Living on top of the city: How Manctopia’s Sarah Lomas sees Manchester differently from above
The BBC's 'Manctopia' documentary covered every kind of character and story in modern Manchester - but it was Sarah’s rise from below the poverty line up to a penthouse that struck the biggest chord.
Dazzled interior designer Sarah Whatmore is stood on top of Manchester, gawping at the city below her feet.
She’s been tasked with kitting out a luxury penthouse in West Tower – one of Britain’s tallest skyscrapers outside the big smoke – but the view is distracting her.
During a conversation with the building’s general manager, she gazes through the floor-to-ceiling windows at the concrete labyrinth wriggling away into the sunset.
The two women look out at Manchester and share a moment of silent awe.
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“… great place to live,” Sarah eventually mutters, still in half a trance.
Even after days spent dedicated to this building, they’re still taken aback.
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This scene plays out during BBC’s Manctopia – a property boom documentary that dedicates much of its final episode to teasing the arrival of a new penthouse owner in the Deansgate Square development.
For almost an hour, the episode keeps its cards close to its chest. All we’re told is that the new buyer is an international businesswoman who’d spent so much on fittings that the designers won’t even reveal the numbers on screen.
“Very expensive,” is all they’d give away.
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Then, around the 50 minute-mark, the owner appears.
It turns out to be Sarah Lomas, a born-and-bred northerner who’d spent her early twenties just a few miles away in Denton – completely broke and living on inflatable furniture.
Now the CEO of global health brand REVIV, Sarah recites a truncated version of her rags-to-riches story in Manctopia, calling it an “incredible feeling” to be standing in the best apartment in Manchester after her upbringing on a council estate.
It’s only a forty-second cameo. But after the credits rolled, Sarah’s social media inbox was almost set ablaze.
More 3,000 messages poured in from viewers who wanted to know how she’d done it.
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Manctopia covered every kind of character and story in modern Manchester – but it was Sarah’s rise from below the poverty line up to a penthouse that struck the biggest chord.
Nonetheless, Sarah isn’t convinced her tale is worth talking about too much.
“There’s not a really interesting story there,” Sarah tells The Manc.
“Other than the fact it was bloody hard work.”
In Sarah’s eyes, there’s a much bigger narrative in play here: The one that’s shaping Manchester’s future.
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According to the REVIV owner, Manc still isn’t being taken seriously as it should – despite all these brand new glistening buildings bumping their heads against clouds.
Relentless urban development aside, Sarah believes that London still sees Manchester as being behind the pace.
But it’s not so much the wealth divide. Apparently, it’s the way we talk.
According to Sarah, there’s been no bigger hindrance to her corporate career than her northern twang.
“I was working as a single mum in a male-dominated environment, but the largest obstacle wasn’t being a parent or even a female – it was my northern accent,” she explains.
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“To get further up the ladder, I was actually told to go for elocution lessons.”
Imagine that.
You’re a single mother with no qualifications. You sell all your furniture to pay your bills. You work night shifts to put food on the table. You spend years upskilling and studying in your spare time. You earn a long-term deal with one of the world’s biggest banks. You rapidly rise through the ranks and enjoy an enormously successful two decades in finance.
But then… you’re told that none of that really matters.
What’s really important is that you speak proper.
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“In the end, I went to work in countries where my accent didn’t matter,” Sarah admits.
“I was the only British person in an international group; so nobody detected the Manc. They just thought I was from the UK.”
Whilst Sarah accepts the corporate scene has changed a lot since the nineties, she believes accent discrimination remains rife and is holding fellow businesspeople back as we speak.
“It still exists, 100%,” she asserts.
“I can see it’s still out there by the sheer volume of people coming to me.
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“Most of the messages I get are from people feeling held back by their accent. And interestingly, about 65% of them are men.
“Perhaps you could say I took the easy way out – I left the country.
“But others are still having problems with it right now – and I think that’s something we need to address.”
Despite its archaic, prejudicial nature, accent discrimination did lead to Sarah opting to go her own way and build a company on her own terms.
It’s the business that ended up buying her the flat in West Tower: REVIV (a health organisation that offers intravenous (IV) vitamin hydration and wellness therapy).
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The company’s global hub and flagship clinic is operating right here in Sarah’s hometown – with the service being rolled out to a staggering 41 countries around the world.
Big names like Hap Klopp – the founder of Northface – are on the company board, and the service has proven unsurprisingly popular with the cultural elite – from pro athletes to actors and actresses.
But what’s intriguing about REVIV is that services are also accessible for the everyman.
Product prices start at just £25 – and their IV Therapy has now been commissioned for public use for the very first time.
But most amazingly of all, REVIV can offer customers a personalised diet and supplement plan based on their own genetics that ensures the best possible levels of health; with an app in development that lets users scan an item and reveal how beneficial it is for their body.
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Sarah says she wants to change ideas and understanding of wellbeing in Britain – whilst making these treatments – typically considered exotic – available for all.
“The reality is, everyone is different,” Sarah states.
“Coffee is good for some people, bad for others. A glass of red wine is beneficial for some, but can do real damage in some cases.
“It’s all down to the individual.
“There are millions of variables and you need to be able to understand your own blueprint to stay healthy.”
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REVIV has also weighed in to provide support with COVID testing services since the pandemic took hold – and Sarah believes that the emergence of coronavirus has forced people to reevaluate the way they look at their own health.
“We’ve got work to do; but this situation [COVID] is a brilliant opportunity to make something positive out of negative,” she says.
“The World Health Organisation is starting to make this connection of nutrition being key to our ability to fight off viruses such as this.
“We’ve heard a lot about how people without underlying conditions are being even affected by the virus. But having no underlying conditions is very different to actually being healthy.”
Sarah’s in her West Tower penthouse when we talk – and as she scans the city from thirty flights above, she’s conflicted.
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“Whichever side of this house you go to, you get an incredible view,” Sarah muses.
“I can see everything in the city. I find that quite inspiring.”
But something is eating away at her. An itch no skyline could scratch.
“I’m worried about Manchester,” Sarah admits.
“I’ve got concerns about the economics of the city. I’ve got concerns for small businesses that aren’t able to recover.
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“I’m also aware that many people still aren’t recognising us for the city we truly are.
“I want to play my part in helping wherever I can.
“I want to work on that.”
Sarah has already inspired hundreds of Mancs and now runs a company that’s dedicated to creating a healthier city for tomorrow.
It’s safe to say that ‘work’ has already started.
Feature
Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
Feature
Hazlett at Manchester Academy 3 – some of the best ‘sad and depressing songs’ you could ever ask for
Danny Jones
On Thursday evening, we finally got to see Hazlett in a small, tightly-packed room here in Manchester and have maybe never heard so many people sing so expertly quietly so as not to even remotely dullen the stunning voice of this rising solo artist.
For anyone who isn’t aware of Hazlett, he’s an Australian singer-songwriter who has been gradually growing in popularity over the last couple of years, but his journey to where he is dates back much further than that.
Noticing a few familiar faces in the crowd from his last visit to the city for a performance at The Deaf Institute just over a year ago – one we sadly missed and have been kicking ourselves ever since – he acknowledged that many may already know his story, but it’s nevertheless worth sharing with the class.
After self-deprecating (how oh-so British) about gigging in pubs when he was younger, and being told to stick to covers rather than try any of his own material, he moved to Sweden in 2019 and fell in love with not only a much more seasonal European but winter, specifically. No wonder he looked at home here.
Here’s our review of Hazlett at Manchester Academy 3, 4/12/2025. (Credit: Audio North)
Kicking off with one of his best-known tracks, ‘Please Don’t Be’, it immediately struck us how full and mournful it all felt in the flesh – arguably even more so than the studio version we’ve been playing in our headphones since 2023.
The atmospheric but not over-produced engineering is an aspect we’ve always admired about Hazlett‘s discography, and we were so relieved it came across on the night, with the Brisbane-born ex-pat crediting his talented live band with helping bring that same sound to life on stage.
It’s a regular trapping, we’ve found, when it comes to acoustic-led music; that instinct, perhaps, for an artist and/or a producer to use seemingly as many of the tools at their disposal as possible just because they’re available to them.
Sadly, this easy pitfall often ends up taking away from what makes those tunes so beautiful to begin with – but not in this case.
The rising solo star seemed to have an expert command not only of his vocals, but the second mic that added those subtle and yet stirring layers, and built those moving, almost ethereal effects on top of the words themselves.
Honestly, we were literally in awe of him just whistling…
Admittedly, it’s hard to put a finger on what exactly made this such a special show, but we think it is THAT same appreciation and embrace of colder months and how it’s inspired his music.
Just bear with us for a minute, it’ll make sense soon.
He actually said it was one of the things he loves the most about people in this country, and this specific part of the world, as well as other parts of Europe, such as his now beloved Sweden, where he says he found his creative spark.
It’s that feeling of the weather and the mood it brings so intensely that he says it helped him write ‘Bones Shake’, which was fittingly chilling as he played it to the spellbound, would-be choir, and could hear the soft sibilance of people gently repeating those S-sounds back to him.
There’s a genuine sense of being able to chart the slight sorrow in the passing of time through the seasons, and while some may not be afforded that same feeling from the sun-soaked shores of his homeland, it’s a concept he’s really run with – especially on his most recent LP.
Simply titled, last night you said you missed me, it’s almost something he kind of tried to resist, confessing that he wrote and finished the album in the space of about a month, fearing that it couldn’t be good enough/ready purely because it came together so quickly.
Given that two specific tracks from this record made a lady standing with us well up and eventually shed several tears (you know who you are), we’d say he absolutely nailed it.
Our only minor gripe was not getting to hear ‘Tell Me What You Dream About’. (Credit: The Manc)
He did joke that his set is filled with nothing but “a bunch of sad and depressing songs” and had a laugh at the idea of people being “dragged along” without any real idea of who he is or the kind of stuff he makes, but having now witnessed him play live, we can assure you it’s much more than that.
Bloom Mountain was an emotional, magical debut that found us in a particular place and time in our lives that we’ll always appreciate, but hearing him knit it together with his newest material confirmed to us that his music has to be more than listened to – it has to be felt.
Like the changing of the seasons. Like the winter. Like the cold.
We unfortunately didn’t manage to make it in time to watch the support act, Hans Williams, but judging by the reaction from the audience who did get in there early enough, the authentic but inventive stylings of the Americana, folk and soul-infused indie-pop artist, he definitely won over plenty of new fans.
As Mitchell Hazlett Lewis, to use his full name, he’s had our hearts since the very start and will continue to do so for however long he keeps bringing his relatable lyricism, delicate but impressive guitar-picking and gentle charm to Manchester.
Please check out his tour dates and see him the next time he’s in town. You can guarantee you’ll find
Please enjoy the song from his latest album that he says his mum likes best.