How we’re already halfway through August is pretty ridiculous. But now that “summer” is in full swing – albeit minus the sun –our calendars are jam-packed with post-lockdown gigs and events.
So, we’re continuing to soundtrack your week again wherever you might be headed, with a little bit of everything on our New Manchester Music playlist.
We have our list of highlights from the playlist right here and it’s another great selection of new releases – even if we do say so ourselves.
On the list this week is another summery number, a band tipped for big things and a thought-provoking look into men’s mental health.
To listen to them all plus loads more new stuff, head to our Spotify playlist here.
Macious – Jazz
We’re loving Macious’s latest disco-infused house drop ‘Jazz’ – and we can confirm we’ve had it on repeat.
Not only does it feature catchy old school piano keys and a melodious trumpet sample that wouldn’t be out of place at the poolside in Ibiza, but the uplifting basslines are bound to put you in a good mood.
Macious produced this track at a house party some years ago now. But sadly it’s been sitting on a hard drive all this time. We’re glad it’s finally getting its debut this week.
The song is actually named after a taxi driver called Jazz who Macious met at the party. Apparently, Jazz’s energy matched that of the track’s and was vibing with it on the night. So, of course Macious had to name it after him.
And if that’s not another reason to give it a listen, I don’t know what is.
Idle Hours – Made Flesh
A new discovery for us just this week was Manchester band Idle Hours – and they happened to drop a new track on Wednesday which was perfect timing.
The band emerged from the ashes of 2020 with an established and confident sound, taking influences from garage-rock.
Their new one, ‘Made Flesh’, has some really cool guitar melodies. It’s been stuck in our heads since we first listened to it.
Also, they’ve got a headline gig at Manchester’s legendary Castle Hotel this weekend as well, so head down if you’re about and show them some support.
Yawn – Simple Sensations
‘Simple Sensations’ is the debut single from synth-pop trio Yawn.
Supposedly inspired by BBC’s Normal People, the track navigates the tricky journey from teens to adulthood. Its slow pace and smooth vocals resemble the long old slog of growing up.
Emerging in the height of lockdown in April 2020, the lads are still very much living the ‘new normal’. They’re recording everything at home in front of their laptops, amidst Zoom meetings.
Perhaps even the band name is reference to these boring and tiresome times we’re living in? Either way, there’s nothing boring about Yawn’s debut. It’s soft and easy-listening with twinkly keys that are pretty dreamy.
Superlative – Can I Be Excused?
Rapper and producer, Superlative, has dropped a new track from his forthcoming EP ‘Can I Be Excused’ this week.
The seven-track collection which is out next Friday taps into the vulnerabilities of a man that appears to have it together. It touches on mental health and personality traits, too, and highlights some common misconceptions about what it means to be ‘a man’.
The bottom-line being that Superlative wants to challenge the association between rappers and the streets.
Its title track, ‘Can I Be Excused’ is a sort of audio diary. It’s emotive and tense in places. The instrumental is based on a half-time walking bass that changes every eight bars to create a notion of going round in circles. We imagine this is designed to emphasise the EP’s key themes.
This one’s only out on YouTube on Friday 13 August, but is on streaming services from next Friday. So, you’ll have to listen to this one here for now.
StreamGM and The Manc have teamed up to show some some serious love and support to the region’s renowned theatres, nightclubs, and live-music venues with the launch of SeeGM – a digital campaign to shine a bright spotlight on many of the amazing events, club nights, gigs and shows in our region.
A rising Manc musician is supporting a global popstar on tour in America
Danny Jones
Up-and-coming Greater Manchester musician Elliot James Reay, from just down the road in Bury, has just joined fellow rising solo artist and already established US superstar Benson Boone on his upcoming American tour.
Yes, a lad from Bury is opening for the bloke who belts out that ‘Beautiful Things’ tune that’s been stuck near the top of the charts for what feels like the last year.
Fittingly joining Boone for the US leg of his American Heart tour supporting his sophomore album of the same name, 23-year-old Elliot James Reay has already played a trio of shows warming up the crowds ahead of the headliner and is quickly gaining new fans across the pond.
Especially since his music harkens back to some of their most famous music icons of all time.
The youngster is still having to pinch himself at the mere notion of being on the road with such a big name so early in his career, posting on social media this week, “How do I explain this one to my friends back in Bury?
“A dream come true to be opening for Benson Boone in St Paul last night, I’m eternally grateful for the opportunity to sing to you all and thank you for all the love you gave me!”
Roy Orbison-obsessed Raey – who also takes plenty of look and feel from the likes of Elvis and Billy Fury, among other old school, soulful American singers – has gone from releasing covers on YouTube to dropping his first-ever EP back in June and now playing full Stateside stadiums.
What a whirlwind journey it’s been for the local lad already.
The Manc songwriter and guitarist featured as one of our artists of the month last December, and we’re glad to see he’s only gone from strength to strength.
It’s fair to say that he’s matured a lot in the time since then, let alone the last 12 months or so, and booking a slot as a support act for as big as Benson Boone is right now is nothing short of huge.
We said late last year, and we’ll say it again: we see a bright future ahead for this talented young Macunian, and we wish him all the best for the dozen or so remaining US tour dates.
If you haven’t listened to his stuff before, you can get a little taste with his latest single HERE.
Or, if you want to take our advice, why not watch a great music video filmed around some very familiar city centre sites down below?
He’s certainly got his own style, even if it his heavily inspired by some of the greats.
Last night marked K-pop group ENHYPEN’s first-ever visit to Manchester, the UK and Europe as a whole, so it was no surprise the crowd was ready to get ‘Loose’ as they took to AO Arena.
The lights dimmed, the fans screamed, and it had finally dawned on Manchester that it was officially ‘En-O’Clock.‘
It’s a bouncy bassline, synth-stinted number also known as ‘Brought The Heat Back’ that kicks the show off, and on a day when our city was surprisingly warm, this three-minute performance was very fitting.
ENHYPEN performing ‘Loose’ for 21,000 fans at AO Arena in Manchester (Credit: BELIFT LAB)
‘Future Perfect (Pass the MIC)’ had the crowd quite literally jumping for joy, ‘Given-Taken’ saw a similar response, while a personal highlight was ‘Bite Me’.
With lyrics like “Come here and get some” and “Just come over and bite me”, this song follows a perfect pure-pop formula that works every time; it’s hard to ignore.
‘Your Eyes Only’, which makes reference to the previous hit “You can bite me / You can play me”. Did we like this song? “Ya, ya, ya, ya, ya” we did.
Disco belter ‘Sweet Venom’ had the crowd captivated for just under three minutes with its “Swe-hee-hee-t” earworm lyrics in every chorus.
K-pop boyband ENHYPEN played ‘Tamed-Dashed’ during their ‘Walk The Line’ tour at AO Arena in Manchester (Credit: BELIFT LAB)
An extended electronic synth introduction plays out as the staggered-vocal single, ‘XO (Only If You Say Yes)’ begins, and it’s easy to see why this is a fan favourite.
Whether it’s the fact that it has an easy-to-follow but incredibly addictive chorus or due to it featuring on the soundtrack for the Netflix rom-com and To All The Boys I Loved Before spin-off, XO, Kitty.
Following this was the 2010s-reminiscent ‘Bad Desire (With or Without You)’, which felt like a callback to ex-boyband star Justin Timberlake and his return with magnum opus ‘Mirrors’.
This song warranted such a roar of cheers and applause that the band decided to give it a second play later in the set, although this time they opted for the English version, which was equally appreciated.
All seven members of ENHYPEN interacting with fans during their Manchester show (Credit: BELIFT LAB)
During interactions with fans between songs, ENHYPEN discuss what they recognise Manchester for, stating, “This city is really famous for its football”.
Instead of declaring their support for the reds or blues, the band opted for a smart and conscious, “We’ll leave it there” – well played, boys.
‘Paranormal’ signalled that this night of incredible dance-packaged music was coming to an end, but ENHYPEN’s version of an encore is much different to any other musical act.
These seven singing sensations decided to play not just one or two songs before saying goodbye to the Manchester crowd, they opted for five plus – phenomenal.
Hannah Starkie -
13th August 2021 
