Glastonbury has drawn to a close for another year.
As thousands of festivalgoers woke up bleary-eyed today after three days of eclectic shows, and with the usual massive clean-up operation now underway down at Worthy Farm, viewers and critics have been reflecting back on what was another successful year for the UK’s – and probably the world’s – biggest music event.
And by the looks of things, it seems one local star has stolen the show.
We are, of course, talking about none other than Rick Astley – who is now no longer a self-professed “Glastonbury virgin” after taking to the world famous Pyramid Stage on Saturday for one of the festival’s most talked-about sets.
It may have been 36 years since the iconic singer-songwriter from Newton-le-Willows first shot to fame with his massively-popular 1987 hit song ‘Never Gonna Give You Up’, but Rick Astley is arguably a more prominent force in popular culture now than he ever has been before.
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Over the past couple of years, the 57-year-old has been amassing new fans left, right, and centre, and has even claimed the strongest run of album chart positions of his entire career.
Fans will know that Astley had already teamed up with Blossoms to perform a selection of their favourite The Smiths songs back in 2021, and it went down so well the first time, that the Stockport indie rockers decided to bring Astley up on stage with them again for a surprise set to entertain the Glastonbury masses with some of the iconic Manchester band’s most well-known songs.
Taking over from Morrissey on vocals, Rick belted out some of the classics from The Smiths’ back catalogue – including ‘This Charming Man’, ‘Heaven Knows I’m Miserable Now’, and ‘Please, Please, Please, Let Me Get What I Want’ – with the Stockport lads doing a brilliant job of providing the instrumentation.
But still, that’s arguably not what Astley’s Glastonbury debut year will be remembered for the most.
As it was his unexpected drums cover of AC/DC’s iconic 1979 classic ‘Highway to Hell’ that’s got viewers branding it one of the festival’s best moments.
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As Astley took to the Pyramid Stage for his highly-anticipated Saturday slot, the enthusiastic showman had the expansive crowd in the palm of his hands and appeared to win everyone over with his impressive vocals – but it was when he took a seat behind the drum kit for the penultimate song on his setlist that he won over even his harshest critics.
And they weren’t the only one to take to Twitter to sing Astley’s praises, as social media was flooded with viewers complementing his unexpectedly good drumming talents, and his set as a whole.
“I didn’t know how much I needed to see Rick Astley crushing AC/DC’s Highway to Hell on the drums at Glastonbury,” another fan wrote on Twitter.
Someone else even called Astley “the human equivalent of flare jeans” as both are “making a comeback in 2023”, while another person called the cover a “legendary performance”, and more fans called to “Protect Rick Astley at all costs.”
One fan wrote on Twitter in praise: “Watching him play every instrument in every genre while covering vocals without mimicking the original singer like a single trick cover band singer is really quite something.
“Rick has been one of the pleasant surprises of Glastonbury,” another fan summed it up best, adding that he’s “a proper ray of sunshine.”
Featured Image – BBC
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Manchester institution ‘a little emotional’ after receiving a visit from rock icon Hayley Williams
Daisy Jackson
Rock icon Hayley Williams has been spotted shopping at Manchester institution Afflecks.
The legendary independent retail emporium said it was ‘feeling a little emotional’ after its halls were graced with rock royalty.
And not only did the Paramore frontwoman and acclaimed solo singer-songwriter come for a browse, she even gave Afflecks a shout-out on stage later that night.
Hayley Williams headlined two solo shows at Manchester Academy on Monday and Tuesday this week.
The shows are in support of her third studio album, Ego Death at a Bachelorette Party.
And despite being known globally as one of music’s best lead vocalists, this is actually Hayley Williams’ first solo tour (her previous dates were cancelled because of Covid).
While on stage in front of fans last night, she said: “I’ve learnt some Mancunian, and I’ve been to Afflecks!”
It sounds like she’s as lovely as she is legendary, with Afflecks saying that the star hung around to chat and take photos.
Sharing photos of the star inside the building, Afflecks wrote: “So a very special visitor stopped by Afflecks yesterday…
“A huge thank you to Hayley Williams for taking the time to visit us, say hello, and pose for a photo. She was so super lovely, kind, and welcoming, and to top it all off she even gave Afflecks a shout-out during last night’s show.
“Safe to say we’re feeling a little emotional about it. Thank you again Hayley for supporting Manchester’s small businesses.”
Secret stages, surprise sets and non-stop sunshine – here’s what went down at Parklife 2026
Clementine Hall
Parklife 2026 has officially wrapped up, and dare we say it might have been the best one yet?
Well, that’s it folks. One of the biggest weekends on Manchester’s musical calendar has been ticked off, and what a time we had.
The rolling hills of Heaton Park welcomed thousands of ravers who two-stepped from the moment the gates opened until the final vibrations echoed from the speakers.
So, while we nurse our sore feet and slap on the aftersun, let’s reflect on Parklife 2026 and catch you up on what you might have missed.
Images: The Manc Group
For once, the weather actually delivered.
Blue skies and glorious sunshine stuck around all weekend, giving festival-goers the perfect excuse to stay out from open to close and making Heaton Park look more like Ibiza than north Manchester. We’re exaggerating, of course, but you get the picture.
While headline sets from pop princess Zara Larsson and grime MC Skepta drew huge crowds, some of the biggest moments happened away from the main stages.
Images: The Manc Group
After all, when else can you watch Manc icon Bez DJing on a rooftop at a secret garden party? It truly was a sight to behold.
The festival introduced three brand-new secret stages this year, which we think were a fantastic addition. Our favourite was the Bossmans Tent – an exclusive stage hidden behind the facade of a corner shop, where festival-goers had to enter through a fridge to discover the music inside.
Of course, it wouldn’t be a festival without a few cheeky surprise sets thrown into the mix. Enter Aitch.
At this point, the Manchester rapper is basically a Parklife resident, popping up each year to surprise crowds with a song or two. This year, our hometown hero joined Bou on stage, sending fans into a complete and utter meltdown.
Images: The Manc Group
The city was also well represented through a number of stage takeovers across the weekend. Ghosts of Garage, the Manchester-born brand that has built a loyal following across the region, brought together a host of local DJs on Sunday for a takeover that felt like a celebration of the city’s thriving dance music scene.
One of the most anticipated additions for 2026, the new Panorama stage was a real standout. Featuring a belting 100m LED screen, huge dance platforms and behind-the-booth access, there wasn’t a quiet moment there all weekend – and it’s not hard to see why.
Sheffield DJ Silva Bumpa drew one of the busiest crowds of the weekend at Panorama, creating relentless energy from start to finish. Fans were packed shoulder-to-shoulder as one of the UK’s fastest-rising names delivered a set worthy of all the hype.
Emily Sergeant -
26th June 2023 
