Chris Moyles has come out with arguably one of the worst takes we’ve heard in a long time after he said he doesn’t play new music because he believes “most unsigned musicians are crap”.
Oh dear, Chris…
Speaking on his self-titled morning show on Radio X last week, the former BBC Radio 1 DJ and industry veteran was trying to defend criticism that he doesn’t play enough new music.
Despite insisting that “that’s not what [his] show is about”, which may have been reason enough to stop the conversation there, Moyles decided to double down and share his opinion on the wider music scene.
Responding to his listeners, he said: “the real reason is, and this will blow their tiny minds and they’ll hate this, the reason why we won’t play unsigned bands is because — and there are exceptions to the rule — but the main reason is that most unsigned bands are crap. I’m sorry, but that’s the truth.”
ADVERTISEMENT
To absolutely no surprise whatsoever, the 48-year-old is being absolutely rinsed, with his claim being labelled everything from “shocking” and “ridiculous” to “an embarrassment”, not to mention several declaring him a “self-indulgent pr*ck” and insisting that he should “hang [his] head in shame”.
Moyles has always been somewhat of a divisive figure, even hinting at his Marmite-esque reputation whilst appearing on I’m A Celeb at the end of 2022, but most people seem to be in agreement on this one: it’s a pretty ignorant and callous take.
ADVERTISEMENT
Artists and music lovers across social media have come out to rubbish the ill-thought-out judgement. Even station colleague John Kennedy had to make sure people knew these were solely the opinions of Moyles and not necessarily that of Radio X.
The first, most obvious thing to state is that every band or solo act was once an unsigned musician and, as countless pointed out, without exposure from the likes of radio DJs some of the world’s greatest ever artists may have never come to be.
Scottish four-piece The Lutras were one of countless to state their disappointment, issuing the following statement on their Twitter:
ADVERTISEMENT
“Very disappointing to hear. No wonder up-and-coming bands struggle to get any airplay at all when the people who are supposed to be scouting them are saying they’re mostly crap and complaining about it. Rotten attitude. Chris Moyles, sort it out or f*** off”
Beyond his knowledge and opinions on music, many have also come out to suggest that the Leeds-born disc jockey has said plenty more upsetting things than this in the past, highlighting numerous controversies that many may not be readily aware of. Warning: it makes for rather unpleasant reading.
Fortunately, back here in Manchester, our music-loving city is still doing its best to spotlight up-and-coming talent as it should.
Mayor Andy Burnham recently handed out the inaugural ‘Artist of the Month’ award to The KTNA in January, crucially giving them that very same air-time on BBC Radio Manchester that Moyles seems so quick to overlook.
Furthermore, music legend Johnny Marr and The Salford Foundation Trust recently gave local lad John Denton and his band, The Height, a huge boost in their fledgling music career too.
ADVERTISEMENT
Don’t look down on people trying to make it, be more like these legends.
Featured Image — Chris Moyles (via Instagram)/Radio X (via YouTube)
Audio
The Script announced as latest Co-op Live act as they head back to Manchester
Danny Jones
Irish rock pop band The Script have been confirmed as the latest artists set to play Co-op Live arena as they prepare to make their Manchester return later this year.
Announcing the Co-op Live gig as part of their upcoming Satellite world tour, in support of their new album which is set to drop in just a few months’ time, the noughties and 2010s hit-makers will be coming to Manchester’s newest venue this fall.
With the trio having not long lost their lead guitarist and best mate Mark Sheehan during their run of Greatest Hits shows, this will be the first full tour they are set to play without him in the lineup.
Having gone back and regrouped, made a new record and now dropped their latest single ‘Both Ways’ at the same time on Friday morning, it’s full speed ahead for the boys with a massive world tour now on the horizon, including 20 European dates.
After being reduced to just two of the original found members, frontman Danny O’Donoghue and drummer Glen Power, the Dubliners have since doubled, inviting bassist Ben Sargeant and guitarist Ben Weaver to join the band earlier this month. They’re also still out on tour with pop legend Pink.
Their new album, Satellite, will mark their seventh studio LP and the first material released as a four-piece and is scheduled for release on 16 August, promising to deliver a whole new energy from the band.
Taking inspiration from the likes of The Black Eyed Peas and Bruno Mars, bassist Glen admitted that the sound “maybe not what people might expect from us but we’re The Script, and now we have something to prove: that there’s life and light after the darkness. It’s why we’re coming fast and strong with that one.”
Lead singer Danny added: “The album cover is silhouettes of me, Glen and Ben Sargeant, our bassist, who’s been with us from the beginning. Then we have a hooded silhouette, because the air of Mark is still there.
“He always will be, but it’s also giving a tip of the hat to the future. It’ll never be the same Script. We’re just trying to get on and do what it is that we all feel is the next right thing to do and that’s to keep making more great music.”
As for the show itself, The Script arrive at Co-op Live on 30 November – the final show of their UK leg and over two years since their last visit to Manchester at the AO Arena.
For those looking to grab tickets, fans who pre-order Satellites from the band’s official store before5pm on Tuesday, 21 May will receive access to an exclusive pre-sale for tickets for the UK and Irelandtour dates.
Pre-sale opens at9:30am on Wednesday, 22 May and general admission tickets go live at the same time on Friday, 24 May. You can grab yours HERE.
We’ve had the luxury of popping along to the brand-new arena a few times now and we have to say, it didn’t disappoint.
Black Keys at Co-op Live, Manchester – huge venue’s first taste of the blues
Charlie Watkinson
As a huge Black Keys fan, when I found out they were set to be the first band to grace the stage at Co-op Live, I just knew I had to be there.
Of course, it didn’t turn out that way.
After numerous cancellations and rescheduling, Elbow managed to nab the first spot, with the Black Keys taking to the stage the following night instead (several weeks later than their original show date).
Let me tell you though – they did not disappoint.
Having been one of the starry-eyed fans at Elbow the previous night, and been properly impressed by the sound quality inside the massive new Manchester venue, the thought of hearing Dan Auerbach’s epic bluesy riffs had me beyond excited.
Entering the stage playing the heavy-hitting I Got Mine, followed by one of their most well-known tracks, Gold on the Ceiling, it was evident we were in for a great show.
I have to admit, though, as a die-hard Black Keys fan, I couldn’t ignore how static the crowd was throughout the whole performance.
It almost seemed like the room was filled with people who didn’t know their songs, perhaps due to rescheduling and Co-op Live dishing out tickets to say ‘sorry for the inconvenience’?
The quiet stillness of the crowd did a great disservice to the electrifying talent on stage. Luckily, this didn’t matter too much.
Closing with their most popular song, Lonely Boy, I almost forgot how still the crowd had been as I watched the entire stadium howling, “DAH DAH DAH DAH DAH – DAH DAH DAH DAH DAH.”
Although I wanted more from the crowd, all in all, the Black Keys played a setlist fit for a super fan and gave Co-Op Live its first taste of the blues.
I just wished the audience had been Howlin’ for You all night, not so Tighten Up’… As you were.