Whenever anyone thinks of the Suffragette movement, particularly in Manchester, one of the first names to come to mind is Emmeline Pankhurst.
Her story is well known – a girl from Moss Side, born into a politically active family, was introduced to the suffrage movement aged just 14 and ultimately helped British women to win the vote and create historic change.
The Pankhurst’s name today is synonymous with women’s suffrage, as are the Kenneys of Saddleworth.
But in the early years of the suffragette movement, before it had a name and was just a few pesky women making some political noise, there was another figure – oft-forgotten – who inspired the women around her to make history.
Her name was Lydia Becker and she hailed from Accrington.
Born in 1827 to a large middle-class family, as a young girl Becker was home-schooled alongside her siblings and took a big interest in nature and botany.
She often wrote to Charles Darwin with questions and the two developed a friendly correspondence, with Lydia sometimes sending him samples of plants from around Manchester to study.
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But as well as growing into a noted botanist, as a young woman she was fascinated by politics and got involved in the suffrage movement at a very early stage.
Having studied in great detail the reproductive science of plants, in particular the bisexual and hermaphrodite species, she soon turned her mind to the gender politics of society.
Inspired by a fellow sister scientist, Barbara Bodichon, who had published a paper entitled The Enfranchisement of Women in 1866, Lydia moved to found the Manchester Women’s Suffrage Committee – the first of its kind in the country.
Not much time after founding her committee, Lydia heard about a local woman – a widow – whose name had appeared by accident on an electoral roll. Sensing an opportunity, she and Lily Maxwell went to the polling station together and demanded she be allowed to cast a ballot. She was, and it caused a ruckus.
Spurred on, soon enough Lydia was encouraging all female heads of household to do the same – and was ultimately instrumental in bringing their petitions to court.
The following year, she was one of the central organisers and speakers at the first-ever meeting of the National Society for Women’s Suffrage and soon found herself undertaking speaking tours across the country.
This was years before the Pankhursts and at a time when it was completely unheard of for women to get involved in politics in any way. To even suggest that a woman should vote in elections was to completely put yourself out on a limb.
Simply put, politics was for men – it was not considered ‘ladylike’ for a woman to stand up in a public place and spout her opinions. Lydia didn’t let this put her off, though.
She simply ignored the naysayers (and there were a lot of them) and kept on going on her tours up and down the country after forming the Women’s Suffrage Journal in 1870, alongside Jessie Boucherett.
At one of these meetings in 1874, there was a young girl sitting in the audience. A fifteen-year-old Emmeline Pankhurst, who from that day forward would be completely committed to the cause after hearing Lydia speak.
As the movement began to gather pace, one thing that set Lydia apart from her counterparts was her ardent support for the vote of single and unmarried women. These women, she argued, were more in need of the vote than their married counterparts (who ultimately secured the vote first in 1918).
It was a point on which she and Emmeline Pankhurst were to disagree, but just as with everything else, Lydia stuck to her guns on her opinions – no matter what ridicule she faced. And there was a lot.
Just as women today who speak or act out against the status quo are often maligned (Jameela Jamil springs to mind, but there are many more), Lydia was subject to merciless teasing – particularly from politicians and the press.
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She wore wire-framed glasses and was made into somewhat of a caricature by cartoonists, who ridiculed her “extreme” views and looks. One cartoon cruelly depicted her being thrown out of parliament wrapped in the Women’s Suffrage Bill.
She also used her position as an educationist to champion the idea that there was no difference in the intelligence levels of men and women, a position that was considered truly revolutionary at the time.
She passed away aged 63 at Aix-les-Bains in 1890, and her name can be found today on a family headstone in St James, Altham. Quite rightly, it can also be found on the Reformers’ Memorial in Kensal Green Cemetery, London, alongside other great reformers and innovators.
Although Lydia died several decades before women would win the right to vote, if it wasn’t for her then we might still be the second-class citizens we were in the 1800s.
Roger Fulford best sums it up In VotesforWomen: TheStoryofaStruggle, when he writes: “The history of the decades from 1860 to 1890 – so far as women’s suffrage is concerned – is the story of Miss Becker.”
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A true pioneer and an inspiration for many women, her name deserves to be remembered.
How a cult classic game helped create the sound of Blossoms’ new album
Danny Jones
More specifically, their soundtracks, as in a recent chat with the Blossoms boys, we found out that their upcoming album was at least partly influenced by a beloved PlayStation 2 classic from 2006.
This is just more proof that you really can find inspiration in just about anything.
Yes, even if only in part, an old video game that many of you may have played back in the day is somehow connected to the latest and technically still yet to be announced release.
We’ve heard of groups such as The 1975 trying to make an album that sounds “as if John Hughes had directed a movie about our lives”, and Red Rum Club leaning further into the growing Western aesthetic with almost every outing, but we never thought we’d hear of a record born out of a love for Bully…
The lads actually touched on that whole ‘still TBC’ when we spoke to them at their studio in Stockport, joking not just about divorce but how they’re baffled by the whole ‘are they working on new music?’ speculation in the media. “Well, yeah, we’re a band – that’s what we do for a living”, as they put it.
But back to the point at hand: lead guitarist Dewhurt’s affection for Bully, a cult favourite PS2 title released by Rockstar Games – the same people behind Grand Theft Auto (GTA) and Red Dead Redemption – and the score behind it, essentially served as a seed for the feel of their newest work.
As he explained above, before being expanded on by frontman and primary lyricist Tom Odgen, they were fortunate enough to be in possession of the details for one half of a duo they both admire: Young Gun Silver Fox, a.k.a. British artist Andy Platts and US multi-talented instrumentalist, Shawn Lee.
Lee also just so happens to be the composer of the original Bully video game soundtrack.
Ultimately, this all came about because Josh contacted him over email simply to praise the game’s music (sure, when he was a teenager, we promise), and only took them until the last year or so to put two and two together. Small world, eh?
Oh, the nostalgia.
It has since occurred to us that we’ve come across him before, too.
For us, it was when playing the first Tales From The Borderlands (a spin-off of the popular action role-playing looter-shooter series that has since been turned into a Hollywood movie), which features his song ‘Kiss The Sky’ and ALSO enjoyed in our late teens.
It still continues to baffle us how things can come full circle like this.
As it turns out, his music appears in various pieces of pop culture, and with Tom professing his love for the funky, bass-forward 80s vibes of Lee and his partner Platts’ stuff, he was then roped in as part of the production team on the hypotheticalBlossoms LP number six. Not that we know anything about that…
What has now come out of all this is the previously alluded to lead single entitled ‘Joke About Divorce’, the music video for which dropped last month.
‘Joke About Divorce’ our new single is out now! We love this record, we recorded it live to tape at Tilehouse Studios with Shawn Lee producing. The second we got the mix back it felt like an instant Blossoms classic (if we do say so ourselves)!
We’re still not sure whether or not this is just the first finished song from the project, the opener or indeed even a title track; all we know is it’s another catchy creation from the Stopfordians.
But yeah, in a roundabout way, somehow that ‘problematic’ game that our parents and teachers complained about when we were kids, either by sheer chance, serendipity or perhaps the divine will of the audio gods, appears to have served as a kind of sonic sapling for a fresh era of the local outfit.
Sadly, we have very little else to offer you in terms of information regarding the ‘as yet confirmed’ next studio release from the Blossoms, but we can tell you we’re very much looking forward to hearing what comes next – especially live.
In case you missed it, they’re headlining this year’s edition of NBHD Weekender music festival at the end of the month; you can see the rest of the lineup down below.
Featured Images — Rockstar Games/Audio North/Press shot (via Go! Entertainment)
Feature
Inside Tyga, as a Manchester favourite changes its stripes for a new era
Danny Jones
We recently had the pleasure of visiting Tyga, Manchester city centre’s latest Indian restaurant, which has taken the place of former local favourite, Asha’s.
The Peter Street spot had always been a great place for a curry and progressive takes on the nation’s staples, often pulling inspiration from the Rajasthan region, but now the unit is the start of a new chapter.
In truth, the food was always pretty damn good here – often truly great, even – as we found out the last time we reviewed it; however, it’s clear that there’s been a greater honing of the concept.
Put simply, Tyga is trying to elevate what the team already did so well, whilst adding an extra layer of fine-dining refinement.
@the.manc Peter Streets Indian spot Tyga, has had a serious glow-up, bringing a more refined, fine-dining take on Indian cuisine while keeping all the bold flavours at the heart of it. The 24-hour slow-simmered lamb shank is an absolute must, as is the butter chicken which just melts in your mouth. 😍 It’s not just about the food here though, with an extensive cocktail list that brings theatre to the table, they’re the perfect accompaniment to your table full of scran. It’s the perfect spot for date night, celebrations, or when you just want to seriously impress someone over dinner. 🍸 Get it booked. 📍 47 Peter Street, M2 3NG #themanc#tygamanchester#manchesterfoodie#manchestercurry#wheretoeatinmanchester♬ original sound – The Manc
You hear sentences like a ‘contemporary twist on cuisine’ and ‘modern approaches to classics’ recycled quite a lot, and we get it: it can be a great way to get across that you’re trying to push culinary tradition(s) forward, but it often feels a bit of a throwaway term that’s used far too much.
That being said, while there’s definitely a feeling of familiarity to this recently refreshed foodie lineup, this is one of the times and places where it actually seems like that phrase means something.
While the building and stunning venue itself might have stayed largely the same, bar some knick-knacks being swapped for a few different tiger-based decorations, the authentic clay-pot lamb, ‘Tyga’ prawns, salmon tikka, and Vepudu spiced stir fry show some real innovation.
A lot of these might be rooted in a kind of food we know very well here in Britain, but these latest iterations in recipes and experimentation with their components result in some very cool creations.
The ember wings were smoky and moorish in a way that we’ve not had in a restaurant like this before, and the lamb chops alone were worth ordering by the wheelbarrow full.
Small plates have also been thrown into the mix more seamlessly this time around, too, as have some of the Indo-Chinese options that feel less like a footnote now and, instead, like a continuation of the tweaking and trying out new things seen throughout the rest of the offerings.
Even the vegetarian/vegan section of the menu has been lifted in certain aspects, too, with previously popular dishes being brought back better and more beautifully presented than ever.
Before we forget, a special shout-out goes to those beetroot dill patties.
Speaking of presentation, although they might have simplified some stuff (such as the okra fries that simply need to be dumped on the table and be devoured in seconds by gannets like us), as mentioned, plenty of other bits have been levelled up.
It comes as no surprise, therefore, that they’ve just been voted alongside some fellow standout spots by the Asian Catering Federation.
They’ve never shied away from a bit of pageantry, and nothing has changed in that respect.
Everything from the plating to even giving you a rotating water jug that revolves on a single point and never spills has a bit of flair, without being too much or straying into gimmicky territory.
Most importantly of all, whether you want a classy room for your next date night, somewhere intimate the next time you go out for tea with your partner, or still fancy a more banquet-style feast for you and your mates in the form of the updated ‘Maharaja’s Grand Platter’, Tyga can turn its paw to any occasion.
Georgina Pellant -
7th March 2023 
