This year, the most viral moment from the Oscars, the world’s most star-studded event, came from England’s very own Hugh Grant.
In an interview that’s simultaneously been labelled ‘painful’ and ‘brilliant’, 62-year-old Hugh made it very clear – through a series of eye-rolls, desperate looks off-camera, and one-word answers – that he’d quite like to be anywhere else in the world.
He was being interviewed by model and presenter Ashley Graham, who to her credit, manages to keep up a professional pretence of having a nice time in the face of sheer grumpiness.
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The pair discussed everything from his role in Glass Onion (‘I’m in it for about three seconds’) to who he expected to see win an award (‘No one in particular’).
Some think the interview was doomed from the moment Ashley, 35, referred to Hugh as a ‘veteran’, others say it fell off a cliff when she mistook his reference to Vanity Fair for a mention of the magazine, rather than the novel (at which point you see Hugh’s jaw literally drop).
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And it really reached new levels of bum-clenchingly-awkward when Ashley asked him about his outfit (‘Just my suit’, he responded. Aaaggghhhh).
The car crash, perfect TV moment has completely divided opinion, with most Brits thinking it’s hilarious and most Americans thinking Hugh was just plain rude.
Ashley Graham at the Oscars. Credit: ABCHugh Grant on the Oscars red carpet. Credit: ABC
One person tweeted: “Interesting divide on Hugh Grant’s behaviour at the Oscars last night. I’ve carefully collated the discourse and offer the following analysis. Americans: he was impolite, ungrateful, dismissive, rude, belligerent, cantankerous, unhelpful. British people: lol lmao.”
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Another said: “Hugh Grant doesn’t mean to be rude here, but this is how it feels like to be British and confronted by absurdly enthusiastic American extroverts.”
Someone else wrote: “Alexa show me British understatement vs American enthusiasm and make it Hugh Grant.”
The Hugh Grant vs Ashley Graham showdown has drawn comparisons to a similar interview with The Cure’s Robert Smith after he was confronted by an extremely energetic interviewer back in 2019.
Almost as good as Robert Smith of The Cure being interviewed at the Rock & Roll Hall of Fame. pic.twitter.com/T578ew0A1r
Comedian Dom Joly simply said: “God I love Hugh Grant.”
Rolling Stone magazine tweeted: “And the Oscar for Best Actress goes to Ashley Graham telling Hugh Grant ‘it was nice to talk to you’.”
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One person said: “Hugh Grant’s utter contempt for the Oscars circus is a thing of beauty (esp ‘What are you wearing’).”
And then there’s this fun take: “This is just Hugh playing his Notting Hill role, Mr. Thacker, a couple of decades down the track. After marrying Hollywood star Anna Scott all those years ago, it’s become clear he never took to celebrity life.”
Ashley has since addressed the interview to TMZ, saying: “You know what, my mama told me to kill people with kindness, so there you go.”
Molly-Mae Hague revisits first Manchester flat, now on the market for £185k
Daisy Jackson
Molly-Mae Hague’s first Manchester flat is now on the market for £185k – and the star herself has paid a visit to her old digs.
Those who have been following Molly-Mae since before she shot to serious fame on Love Island will have recognised the backdrop of her recent TikTok video.
The 27-year-old reality TV star and businesswoman posed around the one-bedroom flat, dancing to Sabrina Carpenter’s ‘House Tour’.
The apartment is where she lived just before entering Love Island, and where she and now-fiance Tommy Fury lived briefly when they left the show.
And now that exact flat where she really launched her social media career has been listed for sale, at £185,000.
The corner apartment stands on the 17th floor of Islington Wharf, overlooking New Islington tram stop and right on the doorstep of Ancoats.
Her former landlord, who arranged for Molly-Mae to have one look around her old flat before it’s sold, said that she was a ‘lovely, polite and down-to-earth young woman, and an excellent tenant who looked after the apartment extremely well.’
The one bedroom apartment has double-aspect floor-to-ceiling windows which look across Manchester on one side, and out towards the Pennines on the other.
It’s listed for sale with no chain and the option to include existing furnishings (which seems to include the same couch Molly-Mae had at the time).
The flat also has a kitchen/living space, a communal garden, superfast broadband, and is within walking distance of Manchester Piccadilly.
Hans Zimmer at Co-op Live, Manchester – movie magic brought to life
Lonnie Bowes
What do Batman, Kung Fu Panda, and Captain Jack Sparrow all have in common? Music by Hans Zimmer, of course.
I must admit it’s an odd sight seeing 20,000 people seated in the Co-op Live. Manchester is no stranger to a big night out, but this is a different beast entirely. No mosh pits, no flying pints, no one on anyone’s shoulders. Just a full orchestra, a choir, and a wall of screens.
At the centre of it all is conductor Matt Dunkley, steering the Odessa Orchestra & Friends through some of the most recognisable music ever put to film. Zimmer appears on the big screens between pieces to introduce the music and the stories behind it. I was disappointed that Hans didn’t make an appearance but let me tell you this performance was no less impressive.
And in no time at all the gloves came off. Batman is, quite simply, incredible. All menace and muscle, strings sawing away like something is about to go very wrong, brass and percussion hitting so hard you feel it in your ribcage before you hear it.
Gladiator pulls things the other way. Where Batman pins you to your seat, this one lifts you out of it in a big way. Lets face it, if you are some what of a self respecting movie head, you’ll have seen Gladiator and know first hand how ‘Now we are free’ can command your mood. Well imagine that in person.
If the orchestra is the engine, the Nairobi Chamber Chorus is the heart. When their voices rise for The Lion King, it stops being a concert and becomes something closer to gospel.
Hans Zimmer at Co-op Live. Credit: The Manc Group
Because beneath the scale and the spectacle, there’s something more intentional at play. These pieces of music are part of people’s lives. We are talking first trips to the cinema, films watched with parents, soundtracks that got someone through a rough year.
And then there’s Interstellar. ‘No Time for Caution’ creates it own suspense. The organ churns, the tempo tightens like a ticking clock, you genuinely find yourself gripping the armrest as if you’re the one trying to dock a spinning spacecraft.
Time, from Inception, is the other side of that coin when it comes to what it emotes during the performance. It’s slow, it’s patient and it’s moving. It builds from almost nothing, layer on layer.
After all that, there’s only one way to send people home. Pirates of the Caribbean closes the night at full tilt. You think everything is drawing to end, Matt Dunkley has already guided you to the apex of nights performance, but no. Hans Zimmer flashes on to the screen one more time and alluded that’s we aren’t at the finish line just yet. Strings galloping, the whole orchestra going hell for leather. Heads nodding, feet stamping, grins everywhere.
Epic, emotional and beautifully played. This wasn’t just a concert it was a reminder: that a piece of music can take you somewhere else entirely, and that you don’t need a single lyric to make thousands of strangers feel the exact same thing at the exact same time.
Hats off to every musician on that stage. You absolutely smashed it.
Daisy Jackson -
14th March 2023 
