How we’re already halfway through August is pretty ridiculous. But now that “summer” is in full swing – albeit minus the sun –our calendars are jam-packed with post-lockdown gigs and events.
So, we’re continuing to soundtrack your week again wherever you might be headed, with a little bit of everything on our New Manchester Music playlist.
We have our list of highlights from the playlist right here and it’s another great selection of new releases – even if we do say so ourselves.
On the list this week is another summery number, a band tipped for big things and a thought-provoking look into men’s mental health.
To listen to them all plus loads more new stuff, head to our Spotify playlist here.
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Macious – Jazz
We’re loving Macious’s latest disco-infused house drop ‘Jazz’ – and we can confirm we’ve had it on repeat.
Not only does it feature catchy old school piano keys and a melodious trumpet sample that wouldn’t be out of place at the poolside in Ibiza, but the uplifting basslines are bound to put you in a good mood.
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Macious produced this track at a house party some years ago now. But sadly it’s been sitting on a hard drive all this time. We’re glad it’s finally getting its debut this week.
The song is actually named after a taxi driver called Jazz who Macious met at the party. Apparently, Jazz’s energy matched that of the track’s and was vibing with it on the night. So, of course Macious had to name it after him.
And if that’s not another reason to give it a listen, I don’t know what is.
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Idle Hours – Made Flesh
A new discovery for us just this week was Manchester band Idle Hours – and they happened to drop a new track on Wednesday which was perfect timing.
The band emerged from the ashes of 2020 with an established and confident sound, taking influences from garage-rock.
Their new one, ‘Made Flesh’, has some really cool guitar melodies. It’s been stuck in our heads since we first listened to it.
Also, they’ve got a headline gig at Manchester’s legendary Castle Hotel this weekend as well, so head down if you’re about and show them some support.
Yawn – Simple Sensations
‘Simple Sensations’ is the debut single from synth-pop trio Yawn.
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Supposedly inspired by BBC’s Normal People, the track navigates the tricky journey from teens to adulthood. Its slow pace and smooth vocals resemble the long old slog of growing up.
Emerging in the height of lockdown in April 2020, the lads are still very much living the ‘new normal’. They’re recording everything at home in front of their laptops, amidst Zoom meetings.
Perhaps even the band name is reference to these boring and tiresome times we’re living in? Either way, there’s nothing boring about Yawn’s debut. It’s soft and easy-listening with twinkly keys that are pretty dreamy.
Superlative – Can I Be Excused?
Rapper and producer, Superlative, has dropped a new track from his forthcoming EP ‘Can I Be Excused’ this week.
The seven-track collection which is out next Friday taps into the vulnerabilities of a man that appears to have it together. It touches on mental health and personality traits, too, and highlights some common misconceptions about what it means to be ‘a man’.
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The bottom-line being that Superlative wants to challenge the association between rappers and the streets.
Its title track, ‘Can I Be Excused’ is a sort of audio diary. It’s emotive and tense in places. The instrumental is based on a half-time walking bass that changes every eight bars to create a notion of going round in circles. We imagine this is designed to emphasise the EP’s key themes.
This one’s only out on YouTube on Friday 13 August, but is on streaming services from next Friday. So, you’ll have to listen to this one here for now.
StreamGM and The Manc have teamed up to show some some serious love and support to the region’s renowned theatres, nightclubs, and live-music venues with the launch of SeeGM – a digital campaign to shine a bright spotlight on many of the amazing events, club nights, gigs and shows in our region.
Bez and Shaun Ryder are starring in a new gangster movie – nope, not kidding
Danny Jones
No, you didn’t misread the headline and you’re not on acid: Manchester music legends Bez and Shaun Ryder are set to feature in a brand-new gangster film.
Yes, the ones from the Happy Mondays – why are you having such trouble processing this?
Seriously though, we did a little double-take ourselves when we came across this news, but the familiar Manc faces look to be among the ensemble of a brand-new gangster movie by Irish writer, actor, producer and filmmaker, Ciaron Davies.
And this is just a little leak or rumour that may have been blown out of proportion: you can take it from the horse’s mouth as Happy Mondays frontman, Ryder, recently shared the news on social media.
As you can see, the new film is called Geezers and is billed as a “British crime caper” written and directed by Davies, featuring Shaun as hard-man Robbie and Bez as ‘Monk’. If you saw Ryder shaking off that snake biting his hand like it was nothing then you already know he’s hard as nails.
Although it’s not strictly listed as a comedy per se, ‘caper’ would suggest plenty of humour and light-heartedness, so we’re thinking more like The Gentleman, Italian Job, or maybe even Four Lions, rather than a serious crime thriller.
Now, while we’ve seen both of the Salfordians on screen before not only in the likes of music videos, interviews, panel shows and even as two of the funniest guests to ever go on Celebrity Gogglebox, this latest venture will serve as their respective acting debuts.
According to the IMDb page, the synopsis of the film is as follows: “Crime caper about a stolen bag of money. Caught in the crossfire are ‘The Geezers’ a bunch of wannabe criminals who have bitten off more than they can chew. With 24 hours to grab the cash, London may just go up in smoke tonight.”
Shame it’s not set on the mean streets of Manchester, or better yet Salford, but you’ve still very much caught our interest.
You can see the first promotional poster for the film down below.
As for Davies, he has been involved with a number of small-budget TV film projects, as well as appearing in shorts and even video games, so it’s fair to say that getting 62-year-old Ryder and his ever-energetic hype man, 60, involved is quite the coup for his movie-making career.
Although the film has no release date just yet, we know that filming locations having included parts of Warrington and Pinewood Studios, will be produced by Loose Gripp Films and distributed by publishers High Fliers.
Given the high-octane nature of Geezers and its genre, the feature will involve lots of action, stunts, violence and even martial arts – though how much kung-fu these two will have learned for the project remains to be seen…
All we know is that the film is supposedly “coming soon” and if you don’t want to see Bez and Shaun Ryder doing their best impression of a Guy Ritchie gangster movie then you’re lying to yourself. Praying for a Rowetta cameo to put the cherry on top.
Featured Images — Shaun Ryder (via X)/Loose Gripp Films/IMDb
Music
Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.