Since its initial publication in 1868, Louisa May Alcott’s semi-autobiographical novel Little Women has captivated readers’ hearts and remains one of the most beloved novels of all time — and it has found just as much affection on stage too, such as right here in Manchester’s HOME Theatre.
Against the backdrop of the American Civil War, the book draws inspiration from Alcott’s own upbringing with her three sisters in what, despite the very specific historical context, turned out to be a very relatable and familiar feeling story filled with plenty of compelling character studies.
Little Women tells the tale of the March family, with the story revolving around the hardworking mother, Marmee, and her four daughters: Jo, Meg, Beth, and Amy.
As their father serves in the war, the narrative follows the sisters’ journey from childhood to adulthood, navigating the challenges of survival in New England during the War.
It achieves a perfect blend of humour, drama, romance and, of course, tragedy, along the way, and it’s easy to see the influences director Brigid Larmour has brought to the production.
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Bringing her expertise and acclaim from The Merchant of Venice 1936, not only does the theatrical performance sweep you in the spirit of the age but, just like the hugely popular and successful movie adaptation by Greta Gerwig in 2019, the production boasts an impressive cast.
From Kacey Ainsworth as mum Marmee, known for her role as ‘Little Mo’ in Eastenders, to Jessica Brydges, Rachael McAllister, Meg Chaplin and Julia Brown as the differing daughters (Meg, Jo, Beth and Amy, respectively), they all bring Alcott classic characters to life and without feeling like a various obvious nod to their recent Hollywood portrayals.
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The ensemble is rounded out by Daniel Francis-Swaby, Susan Twist and Tom Richardson: all of whom are seasoned performers on stage and screen — and it shows, pulling just the right amount of focus from the central figures and shining in their own right.
The most notable nod to the supporting cast goes to Twist, who plays Aunt March and emerges as a formidable force, providing comic relief during tense moments and adding an extra layer of entertainment to the production.
Manchester’s HOME theatre makes for the perfect space to bring Little Women to life.
Overall, the overarching family dynamic in Little Women mirrors the funny and chaotic moments reminiscent of those Christmas gatherings just around the corner, evoking a sense of nostalgia and universality through the little quirks and idiosyncrasies that define family life.
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In short, it’s akin to experiencing many ‘Christopher Columbus!’ moments in real-time, discovering uncharted territories within the family circle as you go — something everyone can identify with.
Anne-Marie Casey’s celebrated modern adaptation of the classic story, complemented by a stellar lineup both in its on-stage personalities, Larmour direction and wider creative team, along with a touch of festive cheer, makes Little Women a must-see production this winter.
All in all, it was a heartwarming show suitable for all ages which guarantees to resonate with both those discovering the tale for the first time and those first captivated by reading it on the page. Playing at HOME until 23 December, you can grab your tickets HERE.
Little Women is comfortably one of the best shows in Manchester right now.
Giselle, one of the greatest romantic ballets, has landed in Manchester and it’s a must-see
Eva Claricoates
When the English National Ballet is in Manchester, it’s an opportunity you shouldn’t let slip by, and is almost guaranteed to be one of the most stunning performances to grace the stage– Giselle at the Palace Theatre certainly was.
Giselle tells the story of a young peasant girl, who falls in love with Albrecht, a duke, who pretends to be a peasant in order to seduce the show’s namesake.
Albrecht is not only hiding his status but also an engagement to another. When Giselle finds out about his deception, she descends into madness and dies from a broken heart.
Giselle is summoned from the dead by spirits, the Wilis, all abandoned and betrayed before their wedding day. The Wilis take their revenge by dancing men to death, and Giselle must decide whether her love for Albrecht is too strong to sentence him to the same fate.
Credit: The Manc Group
Giselle tells a story of grief, heartbreak, and love, and how a true heart always avails. Hauntingly beautiful and romantic, Mary Skeaping’s production had been tenderly revived from its original performance, and it’s clear to see why the performance received five-star reviews earlier this year.
The entire production was captivating and dramatic, leaving the audience gasping, laughing and firmly glued to their seats. Adolphe Adam’s score is performed live by the English National Ballet Philharmonic nestled beneath the stage, which compliments the performance beautifully and skilfully.
Perhaps the most mesmerising point of the performance was the Wilis appearing in the forest at the beginning of act two, as they formed perfectly symmetrical formations, and appeared to almost float across the stage.
It served as a great medium for exploring themes of the supernatural exquisitely, providing truly stunning imagery to the audience.
Giselle uses mime to convey its storyline to the audience, and even if you are a first-time ballet-goer, it’s an easy-to-follow, modern performance which can be enjoyed by all audiences. If you’re so inclined, you can even get involved in a dedicated ballet masterclass.
Join our Creative Learning team and English National Ballet on Saturday 2 November for an exclusive ballet masterclass at the Palace Theatre! 🩰
This workshop is suitable for ages 11-17 with a keen interest in dance ranging up to intermediate levels.
Featured Images — Press Images (supplied)/The Manc Group
Theatre
13 Going On 30 The Musical to make world premiere in Manchester
Daisy Jackson
A cult classic rom com is making its world premiere on the stage in Manchester – that’s right, 13 Going On 30 The Musical is coming to town.
The brand new show will open at the legendary Opera House next autumn, bringing all the magic of the time-travelling film to life.
The musical is based on the 2004 film starring Jennifer Garner and Mark Ruffalo, and is written by the same duo behind the hit flick.
It follows the story of adorably awkward 13-year-old Jenna Rink, who wishes she could skip the difficult high school years – until her birthday wish comes true.
She magically wakes up to find herself ’30, flirty and thriving’ in a dream life as a magazine editor.
But then comes the journey to work out what, and who, really matters in life.
13 Going On 30 The Musical will have songs by Michael Weiner and Alan Zachary, who wrote for High School Musical: The Musical, and will be directed by Andy Fickman of Heathers and She’s The Man.
Film writers Josh Goldsmith and Cathy Yuspa, who have also written the book of the musical, said: “When we wrote the movie 13 Going on 30, we never dreamt that on the film’s 20th anniversary, we’d get the chance to see a whole new generation fall in love with Razzles and feel thirty, flirty, and thriving.
“It’s been a joy to work with ROYO, Revolution Studios, songwriters Alan Zachary & Michael Weiner, and director Andy Fickman to bring this story to life as a stage musical.
“We were thrilled by the audience’s response to our workshop last year, and now we can’t wait to officially open in Manchester at the legendary Opera House – the launchpad of so many iconic musicals.
“So bring your family, your friends, maybe a date, or just come alone – don’t be shy, we’re all nice. Hope you have as much fun seeing the show as we had making it!”
Tickets go on sale at 1.30pm on Wednesday 13 November HERE.