The quirky Manchester brewery with some of the funniest beer names in the city
Having co-founded Cloudwater Brew Co and spent thirteen years at Marble before that, Sureshot's head brewer is as knowledgeable about beer as his wit is dry.
Independent breweries and taprooms have been having a real moment in Manchester.
Over the past decade, there’s been a real gold rush with the advent of Piccadilly’s beer mile heralding a whole new era for local brewers and drinkers alike.
In fact, the choice nowadays is overwhelming – with some feeling a bit out of their depth given the never-ending element of choice. For others, though, that is the fun of the whole thing.
As a keen beer drinker and taproom fan, it has been a treat to have so many exciting indie breweries springing up in recent years.
Even if a few sadly had to close their doors because of rising energy costs, we’ve still got plenty left – not least relative newcomer Sureshot, a quirky Manchester brewery with some of the funniest beer names in the city.
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Brewed ‘from the belly of Manchester’, this fairly young brewery is all about not taking itself too seriously. If you were in any doubt, all you need to do is scan its beer list which is chock full of silly names like Have Thee Nowt Moist, Jabroni, Pugh, Pugh, Barney McGrew,Underwhelming Kazoo Party, and (my personal favourite) Eighteen Free Personalised Fridge Magnets.
Some reference TV shows, like the Arrested Development-inspired IPA They’re Not Tricks They’re Illusions, or the Mr. Blobby-inspired Dunblobbin, promoted by the team at last year’s Indy Man Beer Con by one of their team strolling around in a life-size pink, white and yellow costume.
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Image: Supplied
Image: Supplied
The Sureshot Brewery beer list. / Image: The Manc Eats
Others are reflective of in-jokes shared by the small brewing team, who manage to churn out tens of thousands of pints a week according to head brewer James Campbell.
With decades of experience under his belt, James is as knowledgeable about beer as his wit is dry. The result is that in just three years Sureshot has cemented itself firmly in the ranks with some of the city’s most exciting breweries.
Having co-founded Cloudwater Brew Co in 2014 after thirteen years spent heading up the brewing operation at Marble Beers, James has spent decades living and breathing all things beer, not to mention shaping the direction of some of Manchester’s most popular breweries on the way.
But whilst the beer inside Sureshot’s cans is made of serious stuff, everything else about this young, fun brewery is decidedly unserious – and that’s the whole joy of it.
Sitting down with James, he outlines his background a little and it soon becomes clear that this is a man who knows his stuff. As he puts it, he’s been brewing “since God knows when, I think 96, a long time, yeah.”
A serial head brewer at some of the city’s most respected breweries, today he runs Sureshot with his business partner Michael.
Image: The Manc Eats
Image: The Manc Eats
“I was at Marble for thirteen years as the head brewer there, and then I did a year of consultancy, I was involved in Brewsmith and Runaway and Barcelona Beer Cat.
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“Whilst I was doing that, I was involved in setting up Cloudwater,” he adds, revealing he wrote the first five hundred recipes for Cloudwater before moving on in 2018 with a plan to start his own brewery.
“This is it,” he deadpans, as if I didn’t know we were sitting in it.
In the time it took to set Sureshot up, he also worked as a project lead on the DEYA and Verdant brewery plant builds – but maintains that, whilst they were great jobs, there is no better feeling than having his own place.
“So myself and Mike had a lot of chat about it and a lot of thought about it. Our original beer was with Vocation, that was during the middle of lockdown, they offered us the opportunity to do a beer with them.
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“Matt at Vocation I’ve known since Marble days, he’s a good lad and he’s a really good brewer so we said yeah, why the hell not, did a double IPA with them and it ended up in Tesco.”
“It was quite weird [for our first beer to go onto the supermarket shelves], but it was a very weird time. You know, it was the middle of lockdown, there were no pubs open and, it was like, well, ‘how are we going to do this'” he laughs.
Image: Supplied
Image: The Manc Eats
“That all came together nicely. So, er, we were looking at ways of doing this and how to, how to skin a cat basically, which is unfortunate if you’re a cat.”
“Track had bought a new brewery, I mean we wanted to go for something a bit bigger than this originally but nobody knew what shape the world was going to be the other side of lockdown so, er it makes people risk averse and borrowing expensive so we spoke to Sam at Track and said ‘what are you doing with that brewery you no longer need?'”
After arriving at a figure and buying the brewery, Sureshot officially moved in on 25 January 2022 and stuck the first brew, called How Much Does Water Weigh, through that same day. Within a month, beer number one was out for sale in the world – and the rest, as they say, is history.
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Three years on from its inception, Sureshot’s name is up there with some of the most established brewers in the city.
At its taproom, the team hosts regular events – welcoming in pop-up supper clubs such as Our Place and The Little Sri Lankan, as well as working alongside its neighbouring breweries to host big block parties where beer fans can go from bar to bar, sampling different drinks as they go.
As well as brewing up a storm from its Sheffield Street location, you can also just pop in for a quiet pint with the taproom open from Wednesday to Sunday every week.
The next Block Party takes place this month, with Sureshot, Cloudwater, Track, and Balance Brewing all joining forces on 15 July for a big. boisterous summer edition celebrating the Piccadilly area’s established and growing craft beer scene.
Featured image – The Manc Eats
Feature
30 years ago, the IRA detonated a 1,500kg lorry bomb on Corporation Street in the heart of Manchester – here’s the story
Georgina Pellant
Today marks three whole decades since an explosion from the inside of a lorry parked on Corporation Street shattered windows and destroyed buildings across the city centre.
Causing an evisceration that stretched for miles, when the 1,500 kilogram IRA bomb went off in 1996, it was the biggest detonation in Great Britain since the Second World War.
Following the explosion, the city fell silent – leaving rack, rubble and ruin in its wake. Famously, one red post box was left standing – today fitted with a memorial plaque in remembrance of the tragedy.
It seems scary to think that back then, most people could only stand there, watch on and worry.
The bomb caused an estimated £700 million worth of damage to Manchester’s infrastructure and economy, and over a quarter of a century later, locals still tell the stories of where they were when it went off – and of the devastation it left behind.
Notably, one resident of the Cromford Court maisonettes on top of the Arndale – a 77-year-old RAF veteran suffering from the flu – didn’t even bother to get up when the telephone warning to evacuate hit, considering himself to have survived much worse feats during his time in military service.
Having been a rear gunner in a Lancaster in the war, he reportedly told police and authorities “he was buggered if he was going to let a small bomb affect him.”
In subsequent years, Danny O’Neill has become a part of an urban legend surrounding the bomb as his staggering story has been told time and time again.
Around 90 minutes prior to the detonation, the Provisional Irish Republican Army had telephoned in warnings – meaning that around 75,000 people were able to be evacuated from the area before the bomb went off from the back of a van.
However, the bomb squad were unable to defuse it in time, leading to over 200 injuries from people still left in the area.
Thankfully, despite those injuries, there were no fatalities, and many of those reported traumas came from the shattering of thousands of windows and other damage to buildings in which unsuspecting people were getting on with their days.
Several buildings near the explosion were damaged beyond repair and had to be demolished, while many more were closed for months for structural repairs, and this prompted the biggest regeneration of Manchester city centre ever – something that is still continuing to this day, arguably at a more rapid rate than ever.
The city lay dormant for days after the explosion, as people came to terms with what had happened and kept their distance. Many moved out of the centre for a period of time, while many more simply decided not to visit for fear of another incident.
It was a desolate place, eerily quiet, and in need of some serious TLC.
According to Home Office statistics, an estimated 400 businesses within half a mile (0.8 km) of the 1996 blast were affected, 40% of which did not recover.
Credit: Manchester Libraries
Market Street – near the explosion and at that time the second-busiest shopping street in the UK – was considered by some a “fearful” place, and one that was to be “avoided like the plague”.
The prospect of pulling Manchester’s bustling city centre out of its darkest depression was not casually approached by those in charge.
It was acknowledged as a mammoth task from the get-go, but Greater Manchester has never let anything get in its way. Despite how steep the hill is that we’re standing at the base of, we always manage to reach the peak, ready to go again.
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.