Watching Simon Pegg stride through Great Northern ODEON on a Sunday afternoon is more than a little strange.
This is a place where people come to see the movie stars – but today it looks like a celebrity has stepped right off the big screen.
Fans flock to grab photos with Pegg as he weaves from the box office towards the theatre; filling the walkspace with the clamour of shouts and snapping cameras.
Bumping into the star of Spaced, Shaun of the Dead and Hot Fuzz on Deansgate would be arresting at the best of times, but it’s even more extraordinary when you consider the context.
Pegg is in Manchester for a premiere he couldn’t originally attend, for a film that almost didn’t get shot, starring in a role that’s unrecognisable to anything he’s done before.
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“It felt like something I needed to put right…”
One of the big features on the bill this weekend at Manchester International Film Festival is Lost Transmissions – an independent movie starring Pegg and Juno Temple about music, creativity and psychosis.
Pegg made the movie in between stints on Hollywood blockbusters Star Trek and Mission:Impossible, and whilst his busy schedule had cast doubt on any potential appearance at the premiere, a last-minute scheduling change means that Pegg makes it to town just in time.
Lost Transmissions is a smaller kind of production than the star is used to nowadays, but he’s as visibly passionate about the project as much as any other he’s been involved with.
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Grappling with complex mental health issues, Lost Transmissions presented Pegg with am unfamiliar and particularly challenging role – but it also allowed him to break new ground by working with a female filmmaker.
“I hadn’t done a movie that has been directed by a woman in twenty years of making films,” Pegg tells us, sounding a little surprised by his own answer.
“That felt like something I needed to put right.”
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Pegg has long been a loud advocate for female representation in cinema, and when the opportunity came to work with Katharine O’Brien for her directorial debut, he was hungry to take it.
“It was the script [that attracted me to the project] first and foremost… and the fact that Katharine had sent me a script that was straight drama.
“I tend to get pigeon-holed as a comedy actor, which is my own fault.”
“At one point, it looked like it was going to get dropped…”
After realising they were both on the same page, Pegg and O’Brien began to throw some momentum behind Lost Transmissions, with excitement growing around its potential. However, schedule clashes meant the film was, for several months, left dangling by a thread.
“I was attached to the project for a very long time,” Pegg tells us.
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“At one point it looked like it was going to get dropped or I was going to have to drop out because of Mission: Impossible.
“But Katharine waited for me, thank goodness, and we got to make the film.”
“Making it was a really fun experience. It was a 20-day shoot, which is not what I’m used to compared to the bigger films, but she was so sure of what she wanted in terms of performance and the look of the movie.
“It’s really nice when you work with a director who knows what they’re doing.”
Lost Transmissions dives into territory few films have dared to explore and even fewer have managed to understand: The world of schizophrenia.
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Speaking about his role Pegg explains: “I play a guy called Theo Ross whose a music producer working in Los Angeles, a British guy, who has developed schizophrenia due to some bad acid he took in the nineties.
“In the movie, he decides to come off his medication because he’s worried it’s stifling him creatively, but of course that leads to him drifting back into the realm of schizophrenic delusion.
“It comes down to Juno Temple’s character trying to save Theo as he drifts off further and further into mania.”
“It’s easy to approximate madness in film; mental health issues seem to be one of the last kind of things that it’s ok to be flippant about…”
Pegg went to great lengths to embody the character during production – with the role of Theo so different to his usual roles.
“I researched it thoroughly; it didn’t feel like a role I could just guess,” Pegg says.
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“Schizophrenia is a very real, very specific condition. It gets mistaken a lot of the time for split personality, but schizophrenia isn’t like that at all. [It’s] more about people’s perception getting confused, the brain starts to make certain patterns and create delusional narratives which the person responds to.
“So, I really had to learn about that and meet schizophrenics, read about it, watch documentaries, and go into the film knowing what I was talking about.
“It’s easy to approximate madness in film, mental health issues seem to be one of the last kind of things that it’s ok to be flippant about. Acting crazy, you know, anyone can do that – but it’s not at all the way to approach it.
“You have to approach these things faithfully and give a genuine, authentic portrayal.”
Before Pegg heads off to host a Lost Transmissions Q&A alongside his director, he fills us in on his next chapter.
“I’ve got two Mission:Impossible films to make over the next two years,” he confirms.
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“And there’s something I’m developing at Stolen Picture – mine and Nick Frost’s production company.
Pegg’s features scrunch together as he searches his memory banks.
“It’s a show I’ve been developing for… eight years, I think. I’ve finally found a way to do it!”
Suddenly, a wide smile spreads across his face.
“But I can’t say anything about it yet… which is really frustrating.”
Now’s not the time for that, anyway. Today is all about the indie film that pulls Pegg from his self-confessed comedy “pigeon-hole”. And he’s proud of it.
Catch Lost Transmissions in cinemas during its wide release from 14 March. For more information on some of the fantastic films playing this week at MANIFF, head to their website.
Feature
The viral factory in Oldham that sells £2 Colin the Caterpillar cakes
Thomas Melia
A factory in Oldham has gone viral online after sweet fiends discover they sell ‘Colin the Caterpillar’ cakes for less than half price.
There are some things that just go hand in hand: a brew and a biscuit, peanut butter and jelly and Brits and their crazy obsession with a character chocolate cake from M&S called Colin the Caterpillar.
Since hitting the shelves in 1990, more than 15 million Colin the Caterpillars have made their way from supermarket shop floor to our sweet-treat-awaiting plates.
Who would’ve ever guessed that the home to this cheeky chappy, who M&S have made their unofficial mascot (after Percy Pig, of course), has been crafted and created right here in Oldham?
The utterly delicious Colin the Caterpillar cake which you can get for £2 at Park Cakes.The shelves at Park Cakes are stacked with Colins and Connies.Credit: The Manc Eats
Established in 1937, The Park Cake Bakeries – or just Park Cakes, colloquially – has been serving up this critter-inspired cake for over 30 years, and savvy shoppers have flocked to their factory shop to get their hands on some very sweet savings.
There’s a whole range of cakes on offer at this Oldham dessert factory shop, including slabs, sponges, loaves and even sweet pies too.
Whether you’re a firm believer that the birthday person deserves all of Colin’s white-choc face or you precisely cut it up so everyone gets some, Park Cakes has the solution, selling bags of the character’s chocolatey face so you can have one all to yourself.
The cake isn’t the only thing that leaves a sweet taste in your mouth, as the prices will too. Colin the Caterpillar, who normally retails for just under a tenner, is sold for around £2 at this Oldham factory shop.
It’s always the ones that look unassuming, isn’t it?
Alongside producing one of the most adored cakes in the UK, they’re also responsible for lots more of your favourite supermarket sweet treats, and we’re definitely not complaining.
You can let your sweet tooth go wild in this factory shop as they sell everything from rainbow birthday cakes to sticky toffee puddings.
There’s so much on offer too, how about a giant bag packed to the brim with misshapen golden flapjacks that’ll last you over a week and cost you less than a fiver? Sounds like a plan to me.
If you haven’t had enough of your Easter chocolate fix, why not trek over to Oldham and stock up on even more chocolate and sweet treats? Trust us, there’s plenty to choose from.
Park Cakes factory shop can be found on Ashton Road in Oldham and is open from 10am-4pm, so go and grab yourself a seriously sweet deal before everyone else beats you to it.
Mini Colins, small in size but still packed with all that chocolatey goodness.Flapjacks and cookie dough bites are just some of the wonderful treats you might be able to get hold of.Credit: The Manc
Featured Images — The Manc Group/Adam Higgin (via Facebook)
Feature
Taemin at AO Arena: Take the K-pop world’s ‘Advice’ – you need to watch him live
Thomas Melia
This time last month, South Korean star, SHINee and SuperM boyband member, Taemin showed Manchester the real meaning of ‘The Rizzness’. It was our first K-pop gig and won’t be our last.
Normally, if you ask me what I’m getting up to on a Tuesday night, I’d respond with the usual: “Nothing.” Ask me this random but eye-opening night back in March 2025, and I’d say, “Watching the ‘Ephemeral Glaze’ tour”.
Opening with a song labelled ‘Déjà vu’, ironically, felt from the truth, as the minute the performer stepped onto the stage, the whole crowd was watching what felt like an all-new spectacle come to life – even for some of the already inducted K-pop fans inside the AO Arena.
Following up with ‘Guilty’, I’d be lying if I told you we didn’t love this performance. It wasn’t overshadowed by that unbelievable grand opening either – if anything, it was even better.
A majestic pose from Taemin at AO Arena in Manchester, performing to a lively crowd.Credit: Audio North
This was a setlist that just keeps on giving: after this, ‘Advice’ greets our ears and fans erupt in various screams and cries, to which Taemin, 31, certainly appreciated.
It’s high energy through and through, as the next song, ‘Idea’, felt like the missing piece of the jigsaw puzzle for those of us not so used to this kind of music, well and truly captivating the Manc crowd.
Closing what was merely his opening segment with this song was definitely a good ‘Idea’… (sorry).
Its title may draw from a comedic viral term used to describe someone with great flirting skills, a.k.a. ‘rizz’, but ‘The Rizzness’ is no laughing matter.
Fans caught on quickly, and as soon as the first note was pumped out into the arena, the atmosphere reached whole new heights and those familiar screams at an other-worldly pitch returned.
I never thought I’d see the day where AO Arena screamed, “You know I got the rizz, the rizzness”, but there’s a first time for everything, I guess.
Taemin and his dancers were electric at AO Arena.Credit: The Manc Group
Being from Korea, 31-year-old Taemin tried his best to communicate with the crowd throughout the night, taking breaks after back-to-back performances to gauge the audience’s reactions.
The South Korean superstar didn’t take long to warm up to the crowd and showed off his cheeky side, telling the arena, “Only 4 more songs” before finishing the sentence with “I lied”.
‘Criminal’ had me and the rest of Manchester weak in the knees; the choreography was flawless throughout, but this was a true highlight. Ending with ‘Say Less’, Taemin knew exactly what he was doing, putting a song that catchy right at the end, as this was all that replayed in my head on the train home.
Put it this way, we may still be relative newbies to the world of Korean pop music, but with another big name heading to Manchester, we’re definitely keen to find out more.