Manchester City Council has submitted plans of its intent to reduce the standard speed limit in the city from 30mph to 20mph.
As part of its new Active Travel strategy with Transport for Greater Manchester‘s (TfGM), which is aiming to make roads right across the region safer for pedestrians and cyclists, the Council has said it is keen to make default speed limits in Manchester 20mph, and also further reduce any 40mph speed limits to 30mph by 2028.
On top of this, the Council is also reportedly committed to closing roads outside at least one school in every neighbourhood at drop-off and pick-up times.
As well as attempting to improve road safety overall, the Council also says its strategy aims to wider benefit public health through contributing to less pollution, better fuel efficiency, and fewer road collisions throughout the city, according to ITV News.
The default speed limit could be cut to 20mph across Manchester / Credit: Unsplash
The new five-year strategy is being put before councillors at a committee meeting this week.
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The Council says it’s hoping the new strategy could make walking “the natural choice” for residents taking short journeys, and could double the proportion of cycle trips within five years.
Reports of plan to reduce the default speed limit to 20mph have already been met with positive reviews by local campaigners – with prominent campaign group Walk Ride GM describing the potential move as a “win-win” for all road users.
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They believe it would encourage more considerate driving, while also reducing noise and danger, and creating “less wear and tear” on the roads.
The Council wants to make Manchester “one of the best places in the country to live and work” / Credit: gov.uk
They also argue that lowering speed limits means vehicles travel at more consistent speeds, leading to less wear and tear and making it safer for others.
Manchester City Council’s leader Bev Craig says the Council wants to make Manchester “one of the best places in the country to live and work”, and believes the reduction of speed limits and the other travel propositions would contribute to this.
Manchester’s ‘busiest’ road set to close for annual safety inspections this weekend
Emily Sergeant
The Mancunian Way is set to close for its annual safety inspections this weekend.
As Manchester City Council looks to ‘improve’ what is, by far, one of Manchester’s busiest and most-used roads, given the fact it is the main thoroughfare in and out of the city centre, it has been confirmed that a two-day closure of Mancunian Way is set to take place this weekend so that essential inspection works can be carried out.
With an estimated 15 million journeys taken along this road annually, the Council says it’s vital that inspections are conducted to keep traffic flowing.
Taking place over the weekend, both carriageways and their slip roads will be out of use from 6am on Saturday 27 June until 6am on Monday 29 June.
The closure will run from the Chester Road roundabout and Fairfield Street.
🚧 Mancunian Way Annual Maintenance
The Mancunian Way and its slip roads will be closed on 27–28 June for essential inspections and repairs.
— Manchester City Council (@ManCityCouncil) June 22, 2026
Fully signed diversions will be in place during this time for vehicles travelling in both directions, the Council has confirmed – with diversion routes planned for Trinity Way, Great Ancoats Street, Bridgewater Viaduct, Whitworth Street West, Whitworth Street, and Fairfield Street.
Of course, this does mean that some disruption to the public is expected, with anyone travelling in and out of the city centre told to plan their journeys ahead of time, however the Council has chosen for the closures to be overnight so that any disruption is kept to a low a level as possible.
“Because of the tens of thousands of vehicles we see use the Mancunian Way every day, ensuring its proper maintenance and upkeep is essential”, commented Councillor Mandie Shilton Godwin, who is the Executive Member for Clean Air, Environment and Transport at Manchester City Council.
“There will be a level of disruption which is why we’d urge people to plan their journeys ahead and find an alternative route which avoids the closure.
“Thank you to everyone ahead of your patience as we carry out these essential works.”
Featured Image – Geograph
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Audio North’s Artist of the Month – Aaron Dinning | June 2026
Thomas Melia
Aaron Dinning is an indie-pop act whose songs span the highs and lows of relationships, and now he’s Audio North’s latest Artist of the Month.
Born in County Durham, studied in Leeds, and now the curator of a live music events organisation based in Manchester, Dinning sure knows a thing about northern music.
With hits to his name already like ’24’, ‘Look Who’s Holding The Gun Now!’, this queer musician is gearing up to release a deluxe edition of his sophomore EP Boys Become Men.
If his name feels familiar to you, that’s because it probably is, as Aaron Dinning has performed at a multitude of venues across the north – including Feel Good Club, Popup Bikes, and The Proud Place.
Now, Dinning chats to Audio North about his upbringing and music journey, as he accepts the title of Artist of the Month for June.
An interview with Aaron Dinning – Audio North’s Artist of the Month | June 2026
Aaron Dinning is making his mark in the Manchester music scene with his indie-pop tracks / Credit: Press Shots via Emily Atherton (Supplied)
You were born in County Durham and now live in Manchester. How have those two places shaped you as an artist?
I think there’s such a contrast in the environment of those two places. Durham was so formative for me growing up, back then I didn’t have the autonomy to vocalise it but now I see Chester-Le-Street specifically as such a ‘small town mindset’ kind of place.
If I stayed at home, I would never be the artist I am today. That’s not to say that growing up somewhere like that isn’t just as important as the place which makes you feel accepted. You can’t have such a strong desire for one without a disdain for the other.
What does being a northern musician mean to you?
I think being northern, to me, just means breaking the mould and showing that if I can do it, anybody can. It means building my career on my own terms, it’s taught me to unapologetically be myself, on and off stage.
I always say that I want to write the songs I needed when I grew up because there was nobody like me from the North. Sometimes it still feels like I’m the only one too.
To me, if I can write a song, or put on a performance that resonates with a 15-year-old kid who’s still figuring out who they are or who they love, that’s the most fulfilling thing that can come from sharing my art.
This Northern talent is from Country Durham, studied in Leeds and is now based in Manchester / Credit: Press Shots via Jack Garrod (Supplied)
The music industry can feel very London-centric at times. Have you found being based in the North to be an advantage or a challenge?
It’s a bit of both really. Yes, London is where the majority of the big names in music are, but in my mind, I always compare it to that scene in Baby Reindeer when the guy says ‘You find yourself a background artist in a cast of millions’ (niche).
I like that the industry isn’t as saturated as London up here, but I can see that changing in years to come. The North has always been where it’s at and truly where all these major labels should be looking for who’s up next because you might just find a gem like me waiting to be found.
Is there a northern artist who made you think, “If they can do it, so can I”?
Definitely Sam Fender. I know it’s a bit of a cliche nowadays, but I absolutely love him and he’s what I think of when it comes to a classic northern success story.
I’ve seen him six times and the last time at St James’ Park was a completely different calibre of show to when I saw him at Boiler Room in 2019 and paid fifteen quid for the ticket.
Me and him are completely different, but I imagine we had a similar sort of upbringing in the terms of characters we knew growing up in rougher areas. I feel like he cracked the mainstream so well with his first album and he’s only gotten better since. I’d want my first album to have the same kind of critical acclaim as his.
Dinning fuses his sexuality throughout his music, being an openly queer pop musician / Credit: Press Shots via Tom Hargreaves (Supplied)
What made Manchester feel like the right place for the next chapter of your career?
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I recorded my entire EP here whilst I was still living in Leeds with Toby Ollis Brownstone from the beginning of 2024. That year and a half which I spent travelling back and forth in Manchester made me love the city and loathe commuting.
I knew I wanted to move to Manchester when I got invited to play the Queer as F*ck open mic on Valentine’s Day in 2025. That was the first show I played accompanying myself on the guitar, I agreed to play three hours before doors and completely fumbled my way through the set.
The feeling of the room was like nothing I’d experienced before, to come to a show in another city I had never played in and feel so welcomed, at home and accepted by a room full of likeminded people, felt like a feeling I could only replicate in Manchester.
Has living in Manchester changed your songwriting at all?
Generally speaking, I’ve been playing guitar a lot more since moving here. I feel like there’s a naive fresh start that comes along with moving to new places and feeling like your life’s going to drastically change.
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Becoming the Producer of SoFar Manchester helped me feel integrated and I’ve met so many cool people doing that job while spotlight my friends who are artists and bring them to the city that I fell in love with – It’s all very full circle.
I’ve brought Romy Taylor, Caitlin Doran, Sophie Green, and GRACEY over to play SoFar events and they’re all equally amazing creatives who are based in Leeds, like I once was.
The ’24’ singer has played gigs in unusual Manchester city centre locations like Popup Bikes in Ancoats / Credit: Credit: Press Shots via Emily Atherton (Supplied)
What do you think Manchester does better than anywhere else when it comes to music?
I think Manchester is such a hot pot of different styles and genres. I think the thing it does best is spotlight LGBTQ+ artists. Not just in music, but drag is somewhere I look to when I think of performance, and the queens in the village are truly a sign of resilience and individuality.
I’ve had more shows just for being queer in Manchester than anywhere else I’ve lived, there’s so many freelance creatives, charities and gig promoters who are looking out for LGBTQ+ artists to celebrate, even making entire lineups out of us.