During the first lockdown in March 2020, prisoners at HMP Manchester were offered the opportunity to write down their reflections as part of a creative writing competition – and have their work judged by real authors. The results offer extraordinary insight into the minds of inmates during the onset of COVID-19.
HMP Manchester / Image: Peter McDermott via Geograph
When Prime Minister Boris Johnson appeared on television screens last March staring solemnly down the lens and warning us not to leave our homes, it should have been shocking enough to send cups of tea spilling across living rooms right around the UK.
But as gloomy and demoralising as the broadcast might have been, it was not a surprising one.
By this point, most of us knew it was coming.
That infamous public address on March 23 had – just like COVID’s symptoms and knock-on effects – crept up on us in sinisterly steady fashion.
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For weeks, we read headlines about the increasing spread of the virus and watched many of our European neighbours bolting their own gates shut. So, when the decision was made to officially lock down in the UK, many of us had already mentally prepared ourselves for the worst.
For many in Manchester, the preamble to the address had involved messaging loved ones and setting up home working stations. But over in Cheetham Hill, there were 650 people behind bars still struggling to comprehend exactly what was happening.
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HMP Manchester’s inmates – concealed from view of the deserted city centre streets – had relied on TV sets as their sole window into the real world. But despite the drama unfolding on the news channels, they still felt once removed from the pictures being shown on the screens inside their cells.
It wasn’t until the morning of March 23 when officers told prisoners to “check their phones” that the seriousness of the situation sunk in.
After punching in their access codes, they realised something. Their call credit had increased.
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Prisoners could read between the lines. This was a full-scale lockdown.
Inside the Visitor Centre at HMP Manchester back in 2016 – Image: Neil Theasby
For those who have never set foot inside a maximum security facility, HMP Manchester has an otherworldly aura; epitomised by its towering walls and fortress-like architecture.
Portraits of prison life – on camera or in print – can often feel like they belong to another realm. And this is exactly what made the onset of COVID such an unsettling time for its inhabitants.
As one prisoner’s grave confession at the start of the first lockdown testified: “I fear people are going to forget about us and we’re going to die because we’re bottom of the pile.”
But when the pandemic hit, inmates at Manchester were actually presented with a unique chance to share their stories through art. And now this material is set for publication.
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The booklet, titled Write Inside At HMP Manchester, is a compendium of astonishing reflections written by those incarcerated during COVID, ranging from real contemplations on an unravelling pandemic to fictitious worlds created out of a desire for a form of escapism.
Put together by MK College and curated by HMP Manchester’s Distance Learning Coordinator Maureen Carnighan, the project began life as a simple writing exercise to keep prisoners preoccupied.
But it quickly snowballed into a creative writing competition, with a panel of published authors – including Jonathan Aitken, David Nolan, Joseph Knox and Erwin James – stepping in to judge the work and offer feedback.
Aitken and James had previously served sentences themselves, whereas Nolan has produced extensive coverage of the Strangeways Riots throughout his career.
The submissions – which include diaries, stories, poems and illustrations – were originally scrawled on scrap paper and the backs of envelopes by prisoners at the height of the pandemic, before being collected and cobbled together to form an anthology.
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It’s set to go to print later this year; with all money raised going towards the Prisoners’ Education Trust.
Thousands of prisoners across England and Wales have tested positive for COVID-19 – Image: Donald Tong via Pexels
After the writing competition ended, entries were judged and a prize was split between the winners. But a little bump to the prison bank balance was just a bonus. According to organiser Maureen, what was most important to inmates was the fact their stories were actually being read by others.
Nolan, Knox, Aitken and James added comments to every entry, and as Maureen passed on the feedback to inmates, she could hear their self-esteem “growing over the phone”.
“The fact that real authors read their work – they were amazed by it,” Maureen explains.
“All the stories [in the booklet] are so different. Some of the fiction is amazing.
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“But there are some surprises, too. There’s even some soppy poetry in there!”
Many of the most affecting pieces within the collection are the ones that pull readers inside Strangeways to share a cell with the authors.
One such article, entitled ‘COVID Diary’, paints an eerie picture of a cell block on the morning of lockdown where you could “hear a pin drop” – before going on to tell the tale of inmates scrambling to check their phone credit.
As the story ebbs on, the author expresses his concern for his fellow inmates.
“I’ve done many, many lockdowns,” he writes, having been in and out of prison for almost three decades.
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“[But] this is the first time there has been a lockdown like this.
“Only urgent health care appointments, no dentists, no work, and up to twenty-three hours banged up unless you are a servery worker or cleaner. I honestly feel for all those lads and girls who I think are ‘suffering in silence behind that door.’”
Another prisoner also describes the stress levels in prison as being so high that the wing is “crackling as if it’s charged with static”, with a lack of routine akin to having his “body vigorously rubbed with a cheese grater.”
Most in-person social visits have been banned for several months at HMP Manchester due to COVID – Image: Prison Phone
The collection also features a haunting short story penned by an inmate who was among the first to become infected.
He recalls curling up around the toilet bowl, a big warning sticker being slapped on his cell, and guards dressed head to toe in quarantine suits bellowing at him to “stand back” so they could safely drop off food.
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“Shivering in my bed, thoughts ran through my head,” he writes.
“What if I don’t wake up? The thought of dying in prison was so scary.”
But not all prisoners felt compelled to write about COVID. Others seized the opportunity to pen letters to their former selves, whilst one inmate – sentenced for 28 years for gang-related murder – scribbled a painful and emotional apology to his mother for everything he’s done.
According to Maureen, the writing casts the inmates in a whole different light.
“We tend to ‘monster’ everyone that goes to prison,” she says.
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“But these people do come out [of jail]. It’s our job to re-educate and support them whilst they’re inside to reduce the chances of them reoffending.
“Here, in this writing, they come across as real human beings who have made very real mistakes.”
Please see notice that our residents received this week outlining the impact of the latest national lockdown. We are grateful for all the support and cooperation at this difficult time. pic.twitter.com/aSKung6Np7
All prisons offer a core education curriculum covering English, maths, digital skills and relevant vocational training – which all inmates who would benefit are encouraged to attend.
But enrolling in higher education courses (e.g. university level) involves meeting certain criteria. Permission from the prison itself is required before applying for funding from the Prisoners’ Educational Trust and for individual courses. Proximity to release date is also taken into consideration.
What made Maureen’s writing competition so unique and appealing was that it was open to all inmates immediately, at no cost.
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When word got around, the uptake was big.
Even once the initial exercise was over, the Distance Learning Coordinator said she was “overwhelmed” with additional requests from prisoners – many of whom thrived on the experience and expressed a desire to keep learning whilst locked up for long portions of the day.
Educational in-cell packs have also been introduced at HMP Manchester in the absence of face-to-face education – covering subjects such as maths, English, business, art and ESOL (English for speakers of other languages).
Cases of COVID are finally in decline across the penal system – Image: Gov UK
Write Inside At HMP Manchester – a time capsule and window into Strangeways during an aberrant moment in history – is set for release at a pertinent point in the pandemic; with the whole penal system once again in lockdown.
Since March 2020, over 10,000 prisoners in England and Wales have tested positive for COVID-19. At least 86 have died.
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Interventional measures have prevented the numbers climbing higher. But this has meant more time in cells, with prisoners spending the past few weeks reliving the experiences they wrote about last spring.
Most in-person social visits have also been banned since the beginning of the second lockdown in November – with inmates instead meeting loved ones via ‘Purple Visits’; the prison equivalent of video calls (at HMP Manchester, a phone has been fitted in every cell so that support staff can speak to prisoners, with the Education Department using them to provide feedback for in-cell study packs).
Conditions have been tough – and in December one retired judge even suggested sentences of inmates should be reduced in order to compensate.
Still, there is cause for optimism across the penal system in the weeks ahead.
Cases of COVID-19 among inmates and staff have been steadily declining since the end of January.
The situation is improving, and there is cautious hope that a tough chapter for UK prisons is slowly coming to a close.
“Prisons are not the holiday camps that the public sometimes believe them to be,” Maureen states.
“They are difficult environments made more severe during lockdown for obvious reasons.
“Some of the men I come across are so keen to get educated and so determined to change their lives around.
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“But having the opportunity to write and tell their story? That’s definitely helped them.”
Write Inside At HMP Manchester is being published in the prison print shop and sold in support of the Prisoners’ Education Trust.
Details on how to purchase copies are available online.
Feature
The most magical Christmas displays have now landed at one of the North West’s best garden centres
Emily Sergeant
Christmas has officially arrived at one of the best garden centres in the North West, and it’s just as magical as you’d hope it would be.
Just outside of Greater Manchester in the village of Glazebury in Warrington, you’ll find Bents Garden and Home – a multi award-winning destination garden centre that’s often voted one of the region’s best. It’s great place to visit all year round, but as anyone who has ever made the trip there will tell you, this place really comes alive during the festive season.
Bents first started out life all the way back in 1937, when Alfred and Margaret Bent began growing and selling roses in the front garden of their terraced house in Glazebury.
Ever since then, the business has gone from strength to strength – opening its first dedicated garden centre building in the early 1950s, and then undergoing several expansions in the 60 years that followed to create the place we know and love today.
A place that’s home to everything you need to kit out your home and garden, several cafes and restaurants, a food hall, a cook shop, a children’s boutique, and plenty more.
Christmas has arrived at Bents Garden and Home for 2026 / Credit: The Manc Group
And then at Christmas time, you can also get to wander around all the magical festive displays and stop for a bite to eat at the winter food markets.
Christmas at Bents originally began in the 1970s, establishing what would become one of the garden centre’s most successful – and favourite – times of the year, with people travelling in their thousands from all across the North West to visit, making it an annual tradition in the festive events calendar for many families.
With a jaw-dropping display to suit everyone’s festive decor tastes, Christmas at Bents really does need to be seen to be believed.
Expertly decorated trees form the centrepiece of each display, with all the baubles and decorations adorning them for sale by the side for you to recreate yourself at home.
Walking around the centre, you’ll also find every type of artificial tree (both normal and pre-lit), an array of fairy lights, wreaths, and garlands, before you arrive at what is sure to be one of the best Christmas Lemax Model Village set-ups you’ve probably ever seen.
A trip to Bents is an annual festive tradition for thousands across the North West / Credit: The Manc Group
Then, once you’ve filled your basket up with all the decs you need, you have to stop off at the Winter Food Markets before you head home.
There’s a wide array of different street food options to choose from like bratwursts, giant filled Yorkshire puddings, loaded fries, nachos, mac and cheese, crepes, churros, and build-your-own crumble, before taking a pew in one of the little wooden huts and washing it all down with festive-themed hot chocolates and mulled wine.
Don’t forget to stop off at the food hall, farm shop, and deli counters to stock up on plenty of goodies there before you leave too.
Basically, if you’ve never been to Bents before, we honestly cannot recommend it enough – even more so during Christmas time.
Don’t forget to stop off at the Winter Food Markets before heading home / Credit: The Manc Group
But it is really important to note that it does get very busy here, especially on weekends and at peak times like the run up to Christmas.
So you may have to be prepared to patiently wait for parking spaces and cooperate with your fellow shoppers, as well as join queues at the cafes and restaurants, all while respecting the hard-working staff at all times.
Let’s be as respectful as possible, and make this a place where everyone can enjoy a magical festive experience in 2026.
Meet Larishka – the DJ making her mark on Manchester’s Garage scene
Emily Johnson
It’s time to meet Larishka – Audio North’s Artist of the Month for October.
For Larishka, music has always been around her in some form. Growing up surrounded by classical and rock music, she never expected her route into electronic music to begin with a Parklife set from Carl Cox, before eventually becoming a DJ, promoter, and co-owner of Manchester’s Ghosts of Garage.
Today, she runs events, DJs across House, Garage and Bass, and is helping build a community around one of Manchester’s most exciting electronic music brands.
From promoter to DJ
Larishka actually started out as a promoter while doing an apprenticeship at a music booking agency. She always knew she wanted to work on the events side rather than bookings, but felt like she wasn’t going to make many connections within the industry while living in Oldham.
Her plan was to go to university to study music, with the hope of learning to produce while also moving into Manchester and making connections within the city’s music scene.
Quite quickly into her studies, she joined Ghosts of Garage. After about a year, she had something of a lightbulb moment.
Meet Larishka, the DJ making her mark on Manchester’s Garage scene / Credit: Supplied
“I was studying music, I run my own nights, and I was always on the aux at house parties, so why have I not learned to DJ yet?” she explained.
That realisation came while she was sitting on MATTIK’s living room sofa, where she asked if he would teach her. Before long, she was calling him every day asking if they could go to the studio and practise mixing.
“I owe it to him really, he was a brilliant teacher.”
“I get it” – the Parklife moment that changed everything
Larishka’s introduction to electronic music wasn’t exactly the traditional one.
“I grew up on classical and rock music – my dad was a sound engineer in the 70s so that was his thing really, and my mum played the piano every single day so that’s what I was constantly around.”
She first heard house music when she was around 15 or 16, after a friend sent her a track they had found on SoundCloud.
“I listened to it out of my phone and didn’t really get it, it was too repetitive.”
A few years later, everything changed. After hearing Parklife from her window every year growing up, Larishka eventually went to the festival for the first time and watched Carl Cox close The Valley. He played ‘Finder’ by Ninetoes, and it was the first time she had experienced electronic music on a huge sound system.
“I remember being in absolute awe and turning to my friend and saying ‘I get it’ and from then, I was just absolutely hooked.”
It became a genuine turning point.
“I had my A Level exams that following week and when I was revising all I was listening to was house music and I remember my Dad coming in and saying ‘Is this you forever now?’ and I said ‘Yeah I think it is'”.
Larishka is Audio North’s Artist of the Month for October / Credit: Supplied
Why Manchester means so much
“I mean it’s home, and always has been.”
Having become part of the city’s music scene, she says she feels incredibly lucky to have found a community around her.
“There’s a certain camaraderie that exists here that I don’t know that you’d find anywhere else.”
For her, that sense of community is what makes Manchester’s music scene so special.
“Seeing people you know everywhere you go, you kinda feel like you’re never alone and that you’re actually part of something.”
That spirit extends beyond electronic music, too.
“And it’s not just in electronic music either, that spirit exists across all genres – Manchester music history is so rooted across such a broad spectrum of genres, and to see that still prevailing today is something we should all be proud of.”
Building Ghosts of Garage
It’s impossible to talk about Larishka’s journey without talking about Ghosts of Garage.
She’s a co-owner of the brand, having joined in 2021, and works across its marketing, bookings and creative direction alongside Rich Reason. For her, one of the biggest things that makes a Ghosts of Garage night stand out is its commitment to the music.
“The music and lineups truly never miss, which is a credit to Rich. The guy knows how to program a lineup.”
The team makes a conscious effort to champion new talent, often including at least one Manchester or UK debut on a lineup.
“A big part of each event is making them unique while keeping the brand consistent – each event has to have its own USP or else the nights get boring and people think they can just skip this one and go to the next and it’ll be the same.”
For Larishka, music has always been around her in some form / Credit: Supplied
Community is a huge part of the brand.
“We’re also big advocates of community and want to create the gap between audience and DJ as little as possible, so try to get the crowd involved as much as possible through things like our WhatsApp community.”
The aim is to make people feel like buying a ticket means becoming part of something bigger.
“We want people to feel like if you buy a ticket for our event, then you’ve unlocked a key to be part of something.”
Larishka’s advice for getting into Manchester’s music scene
For anyone hoping to break into Manchester’s music scene, Larishka’s advice is simple – go out.
“I’m way more likely to book you if we’ve met and we’ve had a good chat because it means I can put a face to a name and I know what you’re like.”
For her, being part of the community is about more than simply sending messages and asking for opportunities.
“Being an active member of the community means you’re already part of the night, so booking you to DJ just makes you even more part of it than you already are, rather than someone I’ve never met before who’s in my DMs.”
Ultimately, it comes back to the same thing that has shaped so much of Larishka’s own journey – showing up, meeting people, and becoming part of something.