically considered exotic – available for all.
“The reality is, everyone is different,” Sarah states.
“Coffee is good for some people, bad for others. A glass of red wine is beneficial for some, but can do real damage in some cases.
“It’s all down to the individual.
“There are millions of variables and you need to be able to understand your own blueprint to stay healthy.”
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REVIV has also weighed in to provide support with COVID testing services since the pandemic took hold – and Sarah believes that the emergence of coronavirus has forced people to reevaluate the way they look at their own health.
“We’ve got work to do; but this situation [COVID] is a brilliant opportunity to make something positive out of negative,” she says.
“The World Health Organisation is starting to make this connection of nutrition being key to our ability to fight off viruses such as this.
“We’ve heard a lot about how people without underlying conditions are being even affected by the virus. But having no underlying conditions is very different to actually being healthy.”
Sarah’s in her West Tower penthouse when we talk – and as she scans the city from thirty flights above, she’s conflicted.
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“Whichever side of this house you go to, you get an incredible view,” Sarah muses.
“I can see everything in the city. I find that quite inspiring.”
But something is eating away at her. An itch no skyline could scratch.
“I’m worried about Manchester,” Sarah admits.
“I’ve got concerns about the economics of the city. I’ve got concerns for small businesses that aren’t able to recover.
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“I’m also aware that many people still aren’t recognising us for the city we truly are.
“I want to play my part in helping wherever I can.
“I want to work on that.”
Sarah has already inspired hundreds of Mancs and now runs a company that’s dedicated to creating a healthier city for tomorrow.
It’s safe to say that ‘work’ has already started.
Feature
Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.