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AJ Handley-Rowe -
10th November 2021
AJ Handley-Rowe -
10th November 2021 Spectacular 360° immersive experience Luminiscence extends Manchester run to summer
Emily Sergeant
The spectacular 360° immersive experience that’s currently lighting up Manchester Cathedral has extended its run in our city.
Due to ‘overwhelming demand’ and a roster of impressive reviews since making its UK debut earlier this year, LUMINISCENCE – the 360° immersive spectacle – has now extended its run at Manchester Cathedral until the early summer, having captured the hearts of thousands of Mancs and visitors to the city in the process.
If you haven’t had the chance to visit yet, LUMINISCENCE combines 360° video mapping, new orchestral arrangements of iconic songs, and a narrative story celebrating everything that makes Manchester and its residents so special.
Visitors are invited to step into a ‘spellbinding fusion’ of light, sound, and storytelling.
Light from a battalion of high-power projectors becomes the storyteller inside the Cathedral, transforming the ancient architecture into a vast living canvas where every statue, carving, pillar, and stained-glass window comes to life.
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Narrated by Manchester icon Christopher Eccleston and written by BAFTA-winning writer Tim Whitnall, the 45-minute standing concert features newly orchestrated versions of Manchester’s most iconic anthems, all performed alongside the acclaimed Collectives Gospel Choir.
Paying tribute to Manchester’s rich cultural heritage through specially arranged orchestral renditions of iconic anthems, the setlist includes songs by local bands like Oasis, The Verve, Joy Division, and Elbow, just to name a few.
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LUMINISCENCE will now be running at Manchester Cathedral up until Friday 5 June 2026.
Tickets are now on sale for the new dates, and a portion of every ticket sold will be donated directly to the ongoing upkeep and preservation of Manchester Cathedral.
Read more:
- Manchester Cathedral to be lit up with ‘truly stunning’ new 360° walk-through projection
- A new Picasso exhibition is coming to Manchester featuring unseen archived works
- Manchester Open exhibition to return in 2026 with ‘biggest celebration’ of local creative talent
Gold tickets include fast-track entry and a glass of fizz on arrival, while Silver tickets for adults start from £29 (including a 10% booking fee), with concession prices available too.
You can find out more and book tickets HERE.
Featured Image – Supplied
Gig Review | The ‘West End Girl’ heads up North – Lily Allen at Aviva Studios in Manchester
Lonnie Bowes
Last night at Aviva Studios, the home of Factory International, Lily Allen performed the first of two intimate theatre shows in Manchester – here’s our review…
As part of her ‘West End Girl Tour’, Allen is performing in more considered spaces up and down the country alongside the bigger sold-out venues you might normally expect.
It’s a refreshing change of pace. Seeing a pop star slow things down and lean fully into theatre, something that perfectly aligns with the drama that’s surrounded her in recent years.
Supporting the show was a special ‘Dallas Minor Trio’: an orchestral string group that elegantly warmed up the crowd, taking on instrumental Allen classics, including ‘F**K You’ and ‘LDN’ to set the tone nicely, with a screen behind them as the patient Manchester crowd settled in and enjoyed an early singalong.
When the lights dimmed, Allen emerged through the curtains and opened with the tour’s namesake, ‘West End Girl’. From the moment she stepped onto the stage, she asserted herself firmly in the space – a set designed to resemble her own small apartment.
This is when the real show began. As Allen moved through the performance, the set behind her transformed from song to song, adding to the theatrical feel of the evening.
During ‘Madeline’, she appeared armed with a feather duster, fully committing to the domestic setting, while for ‘Relapse’, she dramatically spills the contents of her handbag across Factory International‘s adjustable floor.
Anyone who has listened to Allen’s recent material will know she’s been keeping all the receipts on her ex (can’t remember his name).
In one of the night’s more striking visual moments, those ‘receipts’ were transformed into a literal dress, which she removed during ‘4Chan Stan’, turning personal drama into theatrical spectacle.
Elsewhere in the set, Allen delivered standout performances of ‘Pussy Palace’, ‘Nonmonogamummy’ and ‘Beg for Me’, songs that leaned fully into the confessional tone of the evening.
Each track landed with a mix of sharp humour and raw honesty, with Allen balancing moments of biting lyricism with the kind of self-aware storytelling that has long defined her songwriting.
By the end of the night, the performance felt less like a traditional pop concert and more like a piece of confessional theatre.
In the intimate surroundings of the Aviva Studios space, Lily Allen proved that sometimes scaling things down can make a story feel much bigger – and that her ability to turn personal chaos into compelling performance remains as sharp as ever.
Read more:
- Manc rock and blues veterans Proud Mary announce handful of reunion shows in 2026
- Gig review | KEO at the O2 Ritz in Manchester – Sometimes you just KNOW…
- Alison Moyet announces a huge European tour, including Northern dates across the UK
For all the latest news, events and goings on in Greater Manchester, subscribe to The Manc newsletter HERE.
Featured Images — The Manc Group/Henry Redcliffe (supplied)
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