Royal Blood’s 2023 has been defined by two things: releasing yet another brilliant record in their fourth studio album, Back to the Water Below, and p*ssing off an entire crowd at Radio 1’s Big Weekend, not to mention even more people watching back home with their viral antics.
With that in mind, we weren’t exactly sure how we were going to feel or what this audience was going to be like before we stepped foot inside the O2 Apollo, but we can confirm the whole storm in a teacup has now well and truly blown over and we didn’t care one bit once they started playing.
The second we heard Mike Kerr’s bass being ripped like both rhythm and lead guitar at the same time, and the pure ‘oomph’ of Ben Thatcher’s unmistakable drum-playing, we completely forgot that they slightly upset the music world just a few months ago and remembered one thing: they’re rockstars and we’ve seen plenty worse.
This was the story of Royal Blood’s return to Manchester and their gig at the legendary venue on Friday night as Storm Babet hit the region — and it was fitting really, given that their set featured ‘Typhoons’, ‘Trouble’s Coming’ and lyrics like “crashed down in a hurricane” in ‘Ten Tonne Skeleton’.
Royal Blood played the AO Arena in Manchester last year but looked at home in the Apollo (Credit: The Manc Group)
Even before we knew what we were in for, the surprisingly dramatic duo delivered a proper entrance, walking out to the iconic theme from The Good, The Bad and The Ugly, which was then followed up by an impressive light show that we’ll admit caught us by surprise and really did something epic to the atmosphere throughout.
ADVERTISEMENT
It didn’t take long for fans to get off their feet as they kicked the show off with recent single and album opener, ‘Mountains at Midnight’, before the pits started opening up as they got stuck into fan favourites such as ‘Boilermaker’, ‘Loose Change’, ‘How Did We Get So Dark?’, ‘Out of the Black’ and so on.
It’s been a while since we’ve been to a proper rager at the Apollo, so we’re glad that the place is still more than capable of whipping up frenzies like that. We were concerned that there wasn’t much movement during the support act but that’s always the gamble you make with the warm-ups.
ADVERTISEMENT
That’s not to say we didn’t enjoy them, by the way; Hot Wax were more than a pleasant surprise with arguably more overall energy on stage than the main event. Although it was clear the vast majority of the crowd were unaware of them prior to the gig, you’d be a fool to not go away and listen to more.
Once you were in the pit, there was no coming out.
With plenty of frenetic on-stage presence and more than enough confidence to remind you they’d be having just as much fun if the crowd wasn’t there, they felt plenty post-punk, a bit funk thanks to the basslines and modern enough thanks to some more intricate strum that made sure they didn’t feel like an old hat throwback.
In a word, they were great; we liked them a lot and it didn’t take long for us to realise why they were a good fit to support Royal Blood, boasting the same ability to go big with their sound using just three instruments as Mike and Ben do with just two.
ADVERTISEMENT
And that summed up the night as a whole, to be honest: a total of five musicians (six if you include the headliner’s session player who dipped in on a fair few songs) making a frankly ridiculous amount of noise between them — far more than a trio and just a pair of blokes should feasibly be able to make.
That’s the one thing that, regardless of whatever you think of them post-controversy, has always stunned us about Royal Blood. How do a frontman whose main instrument is a bass guitar and just one drummer make such explosive sounds between them and get people like thrashing like they were a full-fledged five-piece rock band?
We ended up being swept into various different parts of the crowd — always a good sign.
One thing’s for sure, they are well and truly in their ‘rockstar’ era right now, whether you like what comes with that or not. Mike might be four years sober now, with both he and Ben looking more svelte and stylish on stage — not only physically but in their overall presence — but they now look and feel like graduated performers who can command a crowd with a lot more authority than they did when they burst onto the scene with their debut in 2014.
And perhaps that’s why the Big Weekend moment went the way it did; these two are seasoned pros now and have earned a lot of plaudits in the genre over the past decade, so to find yourself playing to nearly 80,000 people who were mainly there to see pop acts probably felt like a loss of control and their frustration came out in the wrong way — even they’ve admitted that.
But that wasn’t the case at the Apollo. As the gig reached its crescendo with ‘Figure It Out’ and Ben stood atop a speaker and began conducting the crowd before jumping into it and preparing them for one last mosh as Mike kept the riff going, it was clear they were back in control and the audience in the palm of their hands.
ADVERTISEMENT
Now that’s how you get people back on-side: by simply going out there, making a big old racket and leaving the gig-goers to do the rest. We all know there’s no place that guarantees that more than right here in Manchester.
Royal Blood polished off their return with a big finish.
The UK’s much-loved ‘day rave’ with Vicky and Jon McClure returns to Manchester for New Year’s Eve
Thomas Melia
One of the UK’s most popular new club events and pioneering ‘day rave’ is returning to Manchester this New Year’s, featuring founders Jon and Vicky McClure, as well as some very special guests.
The Line of Duty star and Reverend and the Makers frontman started the parent-friendly event back in January of this year as an alternative day out for those looking to have a party and still manage an early bedtime. Since then it’s gone on to become a real phenomenon and is only getting bigger.
With Vicky swapping UK dramas and crime thrillers for the discotheque and ‘Big Jon’ switching lanes from his usual rock, indie and alternative roots to favour timeless dance tracks to still get people up on their feet, Day Fever has gone down a storm all over the country.
With their first year coming towards a close, they now look set for arguably their biggest day rave to date as Day Fever will be hosting a special New Year’s Eve for their final hurrah of 2024 right here in Manchester city centre – and no, you don’t need to be able to stay up until midnight.
The two McClures – unrelated, by the way, they just share a name and a fantastic taste in music – and the rest of their crew will be partying between 3-8pm for a much more tame and friendlier night (day) out, commanding the decks alongside some other special guests.
Not only does this alternative way to party promise a more responsible curfew, meaning clubbers don’t have to worry about missing the last train home but it’s also geared towards over 30s whilst still being super inclusive.
This day-time clubbing event is designed to reminisce on the old days and all those dance-filled memories of evenings spent out on the tiles, just minus the late-night finish – and hopefully the hangover but that’s down to you really, isn’t it?
In their words: ‘There’s no dress code, no egos—just pure positivity’; there’s nothing we love to hear more than the sweet relief of not having to get dolled up for a big night when we just can’t be bothered.
With New Century Hall hosting the Day Fever once again for their first-ever NYE party here in Manchester, along with two other events being held simultaneously in Edinburgh and Birmingham, you can get all your partying done way with plenty of time to get cosy in bed before the calendar turns over.
Just in time to watch Jools Holland’s famous Annual Hootenanny, as they put it.
Jon McClure and Vicky’s co-star, Martin CompstonVicky McClure leading the dance routines
This is guaranteed to be an evening to remember for everyone in attendance, especially when you’re joined by stars of stage and screen who will be powering you through with some proper dance bangers as they have done all year long.
The New Year’s Eve party isn’t just the last dance of the year either, it’s also effectively the prequel to next year’s raft of shows as Day Fever has already announced more than a dozen big dates in January and February.
This batch of 2025 dates sees the gang taking on lots of other cities, including North West neighbours Liverpool, Sheffield, Leeds and Hull over in Yorkshire, two Newcastle shows and plenty more.
So, if you’re feeling those clubbing blues, that pesky seasonal affective disorder or just still not booked up for NYE 2024, why not make the most of this day-time opportunity?
Tickets for both the New Year’s Eve and the rest of their 2025 events are available on the official Day Fever website HERE.
Oh yeah, and help get Rev to Christmas number one – it’s for a good cause and they deserve it!
Sean Paul and Ashanti are hosting a massive Manchester show in 2025
Danny Jones
The one and only Sean Paul is coming to Manchester next year and we’re about to be smashing that buy ticket button it’ll be left sticking like glue.
A terrible pun, we know, we’re just very excited.
Better yet, he’s bringing a fantastic co-headliner along with him as fellow noughties and R’n’B throwback Ashanti will be sharing the stage too.
Landing at the AO Arena in spring 2025, they’ll be upping the ‘Temperature’ ahead of the summer and just in time for the festival season to start getting underway.
Having both enjoyed the scene for many years back in its 2000s heyday and each still boasting their own long-serving fan bases no matter how long it’s been, we wouldn’t think of this as a Sean Paul headline gig with a support act but two very special guests doing what they do best.
The Jamaican-born rap, reggae and dancehall artist as well as all-round popstar needs no introduction really but we’ll give him one anyway: you have to pronounce his name funny and he’s best known for countless club classics like ‘Got 2 Luv U’, ‘Get Busy’ and ‘Gimme The Light’, just to name a few.
Coming back to Manchester for basically a celebration of what many still revere as one of the golden eras for the genre will no doubt be an unbelievable night and playing the AO Arena after all this time is no mean feat.
General admission goes live from 10am, Friday 20 December but presale will be available for Three mobile users who want exclusive early access from Wednesday onwards from the same time.
The ‘Bring It’ Tour comes our way on 13 April 2025, with other dates including Leeds, Birmingham, Cardiff and a massive London show with Fat Joe joining too.
You can get ready to grab your tickets for Sean Paul and Ashanti’s AO Arena date HERE.
Danny Jones -
21st October 2023 
