153 years ago this week, central Manchester’s high-security prison opened its doors for the first time.
HM Prison Manchester – which is commonly referred to as Strangeways by all that know it, which was its former official name derived from the area it’s located, until it was rebuilt following the major riots in 1990 – was declared open on 25 June 1868.
Built to replace the New Bailey Prison in Salford which closed in 1868, Strangeways was famously designed by architect Alfred Waterhouse.
With construction said to cost in the region of £170,000, the eye-catching Grade II listed building has the capacity to hold 1,000 inmates and is instantly recognisable to Mancunians primarily thanks to its 234 feet (71 m) ventilation tower – which is often mistaken for a watchtower, and has become a local landmark.
The prison’s walls are rumoured to be 16 feet thick, and are said to be impenetrable from both the inside and the out.
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Because of this, Strangeways has been home to some pretty notorious inmates over the years.
From some of the UK’s most-prolific serial killers, to television personalities, Premier League footballers and more, here’s a handful of famous faces who’ve spent time behind bars at Strangeways during its 153 year history.
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Harold Shipman
Harold Shipman was held at Strangeways in 1998 / Credit: Biography
Harold Shipman remains to this day one of Britain’s most prolific serial killers.
Serving as a GP at a medical centre in Hyde, Shipman often targeted the elderly by injecting them with lethal doses of diamorphine, resulting in a victim number thought to be between 215 and 260 people over a 23 year killing spree – which is one of the worst ever documented.
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Shipman was eventually arrested on 7 September 1998, and was held in Strangeways.
His trial took place at Preston Crown Court in 1999, where it took four months to find him guilty of just 15 cases of murder, and he was sentenced to 15 life sentences.
Ian Brady
Ian Brady served a three month stint at Strangeways prior to the Moors Murders / Credit: Biography
Ian Brady is most-known as one half of Britain’s infamous killing pair, The Moors Murderers.
Many will know that Brady and Myra Hindley devastatingly murdered five innocent children between 12 July 1963 and 6 October 1965 and buried their bodies in the vast landscape of the Saddleworth Moors, which eventually led to Brady being found guilty of three murders and sentenced to life imprisonment.
Prior to all of this though, within a year of moving to Manchester, Brady was caught with a sack full of lead seals that he had stolen and was trying to smuggle out of the market.
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He was subsequently sent to Strangeways for three months.
Joey Barton
Joey Barton served 74 days of a six month sentence / Credit: Wikimedia Commons
Former Manchester City midfielder Joey Barton’s prolific football career and life have been marked by numerous controversial incidents and disciplinary problems over the years, as well as two convictions for violent crimes.
On 20 May 2008, Barton was sentenced to six months’ imprisonment after pleading guilty for common assault and affray during an incident in Liverpool city centre.
Barton served 74 days of this prison term at Strangeways, being released on 28 July 2008.
Ian Brown
Stone Roses frontman Ian Brown was sentenced to four months imprisonment in 1998 / Credit: YouTube
One of the more well-known names to serve a stint behind bars at Strangeways is Stone Roses’ frontman, Ian Brown.
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Brown was charged for threatening behaviour towards a British Airways flight attendant and captain, and was sentenced to four months in the summer of 1998.
He served only two months of his sentence at Strangeways, and admitted that while locked up, he wrote three songs – including ‘Free My Way’.
David Dickinson
Credit: ITV
Another one of the more surprising Strangeways residents comes in the form of Cheadle Heath-born antiques expert and television personality, David Dickinson – who you’ll probably recognise as the host of Bargain Hunt and Dickinson’s Real Deal.
Believe it or not, at the tender age of just 19 years old, Dickinson served three years of a four-year prison sentence for mail-order fraud, with the majority of that sentence being spent at Strangeways.
Dickinson has since described this time as “horrendous”, and that he’s learned to “take it on the chin and accept it was his own fault”.
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Dale Cregan
Dale Cregan is one of Manchester’s most notorious killers / Credit: Greater Manchester Police
Undeniably one of Manchester’s most notorious killers of this century is one-eyed murderer Dale Cregan.
He began his life of crime from an early age dealing drugs, but then notably turned to gun crime by first shooting Mark Short in the Cotton Tree Pub in Droylsden and attempting to kill three other men, before violently murdering Short’s father a few months later.
He then made national headlines when he tricked two female police officers to a property in Mottram in Longendale by reporting a burglary, before ambushing them with gunfire and a grenade which murdered them both.
Greater Manchester’s chief constable Peter Fahy called the attack “cold-blooded murder”, and then Prime minister David Cameron said it was a “despicable act of pure evil”.
Cregan handed himself in and was sentenced to life imprisonment, with a whole life order on June 13 2013.
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Emily Davison
Suffragette Emily Davison was detained at Strangeways twice / Credit: Wikimedia Commons
Suffragette Emily Davison was detained at Strangeways twice as a result of her efforts for the women’s rights movements during the early twentieth century.
Her first stint was for disrupting a meeting with Chancellor David Lloyd George and throwing rocks at the windows, and during this imprisonment, she famously went on a significant hunger strike, which resulted in her losing 21 pounds.
She was released just five and a half days later.
Her second Strangeways stint came just two months after, again for throwing stones, and lasted two and a half days.
Paul Taylor
Paul Taylor was the ringleader of the infamous 1990 Strangeways Prison riots / Credit: Merseyside Police
Unlike the other people on this list, it was Paul Taylor’s actions during his time inside Strangeways rather than prior that have ensured his name is written in the prison’s history books.
It all started when a visiting Church of England preacher had just delivered the sermon, and the prison chaplain stood to thank him before Taylor took the microphone and addressed the congregation.
Over the course of 25-days, the riots – which are still the longest in British prison riot history, with one prisoner killed, and 147 prison officers and 47 prisoners injured – spread throughout much of the prison, and Taylor famously ended up on the roof.
Much of the prison was damaged or destroyed, with the cost of repairs coming to £55 million.
Featured Image – Wikimedia Commons / Biography
Feature
Five Greater Manchester-based music artists you should listen to | April 2026
Danny Jones
Ay up, you lot – we’re back with another box office batch of music from in and around Greater Manchester for you to get your teeth stuck into.
We’d like to think you know the deal by now, but if not, here’s a quick rundown for you…
Every month, we look back on the local bands and artists, either hailing from or now based in the area, that are spending regular time in our rotation.
It doesn’t matter if they’re still just young prospects or they’ve been at it for decades: if it’s good and it’s been in our ears, it goes on the list. Ready? Let’s go, then.
Five Manc bands and artists we’ve been listening to recently
1. Harry Lyon
First up is April’s cover star: the wonderfully talented Harry Lyon, who is another born and bred and now quietly plying his trade here in Greater Manchester and already showcasing a great level of versatility early in his career.
He moved to the city from Sheffield not too long ago, and his creative output has only ramped up since he got here. Toying with everything from alt-pop/indie to straight singer-songwriter stuff that wouldn’t sound out of place on the radio, his often R’n’B-esque vocals mean he can turn to multiple styles.
We actually lucky enough to bump into him in person earlier this month over in Stretford, and you’ll be glad to hear he’s also as sound a person as we hoped he’d be; he even teased a new single on the way, but for now, we’ll recommend ‘Violet’, ‘Backwards’ and the piano version of ‘While We’re Still Young’.
In fact, he does acoustic versions for most of his songs, and a fair few of them genuinely rival the originals in their own way.
From an up-and-comer to some Manc veterans that often get overlooked in the shadow of their even longer-standing and more well-known predecessors, but we’re going to go out on a limb and say something controversial here… We think we might prefer Black Grape to Happy Mondays.
Before you bite our heads off, let us explain: while the Mondays are obviously way more iconic and had a huge influence on the overall Madchester scene, we would argue that their progenic spin-off are almost a more honed evolution of at least some of what the Ryders and co. first created a buzz around.
Not only do the likes of ‘Kelly’s Heroes’, ‘Nine Lives’, ‘String Theory’ and more have so much more guitar in them (which will always score extra points for me), but more importantly, there is so much more successful experimentation with different instruments, cultural sounds and blends of energy.
It can be hard to know where to start, but those three examples aren’t bad options, and ‘In The Name of The Father’ is also such a vibe – we’re hoping we see it on the setlist for Outwards Fest next month.
BLACK GRAPE play Outwards Festival on Saturday 2nd May 😎
For fans of Sports Team, Spangled, Deadletter, and pretty much any current post-punk pioneers, these former students who originally hail from Cambridgeshire but have come up in and around the local rock scene have been making a splash for a little while, and now it feels like things are hitting a fever pitch.
Sometimes the idiosyncratic lyrics put you in mind of rising Oldham star, Seb Lowe; there’s even one intro that could be the start of a more upbeat and melody-forward King Krule, and you even get notes of Slaves/Soft Play at times. Whatever you hear, personally, you won’t find a bad song – we haven’t yet.
As the lyrics on ‘Are You The Best Yet?’ state, some of this stuff literally makes our knees go weak. We can’t remember the last time a band came around that has you eagerly awaiting the inevitable guitar break, let alone when you fully lock into one and pull a face (we’ve all got our own).
They’re so, SO good, and they help prolong some songs that, while brilliant, could feel more like fast-paced flashes in the pan without them. It all amounts to something extra and ups an already healthy dose of swagger: that’s definitely what you get on the recent ‘Cambridge Is On Fire’ and most of their tracks.
In at number four is another one to watch within the genre. Some industry figures have equated them to the likes of the Amyl and the Sniffers, Lambrini Girls, Viagra Boys, and so on, but we think there’s a much cooler sense of darkness going on with their approach – however familiar the repetitive guitar playing and aggressive, shouty vocals may be.
Luckily, their discography – not unlike that of their aforementioned punky peers – isn’t that extensive just yet, so you can easily work your way through all their releases soon enough, and they’ve also got a big gig at White Hotel coming up just after they drop their debut LP, Hodge Podge. Watch this space…
Our present picks would be ‘American Boy II’, ‘Marina’ for the foreboding sense of build and that central riff alone, and you simply have to listen to their latest single, ‘Creeping Offences’, which, understandably, is the best track in terms of production they’ve dropped yet.
We want to see them live before passing any decisive judgement, but we like what we’re seeing so far.
5. A Certain Ratio
Now, we’ve touched on electronic-influenced alternative group in Black Grape, but what about another truly influential act from within that fluid space? Probably one of your bands/favourite DJ’s favourite artists, whether you know it or not, A Certain Ratio were tastemakers long before even they knew.
If the previous two are post-punk, then these lot are the funkier forerunners, known for their trademark muted strumming patterns, heavily distorted, codified and multi-layered mixes, ACR have been going nearly half a century now, and they were doing all this stuff long before virtually anyone else.
You’ll inevitably fall down a bit of a rabbit hole listening to their stuff, but ‘All Comes Down To This’ is a good starting point, and ‘1982’ has always made us think of what a Doctor Who-themed rave might sound like.
Oh, and purely because it still sticks with us as an eye-opening first listen, it really doesn’t get much better than this one:
And once again, that’s all she wrote.
We hope you dive into at least some of these names over the long bank holiday weekend, as three uninterrupted days of listening couldn’t have timed any better.
A masterclass in The Art of Loving: Olivia Dean brings two unforgettable nights to Co-op Live
Emily Johnson
Olivia Dean took over Co-op Live for not one, but two nights this weekend – and what she delivered felt like a full-circle celebration of The Art of Loving, her incredible sophomore album.
From the moment Olivia’s silhouette appeared behind the curtain on night two, opening with the album’s title track, it was clear this evening was going to be special.
With a sea of polka dots on arrival, it’s evident that the 27-year-old already has great influence when it comes to style with her fans, and you could spot anyone who was attending Olivia Dean around Manchester city centre immediately.
Despite performing to a crowd of over 20,000 people, the performance felt incredibly intimate, with interactions with the crowd through the evening, even pointing out a fan’s banner saying they had been a fan of Olivia since 2019, which she was humbly taken aback by.
Her voice carried effortlessly around the arena, somehow still managing to feel soft and personal, like she was singing directly to you.
No Dean show would be complete without her incredible outfits either, and last night we were truly spoilt, with two outfit changes throughout the evening, which split the night into three chapters.
Initially appearing in a black sequin number, before reappearing in the middle of the crowd in an all-white outfit, evocative of an angel – a moment that felt intimate even in a room that size.
Later, with disco balls lowered and the energy lifted, she returned in another glitzy look for the more upbeat tracks, including a crowd-pleasing cover of ‘Move On Up’. With her band behind her, the sound filled the arena beautifully.
Everyone was on their feet having a good time, but no one was having as much fun as the woman herself, Olivia Dean.
And that’s the thing with Miss Dean, no one at her gigs is having half as much fun as she is. She’s always smiling, always glowing.
Put simply, she’s a proper ray of sunshine on stage. Towards the end of the show, Olivia looked up at the crowd and stated, “It’s magic in here tonight, Manchester”, and we all believed her.
Looking around at the crowd, arms around each other, best friends, couples – it was hard not to feel the magic too.
Highlights included ‘UFO’ with a sea of lights, which in the moment gave the whole room goosebumps, and of course, the confetti cannon, which was the grand finale to an incredible evening.