There appears be increasing public debate and confusion surfacing this week as to whether takeaway coffee services can be considered “essential” under national lockdown guidelines.
And it seems like Downing Street doesn’t quite know either.
The ongoing conversation comes amid calls to end “non-essential” takeaway services following claims that allowing such sales is encouraging the level of household mixing that is not permitted under the government guidelines in place for England’s third national lockdown.
Experts and government ministers have been asked a number of times whether people are allowed to leave their home solely for a takeaway coffee and whether they can then drink coffee while out with a friend.
Further queries also then arise around whether people can sit in on bench to drink a coffee while out.
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Steve Brine – former Conservative Health Minister – was among the first to spark national interest on BBC Newsnight yesterday evening, where he called for an end to non-essential takeaway sales, including coffee, stating: “There are so many things that we are doing, which are allowed in the rules… but I just don’t think they are wise right now.”
But Downing Street drew criticism earlier yesterday after the Prime Minister’s official spokesperson was unable to confirm if a single person could sit down on a bench under the restrictions, and when pressed whether people can consume takeaway drinks public, he said that “takeaways are allowed, or restaurants or cafes are allowed to provide takeaways”, but “people are allowed to leave their homes if it’s for exercise, not socialising”.
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The spokesperson reiterated: “We have set out clearly the rules”
And now today, Kit Malthouse – Minister of State for Crime and Policing – made a number of televised media appearances, and addressed the situation head on by listing the scenarios in which buying a takeaway coffee would be allowed.
Mr Malthouse said people need to use their “common sense” when following lockdown rules.
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Is leaving the house for a coffee legitimate?
Policing Minister Kit Malthouse says coffees are becoming a ‘scotch egg moment’ as he says the govt is relying on people's ‘common sense’ of what they think is appropriate. @Piersmorgan | @susannareid100pic.twitter.com/dSwAH2xQEs
He told Good Morning Britain that: “If you’re getting coffee on your way to do exercise, or as part of your acquiring food, or one of those reasons you’re allowed to be out of the house, then that is legitimate [but] this is one of those ‘Scotch egg’ moments, where it’s very hard for us legislators to legislate for every single nuance of human behaviour.
“What we are relying on is people having a common sense of themselves of what they think is appropriate.”
Downing Street has clarified today that sitting on a park bench for a “short pause” during exercise is reasonable, but leaving the home just to sit in public is unlawful under lockdown regulations.
The takeaway coffee debate comes after Health Secretary Matt Hancock addressed the public in a Downing Street press conference yesterday, reinforcing that: “The NHS, more than ever before, needs everybody to be doing something right now – and that something is to follow the rules.
“I know there has been speculation about more restrictions, and we don’t rule out taking further action if it is needed, but it is your actions now that can make a difference.
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“Stay at home, and please reduce all social contact that is not absolutely strictly necessary.
“That’s what is needed – act like you have the virus.”
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For the latest information, guidance and support during the coronavirus (COVID-19) pandemic in the UK, please do refer to official sources at gov.uk/coronavirus.
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Review | ‘This is a night to remember, Manchester’ – Jason Derulo’s Co-op Live debut
Amy Williams
Who’s ready for another throwback night? Because this was absolutely a night already full of nostalgia and one to remember.
American singer-songwriter Jason Derulo hit Co-op Live last night as part of his ‘The Last Dance World Tour’, famous for hit songs like ‘Whatcha Say’, ‘Talk Dirty’, and ‘Savage Love’ – we all remember the Covid TikTok dance, don’t we? – as well as many more.
With over 250 million singles sold and tens of billions of streams, you best believe his one night in Manchester was sold out.
Running through the big hits and everything in between, he and his dancers made it a proper party atmosphere on this fine Saturday evening.
He did his throwback songs and more; from the moment he said, “We’re throwing it back to the beginning, back to 2009″, we knew his first debut single, ‘Whatcha Say’, was about to grace our ears, and that it did.
He also brought back absolute classics like ‘Ridin’ Solo’ (I definitely lost my voice during this one) In My Head and It Girl.
The Last Dance run of shows has seen him visit places like Leeds, London, Glasgow and Birmingham, finishing his UK leg right here in Manchester, before he carries on to Europe, but we’re confident our date had the best crowd so far.
And just when you think this couldn’t get any better, he brought his little boy on stage to say hi to everyone, too – shattered everyone’s hearts.
He has that many hit songs, it wasn’t possible to get through them all, so his DJ halfway through did a mash-up of songs he’s also written and featured in, including ‘I Gotta Feeling’ by Black Eyed Peas, ‘Secret Love Song’ with Little Mix and ‘Replay’ by Iyaz.
We knew his voice was amazing – but can we have a moment for this man’s dance moves, keeping everyone on their feet at Co-op Live tonight, and his dancers made everyone want to start dance lessons tonight too, an absolutely incredible performance by all.
Jason Derulo told the audience, “This is a night to remember Manchester’, and that it absolutely was.
The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Emily Sergeant -
12th January 2021 
