Since its initial publication in 1868, Louisa May Alcott’s semi-autobiographical novel Little Women has captivated readers’ hearts and remains one of the most beloved novels of all time — and it has found just as much affection on stage too, such as right here in Manchester’s HOME Theatre.
Against the backdrop of the American Civil War, the book draws inspiration from Alcott’s own upbringing with her three sisters in what, despite the very specific historical context, turned out to be a very relatable and familiar feeling story filled with plenty of compelling character studies.
Little Women tells the tale of the March family, with the story revolving around the hardworking mother, Marmee, and her four daughters: Jo, Meg, Beth, and Amy.
As their father serves in the war, the narrative follows the sisters’ journey from childhood to adulthood, navigating the challenges of survival in New England during the War.
(Credit: HOME Manchester)
It achieves a perfect blend of humour, drama, romance and, of course, tragedy, along the way, and it’s easy to see the influences director Brigid Larmour has brought to the production.
Bringing her expertise and acclaim from The Merchant of Venice 1936, not only does the theatrical performance sweep you in the spirit of the age but, just like the hugely popular and successful movie adaptation by Greta Gerwig in 2019, the production boasts an impressive cast.
From Kacey Ainsworth as mum Marmee, known for her role as ‘Little Mo’ in Eastenders, to Jessica Brydges, Rachael McAllister, Meg Chaplin and Julia Brown as the differing daughters (Meg, Jo, Beth and Amy, respectively), they all bring Alcott classic characters to life and without feeling like a various obvious nod to their recent Hollywood portrayals.
The ensemble is rounded out by Daniel Francis-Swaby, Susan Twist and Tom Richardson: all of whom are seasoned performers on stage and screen — and it shows, pulling just the right amount of focus from the central figures and shining in their own right.
The most notable nod to the supporting cast goes to Twist, who plays Aunt March and emerges as a formidable force, providing comic relief during tense moments and adding an extra layer of entertainment to the production.
Manchester’s HOME theatre makes for the perfect space to bring Little Women to life.
Overall, the overarching family dynamic in Little Women mirrors the funny and chaotic moments reminiscent of those Christmas gatherings just around the corner, evoking a sense of nostalgia and universality through the little quirks and idiosyncrasies that define family life.
In short, it’s akin to experiencing many ‘Christopher Columbus!’ moments in real-time, discovering uncharted territories within the family circle as you go — something everyone can identify with.
Anne-Marie Casey’s celebrated modern adaptation of the classic story, complemented by a stellar lineup both in its on-stage personalities, Larmour direction and wider creative team, along with a touch of festive cheer, makes Little Women a must-see production this winter.
All in all, it was a heartwarming show suitable for all ages which guarantees to resonate with both those discovering the tale for the first time and those first captivated by reading it on the page. Playing at HOME until 23 December, you can grab your tickets HERE.
Little Women is comfortably one of the best shows in Manchester right now.
‘Pioneering’ immersive theatre productions to take place inside shipping containers across Greater Manchester
Emily Sergeant
A pioneering production company is bringing immersive theatre inside shipping containers to Greater Manchester.
DARKFIELD has announced their first shows in Greater Manchester for seven years, and will present their three most critically-acclaimed experiences at iconic venues across the region as part of an ‘exciting’ collaboration.
Keen audiences will be able to head to The Lowry, Aviva Studios, and HOME this month to see theatre like they’ve never seen it before.
Renowned for their trademark shipping containers popping up across the UK and internationally, bringing mysterious and exciting experiences across the country, DARKFIELD will present SÉANCE, FLIGHT and ARCADE so crowds can find themselves immersed in the supernatural, boarding a new airline, or navigating a war torn world.
Fresh from sell-out runs at the Edinburgh Festival Fringe, BFI London Film Festival, and an extended residency at Shoreditch Town Hall, ARCADE will arrive at The Lowry – which is the company’s newest production.
‘Pioneering’ immersive theatre productions inside shipping containers will be happening across Greater Manchester / Credit: Mihaela Bodlovic | Fiona Rita Blyth
Aviva Studios will welcome one of DARKFIELD’s most popular and critically-acclaimed experiences, FLIGHT.
Over 30 minutes in total darkness, FLIGHT explores the Many-Worlds Interpretation of quantum mechanics, taking audience members through two worlds, two realities, and two possible outcomes to their journey.
And then over at HOME, the company’s first shipping container experience, SÉANCE, will be on show.
The interior of a 24ft container will be transformed into a Victorian séance room, and asks audiences to believe not only what is happening inside the container, but also in what might be conjured up into the room with them.
“We are delighted to be returning to Greater Manchester to present our shows in collaboration with three incredible venues,” commented DARKFIELD, ahead of their arrival in our region.
“We can’t wait to welcome audiences across the region to experience the strange worlds we’ve created.”
Chicago The Musical at The Lowry, Salford – a story of hot jazz and theatrical bliss
Aimee Woodcock
All That Jazz has found its way to Salford this week as Chicago the Musical hits The Lowry, and it’s safe to say the show still knows how to pull in a crowd.
Set in 1920s Chicago, the story centres on Roxie Hart, a chorus girl who shoots her lover and winds up behind bars. Inside Cook County Jail she meets Velma Kelly, a nightclub star with her own double-murder conviction.
Both women want the spotlight as much as they want their freedom, and with the slick lawyer Billy Flynn fighting their corner, it quickly turns into a tit-for-tat battle of who can play the media game best.
The big talking point this time round is Janette Manrara, swapping the Strictly ballroom for the theatre stage in her debut as Roxie. She’s playful, cheeky and full of energy, and it’s clear she’s enjoying every second.
By her side, Djalenga Scott is a knockout Velma. From the moment she kicks things off with ‘All That Jazz’ she owns the stage, captivating the audience with every line.
Together, the pair bounce off each other brilliantly – their love-hate chemistry is one of the show’s strongest pulls.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Darren Day brings the charm as Billy Flynn, the lawyer who can turn any trial into one big show stopper. His big number ‘Razzle Dazzle’ truly shines.
Stepping in for Brenda Edwards tonight was Victoria Anderson, in her element as Mama Morton, belting out ‘When You’re Good to Mama’ with just the right amount of soul.
Joshua Lloyd shines as Amos Hart, Roxie’s hopeless husband, heartbreakingly relatable in ‘Mr. Cellophane’, while Jordan Lee Davies brings humour and surprise as the iconic Mary Sunshine.
The staging is simple, with the 12-piece orchestra, sat in full view. It gives the whole show a stripped-back, concert-like feel, letting the band drive the energy – and trust us there’s plenty of it throughout the two hour show.
Chicago The Musical at The Lowry in Salford. Credit: Paul Coltas
Of course, Bob Fosse’s iconic choreography is front and centre of each performance and instantly recognisable. The famous ‘Cell Block Tango’ is as gripping as ever, the audience filled with applause upon finishing.
Chicago has been running for nearly 30 years, but it feels far from tired. If anything, its satirical take on fame and the media feels even sharper today than ever.
At The Lowry, it’s delivered with style, glitz and a lot of sass. One for fans old and new and well worth a night out.