One of the biggest rap, R&B and pop names on the planet rocks up to Manchester this week and we really ‘Stay’, never say his ‘Goodbyes’ and soak up all the ‘Congratulations’…
That’s right, Post Malone is coming to 0161 for not one but two nights on the trot and it’s going to be an absolute party.
It’s been a couple of years since Post Malone was last in the UK for a show, playing Reading Festival back in 2022, and it’s been four whole years since the New York-born rapper was last in Manchester.
Luckily, us Mancs get to make the most of this visit, with Posty set to play two massive shows at AO Arena on Tuesday and Wednesday (16-17 May). With that in mind, here’s everything you need to know.
Thankfully, if you’re looking to get in on the Twelve Carat Tour, there are still a fair few tickets left to see Post Malone in Manchester either night, with even more available on the second night (Wednesday).
ADVERTISEMENT
Better still, they all range between various different locations and prices around the Arena too, with tickets in the lower seated section starting from just under £100 and VIP standing spots around his impressive stage area setting you back £126.50.
The cheapest seats up towards the back of the venue will cost you £76.55, but you best be quick if you want these before they get snapped up by someone else. You can always opt for the Champagne, Suite and Heineken Sky Lounge experiences if you really want to splash out.
ADVERTISEMENT
Whatever level of flashy you want to go, you can grab yours HERE.
Post Malone’s supports for his Manchestergigs are two-fold: American rap duo Rae Sremmurd — one half of which, Swae Lee, combined with the 27-year-old on the hit track ‘Sunflower’ for the Spider-Man: Into the Spider-Verse film — as well a guest appearance from another name that is yet to be confirmed.
Who it could be is a total mystery; as far as we can tell from the previous gigs on the UK leg of this tour, there has little been little info leaked about who else has got it on the action, but all we know is that an additional support act is set to be confirmed soon.
ADVERTISEMENT
Who do you think it could be or, maybe the better question is who would you like to see?
Doors for Post Malone at the AO Arena will be open from 6pm, with the first support act (whoever they might be) taking the stage at 7.
After a swift half-hour set, Rae Sremmurd will take the stage at 8pm until 8:40; from then there’ll be a quick 20-minute interval for you to fill up on snacks and booze before Posty himself starts playing, with the gig set to run to 10:30pm.
Of course, you always have to make room for an encore and with so many bangers to his name, your guess is as good as ours as to what he’ll close the show with.
ADVERTISEMENT
Chances of him doing a Manc cover or some kind? He does love that guitar of his…
Predicted setlist
Speaking of the music itself, judging by the tracks and the running order from his recent three-night run at London’s O2 Arena, this is what we are expecting when it comes to Post Malone’s setlist for Manchester AO Arena:
It’s set to be a brilliant double bill at Manchester’s iconic AO Arena and with tickets still left to grab, you still have a chance to see Post Malone do what he does best right on your doorstep: put on a brilliant performance with more genre’s in one night than you’ll get from virtually any other musician around.
From the clips we’ve seen of his world tour so far, this bloke is just enjoying himself, having an absolute party on stage every night and taking crowds along for the ride.
ADVERTISEMENT
We hope to see a few of you there and if there are any other details you need, you can always check out the Arena’s info pack down below:
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms