Photos of Manchester’s legendary gay clubnight Flesh and Clause 28 protests have gone on display at The Kimpton Clocktower Hotel.
Documenting and celebrating the city’s LGBTQIA+ community, the new exhibition appears as part of the venue’s longstanding partnership with arts institution the British Culture Archive (BCA).
Named ‘Together As One – A Celebration Of Manchester’s LGBTQIA+ Community’, the exhibit launched on Thursday 28 July and will be in situ throughout the summer.
Photographs on display capture two pivotal moments in the city’s queer history.
Image: Peter J Walsh
Photography by Peter J Walsh documents the anti-Clause 28 protest, which was held in Manchester and saw over 20,000 people take to the streets to protest Clause 28 – an attempt to suppress the gay community at a time when it was already struggling to deal with the HIV & AIDS epidemic and the backlash towards the community driven by media.
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Walsh, who is more well known for documenting the city’s nightlife during the ‘Madchester’ years is one of the few who documented this important protest that would help change the face of LGBTQIA+ rights in the UK.
Speaking on the Clause 28 Demo, Manchester, 1988 imagery, photographer Peter J Walsh said: “The Anti-Clause 28 demo was one of the largest demonstrations I had covered in Manchester during that period.
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Image: The Manc Group
Image: The Manc Group
“The starting point was on Oxford Road, by the Poly and the participants seemed to go on as far as the eye could see. Manchester City Council reckoned there were 20,000 people on the demo. It was loud, happy and vibrant.
“The country had been under Thatcher’s rule since 1979 and people were determined to fight back against this law.
“The left-wing council of Manchester welcomed the marchers and stood with them in solidarity against the divisive Tory Government. The LGBQTQIA+ communities civil liberties were under attack by Thatcher and we were prepared to stand shoulder to shoulder with them and say enough is enough.”
Elsewhere, photographs by Jon Shard capture The Haçienda’s hallowed dancefloor club night, Flesh, first launched in October 1991.
Flesh was the flamboyant mid-week night at The Haçienda, which welcomed everyone, black, white, gay, straight and was also the home of the clubs’ first female resident DJs, Paulette and Kath McDermott.
Image: Jon Shard
Flesh arrived during a turbulent time during the club’s and city’s history., the comedown from the Halycon years of 1988-1990 was in full flow and regular ‘Hac’ nights were losing their appeal due to a number of heavy gang-related incidents and laddish clientele putting off the punters.
The Haçienda and nights such as Flesh fit into a tradition of creativity and cultural innovation in Manchester, which can be seen throughout the city today.
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Speaking on the Flesh at The Haçienda imagery, photographer Jon Shard said: “My friends and people around me, would be talking about it all month.
Image: The Manc Group
Image: The Manc Group
“People came from all over, you had people from Europe coming over for it – it was always packed and full of energy. It was one of the most important nights there – probably the biggest gay night in Europe.
“It was always special. I was there for every single one, it was the best night to shoot because of the carnival atmosphere. It was really colourful, everyone would spend two or three days working out what they were going to wear for it.”
The new exhibit ‘Together As One – A Celebration of Manchester’s LGBTQIA+ Community’ follows on from the success of ‘A Woman’s Work’, the first instalment by the BCA in the hotel,
Throughout the summer, Kimpton Clocktower Hotel and The Refuge Bar and Restaurant will be hosting a series of summer activities in celebration of all things Pride.
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Image: The Manc Group
Image: The Manc Group
From Sparkle Weekend celebrations, a new exhibition celebrating Manchester’s LGBTQIA+ community in partnership with British Culture Archive, and of course the iconic Come As You Are Weekender – there’s something for everyone.
To find out more about the Kimpton Clocktower Hotel x British Culture Archive ‘Together As One – A Celebration Of Manchester’s LGBTQIA+ Community’, visit the hotel’s website here:
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Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Georgina Pellant -
29th July 2022 
