The man behind the murals: We spent the day with Akse P19
A Smiths fan, a doctor, a chemist, a vinyl collector, a Breaking Bad enthusiast, a family man, and a humble intellectual. We spend a day with Akse P19 and discover what shaped one of the greatest modern artists in Manchester.
“The Jack Nicholson one is just back there,” our driver tells us, jerking a thumb behind his shoulder.
The sphinxlike Manchester street artist, Akse P19, is whizzing us through a rain-whipped Northern Quarter in his car; spray cans rattling at our feet whilst his iconic mask rests on the backseat alongside me.
He’s generously offered to transport us through the monsoon-like weather to see his latest painting, answering questions about his urban graffiti whenever a mural flashes into view beyond the blurry windows.
It’s only a five-minute journey, but we still manage to pass three of his paintings en route; proof that Akse is ubiquitous in Manchester. He has spent decades colouring the city’s red brick walls with dazzling, lifelike murals of musicians, athletes, poets, actors, fictional characters and Mancunian heroes. It’s the kind of art that strikes a chord and makes your chest puff with civic pride.
His decades’ of work – coupled with the explosion of Instagram, Facebook and Twitter – has seen Akse earned rightful recognition as one of the most important creative figures in the region.
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However, until now, his backstory has remained something of a mystery. This is the man behind the mask.
“Paint gets on everything…”
With such a hybrid background, Akse could have settled almost anywhere in the world. So, we should be grateful he chose Manchester as his canvas.
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Despite his Vietnamese heritage, a syrupy French accent and a Basque-speaking family, Akse has built a connection with Mancunia that runs deep – as his murals help to shape the atmosphere of the city.
The artist arrives at Teacup Kitchen for our interview in his familiar specs and paint-splashed trousers… but also a jet-black hoodie sporting a giant gold bee.
“I thought, for The Manc, this would be a great choice,” he chuckles.
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The only thing that’s missing is his mask; which he eagerly straps to his face before our photographer starts snapping away later in the day.
Akse is eager to keep his personality separate from his work. Preserving his image – cap, glasses and mask – is important to him. He wants the images to speak for themselves and retain the enigmatic aura that has helped him gain so much attention in the first instance.
As we talk, Akse catches me eyeing the crispy outer shell that’s wrapped around his phone.
“Masking tape,” he clarifies.
“To protect it from the paint. You see, here…”
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He flips the device over and runs his index finger over an invasive purple smear on the casing.
“Paint gets on everything.”
Mess is par for the course in this occupation. But it’s only when we quiz Akse on his working hours that some of the additional challenges of artwork become clear.
“There’s no 9-5. You can’t really have a routine in this job,” he explains, a thin smirk spreading across his lips.
“Sometimes, I’m able to go to the shop and get things to eat, but often there are no breaks.
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“I should bring my own lunch, really. But I’m just not organised enough to do that.
“You can’t always choose your hours, either. If I’m doing a personal mural and it starts pissing down, I can just go home and come back again another time. One day doesn’t really make a difference.
“But if it’s commissioned, I have to finish it by a certain date. You have a deadline.
“With the Harry Maguire one, for example, it rained all day and I was completely soaked through. When it gets wet, the spray paint dries out quickly, too. So working in the bad weather can be very difficult.
“But it is worth it. This is me.”
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“30 years later, Akse is what I’m known as…“
Akse’s amazing artwork invites all kinds of questions. But there’s one burning query we have to resolve before going any further into the aesthetics.
Where did that name come from?
“Golden Axe,” the artist explains, taking a long sip of his latte.
“It was a video game in the eighties.
“At the time, my English was not very good, but I liked the way it sounded. I just switched the ‘x’ for the ‘ks’.
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“I never thought people would actually call me by that name. It was just for flow and style of the tag at the time.
“But now, 30 years later, this is what I’m known as.”
But what about the P19 bit?
“That’s the crew I am part of,” he explains.
“A graffiti artist called PEST formed it back in the Paris suburbs – which is where I grew up.
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“There are about ten to fifteen members of the collective. Most of them still work in Paris today.
“In the late eighties/early nineties I got into hip-hop – which introduced me to the graffiti scene in France.
“I moved to the UK in 1997 to study chemistry – which actually comes in useful, working with paints! I went to MMU and did an MSc and PhD before I found a job in science. I worked for 15 years as a project manager after that – but I kept painting all that time.
“When I arrived in Manchester, I was on my own and didn’t know much about the graffiti scene.
“But soon I got involved with Eurocultured, a festival organised by Spearfish taking place by Oxford Road Station that invited artists from all around Europe.
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“That’s how I ended up doing more street art.”
It was back in 2012 that Akse met the curators of The Out House – an organisation that provides space for artists around the Northern Quarter.
This encounter, combined with the rise of social media, saw the Akse name spread further and wider than he ever could have hoped for…
“As a chemist, I really enjoy Breaking Bad, so doing Heisenberg was quite special.”
The Out House is an organisation that guarantees there’s always a space for artists to flex their creative muscles.
“You don’t choose who will be painting with you,” Akse’s explains.
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“The scene isn’t that big, so you know all the other artists, more or less. You meet many of them at events. If they are local, you’re likely to work with them at some point.”
Akse also does his own personal artwork in the city, obtaining permission from the owner of the building, the landlord and/or property management companies before he shakes up his spray can.
He specialises in photorealistic portraiture, but out of the hundreds of pieces he’s composed over the years, is there one he’s particularly proud of?
“The Heisenberg piece was really popular. As a chemist, I really enjoy Breaking Bad, so doing that one was quite special for me.
We ask if there are any murals he’d like to make in the future, and Akse doesn’t have to think long about his answer.
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“I have a list of a few subjects I’ve been wanting to paint for a long time,” he confirms.
“One of them was Marvin Gaye – which I have just finished.
“I did it as commission for Soul Coffee which is opening in Ancoats.”
He asks us if we’d like to see it.
A few minutes following a resounding ‘yes’, we find ourselves climbing out of Akse’s car and stepping into a cafe under construction.
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On the left wall is an incredible monochrome painting of Marvin Gaye – wearing his trademark hat and gazing up at the ceiling.
“This is a great place to be a part of”
Before posing beside the sketched singer, Aske retrieves a huge stack of Marvin Gaye vinyls from his car and starts flicking through them, thinking carefully about which one he should choose.
He picks one, raises it slowly, puts it back, plucks another record from the pile, and then returns to his original choice.
“This one, I think, will be better,” he mutters.
He wants the picture to be perfect. Like Walter White, Akse doesn’t do half-measures.
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Since touching down in Manchester many years ago, Akse moved around the outskirts of the city whilst finding his feet, juggling his painting with a career in project management.
Today, he’s settled with a young family and pursuing his artwork full-time.
“Manchester is a good size, it’s convenient to get around. I’m a fan of the music scene here. I always used to like The Smiths – and that was before I even came here!
“The city has everything I need, really. Except the weather.
“The last twenty years it has kind of boomed, bringing in a lot of new businesses and creatives.
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“There’s a lot here now. It’s a great place to be a part of.”
Gig review | Lionel Richie leaves Manchester dancing on the ceiling after Co-op Live debut
Thomas Melia
American multi-hyphenate Lionel Richie paid Manchester a visit last night and gave the 23,500 fans in the crowd all of his ‘Endless Love’.
Richie needs no explanation, being a household name, this artist had the crowd in the palm of his hands as soon as he stepped foot onto the stage, just like he has been doing since he burst onto the music scene over 50 years ago.
When you’re about to watch a legend strut his stuff in various tailcoats ‘All Night Long (All Night)’, you know you’re in for a mini workout.
We tried out Co-op Live’s Backstage Club before the show to fuel up with a pizza and grab a drink to ensure that we could dance ‘All Night Long (All Night) as much as the main man himself.
‘Breezy like a Sunday Morning’.Soaking up the fun at Co-op Live’s Backstage Club.You really do get the VIP treatment.Credit: Audio North
As well as boasting an intimate area with music history covering all four walls, this location had a photobooth, pool table, its own merchandise vendor and a live band.
For tonight’s show, it was only right that the band soundtracking Co-op Live’s Backstage Club were aptly named The Pennies and the signature drinks were equally fitting, ‘Say You, Say G&T’ and a cocktail offering labelled, ‘Breezy like a Sunday Morning’.
Glasgow solo star Brooke Combe – a favourite of ours from past Neighbourhood Festivals – gave the crowd our first taste of music for the night, playing highlights of her debut album ‘Dancing at the Edge of the World’, which only dropped back in January.
Her songs ooze soul, from the infectious ‘Shaken by the Wind’ to the instantly catchy ‘The Last Time’ and fan favourite, ‘Are You With Me?’. Combe’s stage presence was nothing short of contagious.
It’s no surprise, really, considering she’s already practised and perfected her craft at Glastonbury back in 2022 among countless other massive slots. Make sure you catch her the next time she’s in Manchester.
The legendary performer knew he had to kick things off in true Lionel Richie style, it’s only obligatory that he opened the show with his greeting-titled hit ‘Hello’.
Lionel welcoming fans with ‘Hello’ and being greeted with equally impressive roars from the crowd.Richie slowing it down for a moment, performing Commodores classic, ‘Easy’.Credit: The Manc Group
As the chorus approached, the American superstar hailed “Hello” and the audience immediately exclaimed in synch, “Is it me you’re looking for?”.
Social media might’ve been non-existent when the performer first reached our ears, but this didn’t stop Lionel Richie from inadvertently turning last night into a mini ‘Throwback Thursday’ playing his 1977 Commodores swooner ‘Easy’.
If you had told me that Lionel Richie would directly address me and my brother mid-performance, I would’ve laughed in your face, but last night the star adopted the both of us. Life complete.
The American singer came up the catwalk, soaking up all the cheers and love from the Co-op Live crowd, and then pointed directly at me and my brother and gave us a little shoutout.
Before playing the anthem that is ‘We are the World’, Mr. Richie expressed, “Alright, I’ll just tell ‘em” before admitting to the whole arena, “These are my cousins right here”.
I guess when we sang “Hello, is it me you’re looking for?” earlier in the show, it really was me (and my brother) he was looking for.
Getting called 'cousins' by @LionelRichie was not on our 2025 bingo card, but it has made our entire year. 😭💀
Just like his opening track, the final slot also has its fixed placement in Richie’s setlist; of course, that song is none other than the essential party number, ‘All Night Long (All Night)’.
Richie recites the line, “We’re going to party, Karamu, fiesta, forever”, and the crowd understood the assignment as by the time he sang, “Come on and sing along / All night long”, everyone was up.
This tune is nothing less than cathartic, and for the five minutes it played, everyone was side-stepping, swaying, singing, dancing, not a single inhibition in sight.
Lionel Richie might know his way around writing smash hits and commanding a crowd, but it’s the audience’s joy for the music that made this concert such a special night.
Did we tell you? Lionel Richie called us his cousins.Richie amidst a flurry of flashlights from the Manc crowd.Credit: The Manc
Five Manchester artists we’ve been listening to this month | May 2025
Danny Jones
Oh, hey, didn’t see you there. Come looking for more top Manc tunage, have we? You’re in luck, because Greater Manchester just keeps pumping out top bands and artists all the time, hence why we do this.
If you’re new around these parts, first of all, welcome and secondly, the whole thing is very simple: every month, we round up some of the best talents coming out of 0161 and talk about why we like them. I know, groundbreaking stuff, right?
They don’t have to be born and bred in Manchester, but they do need to have made this their music home – the first the correct career decision they made, the second being working their way into our ears.
So, now all the housekeeping is done and dusted, let’s dive into some delightful new Manchester music, shall we?
Five Manc bands and artists we’ve been listening to recently
1. IST IST
This month we’re starting off with one of those Manchester bands that may not be new but still crop up for us at regular intervals to remind us of two things: first of all, that they’re brilliant and secondly, that they should have featured on our regular round-up of artists a long time ago.
We’re talking about IST IST, who returned with another live, multiple LP-spanning compilation (plus some extras) this past March, which we’ve had on plenty over the past month. It goes without saying that they sound brilliant live, and we feel bad for only just remembering how good and prolific they’ve been.
You always get plenty of New Order, but also White Lies and Editors; Future Islands, The National and lots of other baritone-driven bands that bring that element of melodrama to layer over the instruments themselves. ‘You’re Mine’ might be their biggest track, but ‘The Kiss’ and ‘Exist’ are also favourites.
2. Robbie Cavanagh
Now, we all know that country music is having a real moment right now and we, for one, couldn’t be happier about it, to be completely frank. Though arguably simplistic at times, it’s soulful, often impressively pared-back, and when something does impress you lyrically or technically, it sticks.
With that in mind, we recently realised that award-winning songwriter Robbie Cavanagh has been on somewhat of a comeback since 2023, and we hadn’t noticed until painfully recently. Returning after a six-year hiatus – bar some little ditties during lockdown – his latest project has some of his best work yet.
Fully tilting from folk into country and folk, the stunning vocalist belatedly blew us away with the bluesy single ‘Helpless’ and a gorgeous new collaboration with solo artist, Abby Gundersen (equally talented sister of Noah), but please still start with his 2016 Mahogany Session, where it arguably all began.
Named after Manchester city centre’s famously eclectic indie emporium, Afflecks Palace have never quite blown up in the way they way we thought they would when we first came across them years ago, but there’s still plenty of time and we’ll be damn it if they don’t deserve more regular listeners.
You’ll also be glad to know that, despite the name, they aren’t one of those trite, overly performative bands who wear a stereotypical Manc-ness on their sleeve that we sometimes come across; they’re just good and deserve a lot more recognition for their contribution to the neo-pysch genre.
As for where to start, we’ll admit we prefer their first album; ‘Forever Young’ is noodley and catchy, ‘Everything Is an Attempt to Be Human’ has those shoegazey guitars, but it just doesn’t get better than the incomparable ‘Pink Skies’, which still makes us feel some type of way – we just can’t quite describe.
We just love it. ‘Nu-Madchester’, or whatever you want to call it, its distinct sunniness never fails to tickle a part of our brains.
4. Findlay
Next up is Stockport singer-songwriter Findlay, who released more new music this past February, and has been making indie pop that ropes in plenty of other influences for more than a decade now.
That being said, she’s always experimenting with her sound, as her collabs with Blossoms, Miles Kane, Bill Ryder-Jones, Joris Delacroix have shown, and this latest iteration seems to have her tapping into everything from almost 50s and 60s female soul singers to slow electronic and more.
We love the smooth sexiness and sheer ambition of her latest single, ‘Stay Kinky’ and ‘Waste My Time’ always feels like a late-night chiller fit for music video set in a dingey bar, however, we still have a soft spot for her debut, ‘Your Sister’, with the riff that’s almost reminiscent of ‘Blockbuster’ by Sweet.
Last but not least, it’s the second time we’re featuring a returning artist and it comes in the form of young Alex Spencer, whose journey from busking around the streets of Greater Manchester to sold-out headlines shows and featuring on the likes EA Sports FC 25 (yes, FIFA) is a truly remarkable one.
The charming and still fresh-faced local lad from Droylsden is nothing short of proof that hard work and determination can pay off, and those ‘Bucket List’ dreams really are within reach. Obvious talent aside, this teenager has grafted his arse off and we couldn’t be more proudof how far he’s come already.
He last featured in this round-up back in April 2024 but even in the time between then, he’s released plenty and developed even further as musician, so much so that we’re not going to suggest which songs to try; instead, you can watch our most recent interview with him and relive his last year or so with us.
I’m Alex Spencer and This is my journey so far!
8 years of my music journey summed up in 1 minute 55😅 Thankyou to everyone who’s followed my journey so far, to anyone new or to anyone who doesn’t know my story, I made this video to show where it all started and how I got here❤️ pic.twitter.com/Hi3W7MHMxX
So, the next time you hear someone foolishly complaining that the Greater Manchester music scene ‘isn’t what it once was’, you can go right ahead of show them these bands and artists.
In fact, you could just point them in the direction of this very page and Audio North, in general, as we do this round-up every month and plenty more every week, meaning you’re headphones never dry up.
For instance, you can check out which Manchester bands and artists we were listening to back in April, both new, current and old, down below. We’ll see you again very soon.
Gareth Lloyd -
8th December 2019 
