Friday night’s gig at New Century Hall was one of those where you’re so stunned by the show that you’re left wishing the act in front of you was Manc so you could claim them as you’re own – but sadly Novo Amor is a Welshman and we had to give him back.
The stage name for the highly impressive multi-instrumentalist and producer, Ali John Meredith-Lacey, in truth seeing him for the first time here in Manchester proved that the Novo Amor really is the sum of many talented parts.
Much like Bon Iver in that sense and in style, sound and approach to making music, for without Justin Vernon and co. there would be no Novo, one of our first worries was that he would be unable to carry over the level of production and sound design heard on the albums to the stage performance.
That’s where his full band came in, who ensured not only that the whole thing sounded virtually studio-perfect but took a step beyond what we ever thought we’d get to hear at a Novo Amor gig. And it all started with Ed Tullet performing under his own stage name Lowswimer for the opening act.
Lowswimmer supporting Novo Amor in Manchester (Credit: The Manc Audio)
Anyone who listens to Novo will likely be aware of the little sub-group of artists that all swim in the same circle, from Ali himself to the likes Gia Margaret, Sean Carey (part of Bon Iver) and Yvette Young, to Hailaker – Tullet being one-half opposite Jemima Coulter – as well as Lowswimmer and several others.
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He might have only played a handful of songs with only a guitar, including a couple of beautiful Hailaker tracks, but it was more than enough to leave an impression of the very sincere artist who clearly has a massive influence on all of those around him.
Explaining that this would be his second to last show perform with Novo Amor due to health issues and the general toll of touring, having helped write, record, produce and play the bulk of music ever put out under that name since day dot, it was a fittingly sombre and intimate warm-up.
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However, even in delivering the more stripped-back set we were already half expecting from the headliner, we almost managed to get both sides of this little mini-music community: the quieter acoustic stuff where big vocals moments are left to shine, and they did, as well as the real deal.
There was even a moment when tiny embers began to flicker as if you were listening to the guitar around a campfire.
When Ali and the rest of his band finally walked out on stage, with Ed himself receding back into what looked to be the more comfortable position just outside of the spotlight, it suddenly dawned on us that it wouldn’t just be a few folky guitars and some nice piano playing.
After the Lowswimmer’s ironically low-lit stage had somehow managed to hide a quietly better-budget backdrop, the stage suddenly began to light up as Novo Amor wandered on to pick up their instruments and play and from here on out we were just as captivated by the lights and effects as we were the music.
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Be it thin but sharp white lines tracing the borders of light boxes like a weird game of snake; solid blocks of electric blues, warm yellows and moody reds appearing on perfectly-timed musical cues or dots delicately twinkling into a slow-moving constellation, each song felt like an experience.
Not sure we’ll ever get over seeing this track being introduced in such a stunning way and in a venue as eye-catching as New Century:
Novo Amor stuns Manchester with ‘Same Day, Same Face’, fresh from his new album Collapse List at New Century.
Similar to Ed when he was busy tuning his guitar, Ali let on that his talent lies in bringing these intricately built-up tracks to life not only in record form but in translating them for the live shows too, choosing to ask ChatGPT for some ‘on-stage banter in the style of Novo Amor’ to fill the gaps.
Truthfully, as much as both parties said they were ‘not good at this kind of stuff’, he did a good job at handling the short lulls between songs by letting people ask questions, daft or not, as well as making sure water got to those feeling faint in the hot room. Everyone was fine, don’t worry.
In fact, when one girl seemingly passed out nearer to the front of the crowd as he came towards the end of fan favourite Halloween (you have no idea how gorgeous that song sounds with a full room of people singing it back, by the way), he still managed to check on her whilst quietly playing the outro. A total pro.
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Those were the three key letters here in every sense the more we think about it; be it the effortless professionalism in recreating what you hear in your headphones down to the tee and then some live, or the production levels and simple but striking set design behind them, it was verging on surreal.
We might not have been anticipating such a put-together set and overall level of production both in terms of sound and the often mesmerising visuals but we don’t know why, because we absolutely should’ve.
This is what you get when you put a group of extremely talented musicians and multi-instrumentalists together in one place. They might make highly complex, heavily layered and often delicate sounds with electronics and technology playing a big role, but they also know how to ramp it up for an audience.
All we can pray is that the next time Novo is back in Manchester he brings at least one half of Hailaker along again and maybe a surprise showing from another corner of this collective.
A special shout-out has to go to Ed as well; we have no shame in admitting that watching Ali looking on at his long-term creative partner and mate with a smile as he signed off his time with the live band by belting out the final tune had us welling up.
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Novo Amor might not be from Manchester but we want him back soon.
Stockport band Blossoms set for BIG return to Leeds Festival this year
Thomas Melia
Blossoms have just announced their big return to Leeds Festival, as the four-day music event continues to impress with its stacked lineup.
They might have a ‘Joke About Divorce’ from time to time, but when it comes to entertaining a Leeds Festival crowd, Blossoms take it very seriously, having played at Bramham Park three times in the past decade already.
The Stockport band have captivated audiences since the rise of standout track ‘Charlemagne’ and more recently with the addition of their fifth studio album, Gary, named after an eight-foot fiberglass gorilla.
Known for always putting on a stellar performance, Tom, Joe, Charlie, Myles, and Josh are bringing a brand-new set to Leeds when they visit this August bank holiday weekend.
As well as releasing new music, Blossoms are making a big return to Leeds Festival 2026 / Credit: Publicity Picture (Supplied)
Currently, Leeds Festival 2026 has seven headline acts spanning all genres from Dance and EDM to Pop and Rap with the likes of Charli XCX, Raye, Dave and more topping the bill.
The Stockport five-piece are featured alongside three other insane artists as ‘Special Guests’, appearing next to Skepta, Sombr and Role Model.
Also listed on the lineup are rising stars like R&B vocal powerhouse Skye Newman, pop princess Jade, Merseyside indie rockers The K’s and Wigan-formed The Lilacs with more to be announced.
Although nothing is confirmed yet, this upcoming Leeds Festival set from Blossoms will contain high energy and obviously all their biggest and best bangers from across their four chart topping albums as well as new music.
Whether you’re there for ‘Your Girlfriend’ or ‘What Can I Say After I’m Sorry’, one thing’s for sure, you’re guaranteed to have an absolutely spectacular night.
Blossoms are making their big return to Leeds Festival 2026 which is taking place from 27 to 30 August at Bramham Park with tickets live HERE.
Audio
Stage and Radio issue defiant statement in response to concerning development plans
Danny Jones
Manchester centre bar, music venue, and nightlife institution, Stage and Radio, has shared an impassioned and defiant statement in the face of proposed plans to be built next to the venue.
And when we say next to, we mean next door – and by that we mean practically on their doorstep, not to mention that of other local businesses.
Situated within one of the city’s most important creative and cultural hubs, in the form of the Northern Quarter, the gig space, club and popular meeting place finds itself under serious threat.
Speaking in the accompanying caption, they said: “Comment below and we’ll DM you a link to take action (It’s also in our bio!).”
They go on to say, “We’re urgently asking for the public to support Stage & Radio by voicing concerns by 10th June 2026 about a future development going up within a few meters of the venue.”
Unsurprisingly, the post has been met with an outpouring of not only shared rage, frustration and confusion, but more importantly, they’ve received a huge amount of support in the comments, too.
Fellow Manc favourite nighttime venue, Hidden, added, “Sit tight @stageandradiomcr you’re not going anywhere; meanwhile, several people across multiple sites have simply written, ‘Stage and Radio 4 Life.”
New developments and residential ventures continue to pop up all over the city and surrounding regions, as they always will, and Manchester City Council has stressed that this latest development – an eight-storey residential block by This City – will not be under threat.
Leader of the Council Bev Craig said: “Music and arts venues like Stage and Radio are the soul of our Northern Quarter. Music is woven into the very fabric of Manchester, it’s part of what makes our city so great. It is not under threat on my watch.
“Across the country we are seeing too many venues close down, in Manchester we want to protect and nurture them. That’s why we have worked in partnership with the Music Venues Trust in recent months to provide almost £250,000 in grant funding to support small venues and operators in an increasingly difficult economic climate.
“This is a vital lifeline for many smaller grassroots businesses, and we know that without them there won’t be the next big star.
“Cities are always changing, especially when new affordable homes are being built, but let me be unequivocal – Stage and Radio is not under threat. They were here first, and our Agent of Change principle defends that.
“Any new development nearby will have the top level of sound proofing and the onus is on the council as the builder not the music venue. We are also working with the venue to consider what investment our This City housing company can make to the venue building to limit sound escaping.
“I’ve offered to meet with the venue operators personally to give my commitment that venues like theirs help create the artists of the future and make our music scene what it is today.”
As for Stage and Radio, we’ve had the pleasure of spending a fair few late nights there (not to mention well into the early hours of the next morning) over the years.
Releasing a direct statement to The Manc and Audio North, they told us: “We are deeply concerned about whether residential flats positioned directly beside an established grassroots music venue can realistically provide appropriate residential amenity and conditions suitable for long-term human habitation, while also protecting an existing venue from future conflict.”
S&R also noted these circumstances are not entirely unlike those that have jeopardised the future of fellow NQ neighbours and live music venue, Night and Day Cafe, in recent times.
The countdown is now ticking away for Stage and Radio – quite literally, as you can see by the banner now showing on the homepage of their website.
If you want to help save not just this venue but the culture, community and artistic scene it stands for, you can sign the protest petition and get involved in the fight right HERE.
Danny Jones -
12th April 2024 
