Ophelia, by John Everett Millais, 1851-52. Tate Gallery Collection / Wikipedia
On a crisp, biting February morning in Pendlebury in 1814, a frozen woman appeared on the banks of the River Irwell.
She was dressed in fawn-coloured gown, with a pink and yellow silk handkerchief draped around her neck.
Icicles twinkled in her hair.
Mr Goodier could barely believe his eyes.
The Eccles mill owner had caught sight of what appeared to be a body on the riverbank, but when he wandered over to take a closer look, he thought he had found a water maiden from another world.
ADVERTISEMENT
Temporarily entranced by this figure lying in “perfect form and perfect rest”, Mr Goodier eventually composed himself and decided to contact the police.
Frost had preserved the woman’s appearance, and it soon became clear that this was Lavinia Robinson – the bright, intelligent, beautiful 20-year-old woman who had mysteriously vanished from Manchester two months before.
ADVERTISEMENT
Miss Robinson was due to be married on December 7, but had gone missing on the eve of her nuptials.
The situation induced intense panic and concern in the community – with a reward of 30 guineas being advertised in exchange for information.
The Manchester Exchange Herald newspaper wrote at the time: “No event, for a long series of years, has occurred in Manchester, which has called forth so general an interest, as the sudden disappearance of Miss Lavinia Robinson.”
ADVERTISEMENT
Manchester Exchange Herald, 1814
On February 8, Miss Robinson’s family confirmed the identity of the body found at the riverside.
Locals who had spent weeks speculating what had happened to the young girl from Bridge Street finally had an answer.
Miss Robinson had tragically fallen into the River Irwell and frozen in sub-zero temperatures. But how she came to be there – encased in ice – remains a mystery to this day.
An inquest into Miss Robinson’s death offered no concrete conclusions or explanations, although one witness claims to have seen her arguing with her fiancé close to her home in the hours before she disappeared.
One theory is that Miss Robinson was compelled to take drastic action at the prospect of being publicly shamed – having been accused of adultery by her husband-to-be.
ADVERTISEMENT
In her blog, Naomi Clifford described Miss Robinson as someone “overwhelmed with despair and saw no way forward” – fearing her new status as a social pariah.
In fact, it was Miss Robinson’s partner, Mr Holroyd, who became persona non grata in Manchester during the winter of 1814.
The other line of inquiry was that Miss Robinson had been murdered, and when Mr Holroyd fell under a cloud of suspicion, he opted to flee the city – away from the “strong resentment” of his neighbours.
The story has continued to recirculate in Manchester folklore for over 200 years ever since – with speculation rife as to how this young woman met her demise.
Today, Miss Robinson is best known by the name of the character in Shakespeare’s Hamlet who descends into a state of madness and drowns.
The ‘Manchester’ Ophelia.
Feature
Five Manchester artists we’ve been listening to this month | February 2026
Danny Jones
Well, hello again – glad to see you’re back here looking for more new music and rising artists from in and around Manchester.
Not to toot our own horn, but we’re confident you won’t be disappointed.
Obviously, everyone is busy wrapped up in BRITs fever, us included; however, we’ve also been having a very good time sitting in the comfort of our headphones and listening to the sound of our hometown.
Let’s get stuck in, shall we?
Greater Manchester music you should check out
1. Roukaya B
First on our list this month, what better place to start than Audio North‘s inaugural Artist of the Month, Roukaya B? Yes, she does happen to be a Manc (a nice bonus), but this new series – which has just debuted over on our dedicated music Instagram page – looks at talent all across the top of the country.
This soulful Salfordian and energetic singer-songwriter had a great musical education, and it shows, as there’s plenty of new school takes on rap and UK hip-hop, as well as plenty of familiar R’n’B flavour from down the years in her style too.
We recently got to chat with her following the release of her latest single, ‘HEAT’, but we love the rhythm behind ‘Out of Sight’ and ‘I Got It’ is still one of our favourites for that beat alone. Hear more from the woman of the moment and Audio North’s first-ever AOTM.
Next up is someone whose work still needs some refining, but we can’t deny that there’s something that keeps us coming back to check on him every few months or so, which means he must be doing something right. His name is Fxsion, and he’s been coming up on the local grime scene for years now.
We’re not going to try and claim we love every lyric, every flow and every track, but there’s definitely something to like in most of the tunes he’s released so far, and you can tell that the production levels and technical skill are improving not just in terms of audio, but the visuals that go along with it all too.
The first song we ever heard from Fxsion was ‘From The Ground’ with Yung Fume, and we still enjoy how he rides the beat, but his music has come quite a way since then, and we’d say two of his best examples at present are more recent releases like ‘Get With The Plan’ and ‘Brightside’.
3. Sâlo
In at number three is someone we’ve already written about this month, but couldn’t possibly pass up the opportunity of hyping for you all once again. We’re talking about Sâlo: also an up-and-coming, genre-bending, Salford-raised solo star who, like Roukaya, we’re expecting big things from in 2026.
Mixing in everything from drum and bass, as well as other electronic-influenced genres, with her classical piano training, jazz, neo-soul and more, to try and put her in just one category would be pointless. Try out ‘So I Stay’, ‘Give Me Time’, or ‘Yearning’, and you’ll get a different vibe every time.
The child of a family who fled her home country for the safety of Britain, we’d urge you not only to listen to her music but also to learn about her incredible backstory. You can read more down below.
From the new kids on the block to those who’ve been at it for ages at this point, K-Klass ran so that a lot of these young artists could walk, and they’re still going all these decades later. These guys first made it big back in the 1990s, and they’re still showing people how a proper re-up is done.
While they might hail from the likes of Chester and Wrexham, they broke through right here in Manchester at the likes of the legendary Haçienda nightclub and have forgotten more about what it takes to make it in the city’s scene than most will ever learn.
Obviously, they’re still best known for mixes like ‘Rhythm Is a Mystery’ and ‘Let Me Show You’, but we’re glad to see that apart from performing live, they’re also enjoying another fresh period of productivity studio-wise. Case in point:
And finally, on our list for February, our last pick of the month is Lei Hope, an alternative R’n’B artist who was born in Zimbabwe, raised in Leeds, and now based in Greater Manchester. Our aesthetic, if there is such a thing, is one he’s taken to like a duck to water
We love stories like this that put us in mind of other previous artists of the month like Nxdia and so many others who’ve blown up after arriving here. In the case of Lei Hope, a friend who also recently performed at city centre venue Low Four Studio put us on to him, and then we began our deep dive.
Starting with ‘Cranium’ and working backwards, there’s a wonderful softness to the youngster’s work so far; he loves a funky guitar and a fair bit of bass, and there’s definitely some indie-pop pulling focus away from some of those more obvious R’n’B traits. We’re big fans of ’21’, and ‘Day Job’ might be his best yet.
That’s it for Feb; we hope you enjoyed what we, or rather, this city’s incredible talents served up.
ADVERTISEMENT
It’s also worth noting that everyone on the lineup for this month has roots not only here in 0161 but all over the UK and beyond.
At a time when we need reminding that people of all colours, creeds and genders help contribute to the incredible creative culture we’re known for the world round, maybe more than ever, we’ll never stop being proud of all the different kinds of people that help put the great in Greater Manchester.
Last but not least, if you want to see who made it on our first round-up of the year, you can find a whole other batch of good listening down below.
Featured Images — The Manc Group/StreamGM (supplied)
Feature
Interview | Chatting with the Manchester-based visual artist for the 2026 BRIT Awards
Danny Jones
BRITs Week 2026 is well and truly underway, and with the annual awards ceremony set to finally land in Manchester this week – the debut being just one of at least two years of the event in our part of the country – the city is teeming with art, music, colour and so much energy.
One of those people responsible for all that buzz is locally-based visual artist, Alex Giles. He’s been commissioned by Universal Music to create bespoke artwork to appear across their events during BRITs Week, including their exclusive artist showcase, BRIT Awards after-party and the invitations.
From creating some of the first-ever digital adaptations of his work to preparing himself for seeing a glorious physical re-creation in the form of a VERY big sculpture.
With the partnered War Child charity gigs now well underway across the UK, and people already planning their days before arrival at the arena, we spoke to Alex about what has been nothing short of a whirlwind few months for him.
Straight off the bat, how did the sort of project come around?
So I was working on an installation project in Ibiza for a private client, and you know, there’s no sort of union for artists, so we have to sort of create our own contacts and our own bonds.
I feel very grateful to have a lovely network of people like that, mainly through Instagram. Anyway, I was chatting to someone that I’ve become good pals with, an artist called Matt Dosa, who actually did the artwork in a similar context a couple of years ago.
Essentially, they asked if I could put together a sort of deck of my work and some initial ideas, and then out of the blue, I got the call back saying, “Yeah, we’d love you to jump on board and produce something for us.” It all happened really quickly and unexpectedly.
What a rush that must have been!What’s it like be wrapped up in the BRITs buzz since?
Yeah, but that’s often the way with artistic opportunities: something comes from nowhere. The initial race was to get the design sorted, so that was where all of the focus went to start with – which is a fairly familiar world for me – but this week it’s got even more surreal.
You know, I can immerse myself in a task and think about just that alone, but now it’s got to this stage, I’ve got this continuous low-level kind of… Well, I don’t know whether it’s anxiety, excitement, or just a bit of butterflies, but there’s definitely something going on, haha.
One of the main things I’m really excited about is just seeing my work displayed in so many different ways that I wouldn’t normally do; I’m a two-dimensional artist, I make paintings, so seeing it come to life in 3D, graphic packages and in various digital formats is really exciting.
Yeah, so for those yet to see any of it, what exactly can you tell us about the project and how it’s going to take shape in different forms?
The idea was that Universal Music Group [UMG] wanted to ask an artist to create something that is their visual presence throughout Manchester for the BRITs.
So it needed to be something that was instantly recognisable, something that could be repeated, something with a bit of pattern to it so it can be scaled, but then also something instantly kind of recognisable, and the word that was used a lot at the very beginning was iconic.
It had to be quite clear; there was a lot of back and forth, and I think at first I was maybe complicating things or overthinking things, as you can imagine for something this big, but eventually we started to refine it, and we got something really nice out of it.
Probably the most exciting thing is that there’s going to be a huge eight-foot sculpture of it [the core design] being made to go in the foyer of the Kimpton Hotel. There are flags, there’s loads of printed graphics, you know, little details like beer coasters and menus – it’s just going to be everywhere.
Incredible, and obviously, you’ve lived in Manchester for a long time now, so how special does it feel to play a part in such a big moment for the city?
You know, I’ve been here for 17 years, and it’s a special place that’s deserving of it. I’ve worked in the creative industries for nearly two decades now, and we’re very proud of what we do up here.
I work in the film industry as well, and there’s always a bit of a groan amongst Manchester crew when, you know, a load of people come up from London to do a job instead of hiring Mancunians, but any myths about the North are always dispelled quite quickly.
Yeah, no one can question our work ethic. What is it about Greater Manchester that inspires you?
I’ve been thinking about this a lot recently. Inspiration for me is like through osmosis: it’s a gradual thing, and it sort of steadily shapes who I am and my creative output.
I can’t just pinpoint any one specific thing about Manchester, but it’s a place that has had a profound effect on who I am, what I like, and what I like doing. I’ve enjoyed the fruits of Manchester to the full – probably a little bit too hard at times, hence these dark circles under my eyes!
Ha, glad to hear it. What about that ‘music being universal’ brief – how do you go about being referential in your work, or do you create it for yourself and just hope it connects with others?
That’s a really nice question, actually. So the audience always starts with me; I feel like if I’m producing something that I like, then hopefully others will also like it. It can be tricky at times NOT to try and second-guess what your audience might like. I think a lot of artists do that in all disciplines.
ADVERTISEMENT
But yeah, I have to be quite strict now, and make what feels right to me, because if I like it, then I can talk about it and present it with pride. I think with that, it will eventually find its own audience.
Love that – now, I know it’s a hard question, but if you had to sum the visual style of this work in just three words, what would they be?
Oh, come on, haha! Erm… OK, well I’m going start with that word that kicked it all off: iconic. I’m going to put the word ‘fruity’ in the middle – you know it’s bright and juicy – and I’m going to say the word accessible to finish it off.
Iconic, fruity, and accessible – I was never guessing that one, haha. As for the night itself, which famous faces are going to make you double-take?
Well, I know Pulp are up for an award, and so I’m from the era of, you know: being glued to the Brits and, you know, the whole Michael Jackson-Jarvis Cocker saga, etc. I think that’s a pretty iconic moment in British history, so I’d love Pulp to because I think Jarvis has always got something very interesting to say.
ADVERTISEMENT
For sure, and how do you think the spectacle of the BRIT Awards has changed over the years?
I think the shape of performance has changed a lot in the last decade. People really put on big shows, don’t they? Like it’s not it’s no longer just, you know, a backdrop with the band name on it, it’s pyrotechnics, dancers, massive visual effects, and so much more.
Last but not least, which of those big performances from that unreal lineup are you most looking forward to seeing?
I think, deservedly, up for an Achievement Award: Mark Ronson. I think that’s going to be great, and I’m looking forward to seeing Wolf Alice, too.
It’s not necessarily the kind of gig that I would go to, to be honest – I love electronic and a lot of older music a lot – but I’ve actually got tickets to see Mogwai on Friday as well, so it’s set up to be a very energetic weekend.
It was a pleasure chatting with Alex, and we definitely caught the extra tailwind of his enthusiasm, as if we weren’t buzzing enough already.
Like the man himself, a few members of our Audio North team will be at the 2026 BRIT Awards themselves, and we can’t wait to see all the glitz and glamour in the flesh.
Stay tuned to our socials over on Instagram, as well as our usual The Manc pages, to make sure you don’t miss a second of the coverage.
Happy BRITs Week, and for those of you going to Co-op Live on the night, soak it all in!
What a busy week we've got – board game festivals, new foodie openings… oh, and The @BRITs comes to our city this weekend for the first time ever too. 🎶🐝🏆
The Manc -
20th August 2021 
