Feature
You can get paid £38k to become an ‘adult toy’ tester
The Manc -
5th February 2020
The Manc -
5th February 2020 Feature
The Last Dinner Party aren’t ‘industry plants’, they just got real good real quick – Victoria Warehouse, Manchester
Danny Jones
It feels very easy in the modern age to furrow your brow at any artist that gets really popular really quick, especially if it isn’t necessarily the kind of music you typically listen to, but after seeing The Last Dinner Party live we can confirm they’ve earned every bit of their success.
They’re not an industry plant, they’re just dead good.
Now, we accept that isn’t exactly top-tier analysis or music journalism from the off, but we’re hoping that this review of their recent Manchester gig at Victoria Warehouse and our sincere recommendation that you go and see The Last Dinner Party live for yourself will be all the vouching you need.
For starters, let’s talk about the supports.
We were sadly too late into the gig to catch the first warm-up act, Lucia and the Best Boys, but we did arrive in time to hear the applause as they left the stage and have been to enough concerts to know when a support act has genuinely surprised and/or impressed uninitiated listeners.
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Having gone away and listened to them in our own time, we can see why they were chosen by the TLDP. There’s a familiar level of melodrama and that almost Victorian aesthetic to frontwoman Lucia Fairfull’s presence, style and floaty vocals, even if the whole band’s vibe isn’t exactly the same.
The Scottish outfit is arguably the more outright indie of the two, but when you combine them with the second support act and even more ethereal-sounding Kateo – who really did impress us not only with her performance and stage presence but her sheer range too – that alternative feeling comes through.
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Between the two of them, it felt like the pair had been hand-picked by the headliners as genuine fans to cultivate a concert that also feels cohesive from start to finish, championing talented and aspiring artists who are trying to carve their own space not just within similar spaces but between genres.
This may not seem so uncommon but given how big the BRIT Award-winners have already gotten over the last year or so, they could have chosen more established or even regional acts for individual UK dates to win over audiences – but they didn’t. Make that anti-industry plant theory example number one.
And then we come to the matter of the 2024 Rising Stars themselves, who are clearly thriving and on top of the world but putting real effort into their live set beyond just playing the songs well.
For instance, we didn’t quite realise just how many impressive singers there are in The Last Dinner Party until we saw them take to that iconic Manchester stage and get truly rapturous applause as multiple band members took the spotlight for their own individual heroine moments.
Be it Lizzie’s cover of ‘Up North’ by fellow Halifax native Catherine Howe, Aurora’s haunting Albanian ballad or even just Emily’s genuinely shredding guitar solos, it was a reminder of just how versatile and multi-talented each of these lot are.
Don’t get us wrong, lead singer Abigail has all the charisma and style to knit them together in such a way that has no doubt helped make them such an instant hit, but they were full of surprises too.
The pseudo-medieval fantasy set, the orchestral entrance that is ‘Prelude to Ecstasy; the lighting, use of the stage and genuine rock-show moments (yes, they can thrash when they want to) – it was in seeing them in the flesh that we realised why so many have fallen in love with their music so hard and so fast.
Read more:
- The Wombats return with a new album, a UK tour and an unreal pair of North West supports
- Olivia Rodrigo FINALLY announces dates for two Manc gigs after Co-op Live cancellations
- Liam Gallagher says Oasis rehearsals have begun after blatant hints at reunion warm-up acts
Last but not least, following a week in which the five-piece have come under criticism not only for cancelling gigs last minute but due to men even being asked to leave the shows after they were quizzed on why they were there and how long they’d be following the band, it was refreshing to see that the climate of their crowd was nothing like it has been made out to be in some reports.
It’s worth noting that the band themselves came out to apologise for the treatment some male fans had received, insisting they were “appalled” by the incidents and that it was solely a venue issue, not anything to do with them.
Moreover, as a single male attending the gig, I can confirm we experienced nothing of the sort from security at Victoria Warehouse, and the room was as welcoming and carefree as you could hope for – not to mention all the tour tickets purchased have helped raise over £14k for food banks.
Perhaps there is an element of latent, underlying or covert sexism behind why some people have decided to take issue with the band whose members have various roots in good Catholic schools and have been accused of being ‘nepo babies’, but the plain truth is they’re just bloody good at what they do.
Creating a conspiracy around why a group of young women have become successful isn’t edgy, incisive or even an interesting theory – it’s embarrassing. Move on and just enjoy the music.
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Featured Images – The Manc Group
Feature
The new hidden Manchester cocktail bar that’s actually trying to stay secret
Daisy Jackson
There was a time a couple of years ago where ‘secret’ bars were all the rage – except they threw big launch parties and had queues outside and weren’t very secret at all.
But one new cocktail bar in Manchester has done such a good job of flying under the radar that even we, who live and breathe local food and drink, have only just discovered it.
And it’s been open for months.
This particular hidden cocktail bar has brought a little taste of Tokyo’s underground bar scene to Manchester, in both the decor and the drinks menu.
It’s a bar that’s flooded with red lighting and synth music, with a carefully thought-out drinks menu showing off Japanese whiskeys and other spirits from the continent.
Kodo has done a good job of avoiding too much attention, even though it’s not gone for the usual ‘secret bar’ tactics that most venues use.
It’s not hiding behind a launderette like The Washhouse, or a pawn shop like Dusk Til Pawn, or a completely blank door like Behind Closed Doors.
Instead, it’s hiding behind a huge, bright red door painted with a mysterious, anime-style eye, with black wisps of hair across it. Oftentimes, there’s dry ice pouring out from underneath the door.
So once you track it down there’s no mistaking that you’ve found it.
On arrival, you have to ring the bell beside the door, ready for a letterbox to fling open and a pair of eyes to peer out at you.
Then you need to show an image on your phone to the mystery figure behind the door (the image changes every week) before you’re granted access to this clandestine cocktail bar.
Kodo is worth the effort though.
Inside it’s smoky and sultry, with modern red light installations overhead, a blue-lit bar, and brick walls painted with more anime-style art.
Kodo is serving some of the city’s most exciting drinks, from old fashioneds infused with shiitake mushrooms to martinis made with marmalade and yuzu sake.
It’s been open for about four months and has been busy the whole time, with word-of-mouth helping to pull in a steady stream of curious punters.
It’s working so well because all those customers who have visited have bought into the secret element – as far as we can see, no one has actually slapped the location online anywhere. That’s a bit of a miracle in this day and age.
We’ve been sworn to secrecy on the location – but check out @kodomanchester on Instagram for clues.
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- ‘Kennedy’s Corner’: Altrincham’s effortlessly charming Irish Deli is at the heart of a new mini-district
- Greater Manchester’s quaint canal boat cafe with floating flat whites and unbelievable bakes
- Rudy’s is giving away a whopping 3,000 pizzas to celebrate opening their latest location
Featured image: The Manc Group
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