Whilst Manchester has many musical claims to fame, when we think about the city’s fabled songwriting history we rarely reflect on how its gangsters served as an inspiration.
But according to local lore, a group of particularly well-heeled crime bosses kicking about from the 60s to the 80s had quite the impact on rock band Thin Lizzy, most particularly on its singer, songwriter and bassist Philip Parris Lynott.
As a kid Lynott lived in Ireland with his grandparents, but spent his summers visiting his mum Philomena in Manchester. It was here that he would end up writing a songs about the people he came across at her after-hours club Showbiz, aka the Clifton Grange Hotel in Whalley Range.
Said to have rarely opened before 2am, Showbiz, or ‘The Biz’, was a popular haunt of famous faces including Man United player George Best, singer Helen Shapiro and TV presenters Michael Parkinson and Bob Greaves.
Still, faced with all this material, it was the members of Manchester’s notorious Quality Street Gang that inspired Lynott to write the Thin Lizzy anthem The Boys Are Back In Town.
At the time, Thin Lizzy were in debt and at risk of being dropped by their label, Phonogram, if they didn’t pull through with a big hit on Jailbreak. Before long, they would end up breaking America with a song inspired by a group of spruce Mancunian mobsters
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Friday night they’ll be dressed to kill Down at Dino’s Bar’n’Grill The drink will flow and blood will spill And if the boys wanna fight, you better let ’em
– The boys are back in town, Thin Lizzy
One summer at his mother’s club, watching the well-dressed mob reappear following a trip to Italy, Lynott reportedly uttered the famous words as they made their entrance, and an anthem was born.
But who were the Quality Street Gang?
A close-knit group of ex-fighters and safe blowers, fraudsters and car dealers, scrap merchants, conmen and armed robbers, they were, by all accounts, part of the furniture of Manchester’s clubland.
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Most of the men came from Ancoats and whilst it’s not clear that all of them were involved in crime, many were known for having brutal fights.
They also had money to burn and lived the high life, buying suits from the finest tailors and frequenting trendy venues like The Cabaret Club and Deno’s.
Deno’s, referenced in the lyric ‘down at Dino’s Bar and Grill’, was notorious for its strict dress code, with its namesake Mr Denos Kitromilides famously banning Mick Jagger from the club for being too scruffy.
Evidently a penchant for the dapper side of life in clubland was key, and in time it earned the Quality Street group their brilliant nickname.
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So the story goes, it was inspired by a popular TV advert that showed a group of suited and booted bank robbers pulling off a heist in fedoras, a box of chocolates in hand.
Jimmy the Weed for greed was taken aback Johnny the Fox you old sly cat Cleverly the Fox concealed his stash Crisp dollar bills leave no tracks
– Johnny the fox meets immy the weed, Thin Lizzy
There are numerous reports of people calling out “It’s the Quality Street Gang” as they walked into various bars and nightclubs. The name simply stuck.
One member, Jimmy ‘The Weed’ Donnelly, was a fierce fighter and had a reputation for ruthlessly beating up doormen, hard men and boxers, in spite of his diminutive 5 foot 4 stature.
Jimmy ‘The Weed’ Donnelly holding the gold disc he was presented in 1977 for the Thin Lizzy album Johnny The Fox / Image: Quality Street Gang Manchester Facebook
Jimmy ‘The Weed’ Donnelly at Eric Mason. / Image: Quality Street Gang Manchester Facebook
So named because he had a habit of growing on you, his name also features on Thin Lizzy’s next album Johnny The Fox, appearing on its ninth track Johnny The Fox meets Jimmy The Weed.
How a cult classic game helped create the sound of Blossoms’ new album
Danny Jones
More specifically, their soundtracks, as in a recent chat with the Blossoms boys, we found out that their upcoming album was at least partly influenced by a beloved PlayStation 2 classic from 2006.
This is just more proof that you really can find inspiration in just about anything.
Yes, even if only in part, an old video game that many of you may have played back in the day is somehow connected to the latest and technically still yet to be announced release.
We’ve heard of groups such as The 1975 trying to make an album that sounds “as if John Hughes had directed a movie about our lives”, and Red Rum Club leaning further into the growing Western aesthetic with almost every outing, but we never thought we’d hear of a record born out of a love for Bully…
The lads actually touched on that whole ‘still TBC’ when we spoke to them at their studio in Stockport, joking not just about divorce but how they’re baffled by the whole ‘are they working on new music?’ speculation in the media. “Well, yeah, we’re a band – that’s what we do for a living”, as they put it.
But back to the point at hand: lead guitarist Dewhurt’s affection for Bully, a cult favourite PS2 title released by Rockstar Games – the same people behind Grand Theft Auto (GTA) and Red Dead Redemption – and the score behind it, essentially served as a seed for the feel of their newest work.
As he explained above, before being expanded on by frontman and primary lyricist Tom Odgen, they were fortunate enough to be in possession of the details for one half of a duo they both admire: Young Gun Silver Fox, a.k.a. British artist Andy Platts and US multi-talented instrumentalist, Shawn Lee.
Lee also just so happens to be the composer of the original Bully video game soundtrack.
Ultimately, this all came about because Josh contacted him over email simply to praise the game’s music (sure, when he was a teenager, we promise), and only took them until the last year or so to put two and two together. Small world, eh?
Oh, the nostalgia.
It has since occurred to us that we’ve come across him before, too.
For us, it was when playing the first Tales From The Borderlands (a spin-off of the popular action role-playing looter-shooter series that has since been turned into a Hollywood movie), which features his song ‘Kiss The Sky’ and ALSO enjoyed in our late teens.
It still continues to baffle us how things can come full circle like this.
As it turns out, his music appears in various pieces of pop culture, and with Tom professing his love for the funky, bass-forward 80s vibes of Lee and his partner Platts’ stuff, he was then roped in as part of the production team on the hypotheticalBlossoms LP number six. Not that we know anything about that…
What has now come out of all this is the previously alluded to lead single entitled ‘Joke About Divorce’, the music video for which dropped last month.
‘Joke About Divorce’ our new single is out now! We love this record, we recorded it live to tape at Tilehouse Studios with Shawn Lee producing. The second we got the mix back it felt like an instant Blossoms classic (if we do say so ourselves)!
We’re still not sure whether or not this is just the first finished song from the project, the opener or indeed even a title track; all we know is it’s another catchy creation from the Stopfordians.
But yeah, in a roundabout way, somehow that ‘problematic’ game that our parents and teachers complained about when we were kids, either by sheer chance, serendipity or perhaps the divine will of the audio gods, appears to have served as a kind of sonic sapling for a fresh era of the local outfit.
Sadly, we have very little else to offer you in terms of information regarding the ‘as yet confirmed’ next studio release from the Blossoms, but we can tell you we’re very much looking forward to hearing what comes next – especially live.
In case you missed it, they’re headlining this year’s edition of NBHD Weekender music festival at the end of the month; you can see the rest of the lineup down below.
Featured Images — Rockstar Games/Audio North/Press shot (via Go! Entertainment)
Feature
Inside Tyga, as a Manchester favourite changes its stripes for a new era
Danny Jones
We recently had the pleasure of visiting Tyga, Manchester city centre’s latest Indian restaurant, which has taken the place of former local favourite, Asha’s.
The Peter Street spot had always been a great place for a curry and progressive takes on the nation’s staples, often pulling inspiration from the Rajasthan region, but now the unit is the start of a new chapter.
In truth, the food was always pretty damn good here – often truly great, even – as we found out the last time we reviewed it; however, it’s clear that there’s been a greater honing of the concept.
Put simply, Tyga is trying to elevate what the team already did so well, whilst adding an extra layer of fine-dining refinement.
@the.manc Peter Streets Indian spot Tyga, has had a serious glow-up, bringing a more refined, fine-dining take on Indian cuisine while keeping all the bold flavours at the heart of it. The 24-hour slow-simmered lamb shank is an absolute must, as is the butter chicken which just melts in your mouth. 😍 It’s not just about the food here though, with an extensive cocktail list that brings theatre to the table, they’re the perfect accompaniment to your table full of scran. It’s the perfect spot for date night, celebrations, or when you just want to seriously impress someone over dinner. 🍸 Get it booked. 📍 47 Peter Street, M2 3NG #themanc#tygamanchester#manchesterfoodie#manchestercurry#wheretoeatinmanchester♬ original sound – The Manc
You hear sentences like a ‘contemporary twist on cuisine’ and ‘modern approaches to classics’ recycled quite a lot, and we get it: it can be a great way to get across that you’re trying to push culinary tradition(s) forward, but it often feels a bit of a throwaway term that’s used far too much.
That being said, while there’s definitely a feeling of familiarity to this recently refreshed foodie lineup, this is one of the times and places where it actually seems like that phrase means something.
While the building and stunning venue itself might have stayed largely the same, bar some knick-knacks being swapped for a few different tiger-based decorations, the authentic clay-pot lamb, ‘Tyga’ prawns, salmon tikka, and Vepudu spiced stir fry show some real innovation.
A lot of these might be rooted in a kind of food we know very well here in Britain, but these latest iterations in recipes and experimentation with their components result in some very cool creations.
The ember wings were smoky and moorish in a way that we’ve not had in a restaurant like this before, and the lamb chops alone were worth ordering by the wheelbarrow full.
Small plates have also been thrown into the mix more seamlessly this time around, too, as have some of the Indo-Chinese options that feel less like a footnote now and, instead, like a continuation of the tweaking and trying out new things seen throughout the rest of the offerings.
Even the vegetarian/vegan section of the menu has been lifted in certain aspects, too, with previously popular dishes being brought back better and more beautifully presented than ever.
Before we forget, a special shout-out goes to those beetroot dill patties.
Speaking of presentation, although they might have simplified some stuff (such as the okra fries that simply need to be dumped on the table and be devoured in seconds by gannets like us), as mentioned, plenty of other bits have been levelled up.
It comes as no surprise, therefore, that they’ve just been voted alongside some fellow standout spots by the Asian Catering Federation.
They’ve never shied away from a bit of pageantry, and nothing has changed in that respect.
Everything from the plating to even giving you a rotating water jug that revolves on a single point and never spills has a bit of flair, without being too much or straying into gimmicky territory.
Most importantly of all, whether you want a classy room for your next date night, somewhere intimate the next time you go out for tea with your partner, or still fancy a more banquet-style feast for you and your mates in the form of the updated ‘Maharaja’s Grand Platter’, Tyga can turn its paw to any occasion.
Georgina Pellant -
17th August 2022 
