One of Manchester’s leading independent theatres has been left devastated after missing out on ‘much-needed’ funding.
53two, a theatre and arts hub beneath the railway arches in the city centre, had applied for Arts Council funding, but its bid was rejected.
The government-funded body said that it had to make ‘tough decisions’ after receiving a huge number of applications.
53two had hoped to use the fund to build a disabled access facility known as a Changing Places toilet – something that no theatre in Manchester currently has.
Creative director Simon Naylor said it’s ‘heartbreaking’ to see theatre-goers with complex access needs having to go home due to a lack of accessible facilities in the city.
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Credit: Fiona Finchett
The Watson Street venue is now planning a party to drum up some support and some investment so that it continue to build its fully accessible creative space.
Theatre patron Tony Walsh (better known to many as Longfella), will be working with the venue to find a local business to invest in the project.
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The theatre only opened in its new home last year, in the Grade II*-listed railway arches and tunnels beneath Manchester Central.
They have already opened a bustling bar and cafe space and secured the planning permission to upgrade the theatre to a 150-seat facility, and install the toilet facilities.
Simon Naylor, creative director of 53two, said that it was ‘terrible’ to miss out on the Arts Council funding – but that the team are now rallying and taking matters into their own hands.
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The vision for 53two’s new 150-seat theatre. Credit: Supplied
He said: “Obviously it was a terrible email to read, but, we sat on it, re-grouped and it was clear that we had to press on regardless of the bid outcome.
“We have already helped produce quality theatre in our small venue, and are continuing to support those artists who need a platform. We have a season of brand new writing lined up including the return of a much loved Manchester institution, loved by many but yet to be announced.
“We have no choice but to take matters into our own hands and are now looking to Manchester’s business community to help us raise the funds needed.”
Speaking of the importance of a specialist Changing Places toilet, Simon continued: “Many of our guests, artists and visitors have complex access needs and can only stay at the venue if we have fully accessible toilet facilities.
“The Changing Places toilet would provide a changing bed, a hoist and lots of space and privacy for carers to help people with using the toilet. Without it many have to leave the venue and go home which is heart breaking to see happen time and time again.
“So, to celebrate our first year anniversary on 27 May, we are inviting people from across Manchester, including those visionaries and giants who we are hoping can provide the financial support we need to grow the venue and create the facilities our patrons require.
“We are offering companies the naming rights for the auditorium for up to the next five years, in return for the investment required to get the theatre space up to spec.”
Coronation Street star, BAFTA winner and TripleC founder Cherylee Houston added her support to the fund-raising drive, saying: “53two is an incredibly important venture for creatives across Manchester.
“Not only did they design their building so far to be entirely step free they actively ensure they include disabled creatives across their work. They are an accessible venue that is warm and welcoming and ensure that all disabled creatives continually feel part of their phenomena programme of work.”
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The party on 27 May will feature live music from The Villanelles, a DJ set and hosting from Tom Finkill, a routine from International Wheelchair Dance Champion Monique Jarrett, and a reading from Tony Walsh himself.
Alexandra Maxwell, venue manager, said: “It’s been a rollercoaster of a year dealing with the challenges of a new business and the ever-changing climate in hospitality. That said, our community was well established at our old venue and their support has been incredible.
“By January 2022 we felt positive that we could start the next chapter of our journey and open up the second arch in its entirety, however the Arts Council’s surprising response and has driven us to try to raise the funds in a different way.”
A spokesperson for Arts Council England said: “Demand for the Capital Investment Programme was extremely high and we received a large number of both Expressions of Interest and applications.
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“We had to make tough decisions, but we awarded funding to applications that most closely meet the criteria and made the strongest contribution to the aims of the programme.
“In 2020 53Two was awarded £61,116 through the Government’s Culture Recovery Fund which supported cultural organisations through the impact of the Covid-19 pandemic and we would welcome applications from the organisation to other Arts Council funding programmes in the future.”
If you’re interested in attending the evening or for more information on the Sponsorship Package, please contact Simon on [email protected]
High School Musical at Lowry, Salford – a night spent reliving our childhood | Review
Amy Williams
What a night spent reliving our childhood.
Now, I don’t want to exaggerate or seem biased, considering this is one of my favourite film trilogies of all time, but this could be the best stage show I’ve seen in a long while.
We all know how High School Musical goes, right? Set at East High, we follow Troy and Gabriella (the star basketball player, and the geeky new girl) who meet over New Year, and then become ‘star-crossed lovers’ when back at school as they’re part of two different ‘cliques’.
The duo mess with the ‘Status Quo’ when they audition for the school musical. But will they stick to what they know? Or become stars of the stage? I’m sure you know the ending.
High School Musical is currently on stage at Lowry, Salford / Credit: Matt Crockett (Supplied)
From the costumes and the characters, to the memorable songs (there’s actually 52 songs in this production, including a mega mix at the end), they’ve kept right to the script of the films – and that’s exactly what we wanted to see.
Of course, the biggest throwback of them all is Kaycee Stroh – who originally featured as Martha Cox in the film trilogy – taking the role as Ms Darbus, and she was just as incredible as we expected her to be. And to see her do the iconic dance in the finale was unbelievable, 13-year-old Amy was screaming.
Also featuring Jason Donovan as Coach Bolton, Tobias Turley as Troy, Leonor Correia as Gabriella, Caitlin Tipping Sharpay, and Luke Bayer as Ryan, it was a proper impressive cast all round.
It’s a night to properly relive your mid-00s childhood / Credit: Matt Crockett (Supplied)
There was crowd interaction right from the off, as they taught the crowd a cheerleading routine to be included later in the show, plus for the finale, they had the lyrics on the big screen too so everyone could sing-along.
If we could go and see this show every single night, we would – it is absolutely brilliant.
Beloved local actor David Threlfall is returning to Manchester theatre after nearly three decades as King Lear
Danny Jones
Much-loved local actor and director David Threlfall is set to return to the Manchester theatre circuit after nearly three whole decades as he prepares to play King Lear at the Royal Exchange.
That’s right: Frank Gallagher himself is about to be one of Shakespeare’s most iconic characters in one of his most legendary plays.
Returning to the very same stage on which his career first began budding after 27 years since last treading the boards, the Shameless, Nowhere Boy and Hot Fuzz star will be donning the titular role in arguably the greatest tragedy of all time at the Manchester city centre theatre this coming autumn.
First announced last month, we’ve finally learned more about this significant comeback and can barely contain our excitement.
The seasoned thespian who is best known for playing UK TV’s well-known and perpetually drunk Northern dad, not to mention embodying fellow British performer Tommy Cooper, has plenty of roots in playhouses, but it’s fair to say he’s been gone from Greater Manchester for a hot minute.
Set to lead the cast in the new adaptation, directed by Matthew Dunster – himself a local Lancashire lad schooled in Chadderton – this feels like a proper homegrown production.
For anyone who’s never really experienced the historic tale by ‘Old Bill, the Bard of Avon’, to put it in the Royal Exchange’s words, it “charts a kingdom where power corrupts, families become enemies and prosperity devolves into war.
“At its centre is the mind of a man who can no longer understand what it means to be human. Lear is a searing portrait of a king unable to distinguish truth from lies. As the storm rises and night falls, language, identity and meaning break down completely.”
To be fair, you could argue there are some similarities between him and the Gallagher patriarch; he’ll also be in the middle of this run when he turns 73 – meaning it’ll be even longer since he last played the Royal Exchange Theatre (RET) in his mid-40s.
As for this version by Dunster – who himself is returning to the RET once again also (for his sixth different stint, no less) his talented cast includes the likes of Isobel Akuwudike, Ed Coleman, Lisa Diveney, Rupert Hill, Johnathan Slinger and more.
It’s also worth noting that Threlfall has featured in a Lear retelling in the past.
Way back in 1983, he played Edgar in the small-screen movie made right here in 0161 by Granada Television, where he acted alongside HUGE names such as John Hurt, Diana Rigg, Robert Lindsay, as well as the late, great TV, movie and all-around acting star, Laurence Olivier.
Born in Crumpsall, raised in Burnage, and made at the REC and various other theatres across the country, this feels like a momentous homecoming for the ever-familiar Manc face.
With shows booked from Friday, 2 October until Sunday, 15 November, and tickets priced at just £12 for standard seats, you can secure yours right HERE. It’s also worth noting that this isn’t the only Shakespearean adaptation coming to the region later this year, either…