Theatre

A ‘rock opera’ about Tony Blair coming to Manchester later this year… genuinely

It's described as being a "reckless reappraisal" of the life of "Britain’s first pop Prime Minister".

Emily Sergeant Emily Sergeant - 5th May 2023

There’s a ‘rock opera’ musical stage show about the life and times of former Prime Minister Tony Blair coming to Manchester later this year.

And that is a 100% genuine statement.

It’s not something we expected to be writing today, and nor is it something you expected to be reading, but we’re being completely serious when we say that a “reckless reappraisal” of the life of “Britain’s first pop Prime Minister” Tony Blair is actually a thing – and it’s a thing that’s arriving in Greater Manchester later this year.

TONY! [The Tony Blair Rock Opera] is currently playing a limited season at the Leicester Square Theatre in London until 21 May, and then it’s heading out on a tour of the UK.

It’ll be playing a limited four-week run at this year’s Edinburgh Fringe Festival, before it takes to the stage at The Lowry in Salford this October – which conveniently coincides with the 2023 Conservative Party Conference being held in Manchester.

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Co-written by comedian Harry Hill and Steve Brown, the musical apparently tells the story of how one man went from “a peace-loving, long-haired hippy, and would-be pop star” to a “warmongering multimillionaire” in just a couple of decades, with a stellar cast of larger-than-life characters setting the scene.

Tony Blair’s wife Cherie, Princess Diana, John Prescott, Peter Mandelson, Alastair Campbell, Osama bin Laden, George W Bush, Saddam Hussein, and Gordon Brown are just some of the musical’s characters.

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Oh, and Liam Gallagher.

A ‘rock opera’ about Tony Blair coming to Manchester / Credit: TONY! (via Twitter)

Described as being like Yes, Minister meets The Rocky Horror Show, it’s a hilarious musical of political intrigue, religion, power, and romance.

“It’s a show for Tony lovers, haters, and everyone in between,” explained co-creators Harry Hill and Steve Brown.

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“Don’t expect a history lesson. In our world, Tony’s born singing and dancing, Saddam Hussein is played as Groucho Marx, and Gordon Brown occasionally turns into the Incredible Hulk – let’s just say all the facts are there… but not necessarily as they occurred.

It’s described as being a “reckless reappraisal” of the life of “Britain’s first pop Prime Minister” / Credit: TONY!

“Tony hasn’t yet replied to our invite to see the show, but we do hope he’ll pop along to his old stomping ground of Sedgefield to give his verdict when we open there at the Parish Hall.

“Tony? If you’re reading this we’ve put a couple of tickets in your name on the door.”

Read more:

TONY! [The Tony Blair Rock Opera] will be on stage at The Lowry from Monday 2 – Saturday 7 October, and you can grab tickets here.

Featured Image – TONY! (via Twitter)

Theatre

Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House

Danny Jones Danny Jones A Knight's Tale Manchester musical review

From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.

Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.

At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.

Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.

A Knight’s Tale the musical at Manchester Opera House. (Credit: Press Shot)

A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.

Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.

The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.

Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.

However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.

Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.

The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.

At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.

A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.

But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.

Credit: Supplied

Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.

The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility.
In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.

Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.

Put simply, this is a knight to remember – with a soundtrack that slays.

Read more:

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Featured Images — Press Images (supplied)

Theatre

A theatre adaptation of Alfred Hitchcock’s classic spy film North By Northwest is coming to Manchester

Daisy Jackson Daisy Jackson

Alfred Hitchcock’s much-loved spy classic, North By NorthWest, is hitting the stage and visiting one of Manchester’s most celebrated theatres. 

This new, riotously funny production will be visiting HOME theatre for a run of shows kicking off this week. 

The show reworks Hitchcock’s film of the same name, following one man who accidentally lands himself in the middle of a Cold War conspiracy. 

Now adapted for the stage by Emma Rice, North By Northwest follows an unfortunate mix-up where a mistimed phone call to his mother lands Roger Thornhill in a spot of bother. 

Alfred Hitchcock’s classic spy film North By Northwest is hitting the stage in Manchester / Credit: Steve Tanner (via Supplied)

Audiences will see this unlikely (and reluctant) hero head on the run, dodging spies, airplanes and a femme fatale. 

For the theatre production at HOME, the classic spy film (that starred Cary Grant) has been turned on its head and stars just six shape-shifting performers. 

There’s a fabulous 1950s soundtrack to go with it too – and, apparently, a lot of suitcases. 

Tickets are now on sale, and it’s already being described as a must-see / Credit: Steve Tanner (via Supplied)

North By NorthWest promises ‘glamour, romance, jeopardy and a liberal sprinkling of tender truths’.

Artistic director Emma Rice has already adapted and directed products for Wise Children including The Buddha of Suburbia, Blue Beard, and Wuthering Heights, plus worked as artistic director for Shakespeare’s Globe. 

The cast is made up of Mirabelle Gremaud as Anna; Patrycja Kujawska as Eve Kendall; Kary Owen as The Professor; Simon Oskarsson as Valerian; Karl Queensborough as Phillip Vandamm; and Ewan Wardrop as Roger Thornhill.

North by Northwest is a co-production with Wise Children, York Theatre Royal, HOME Manchester and Liverpool Everyman and Playhouse, and is currently on a UK tour. 

Read more:

You can catch it at HOME between 29 April and 10 May – see more and book tickets HERE.

Featured Image – Steve Tanner (via Supplied)

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